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Introduction, origins
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Jeremy Siepmann
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01:39 |
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Imagery, analogy and the shape of the things to come; the opening flourish
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Jeremy Siepmann
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01:50 |
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The unusual presence of the double-bass
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Jeremy Siepmann
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00:54 |
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A palette of tone colours and the emergence of a theme
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Jeremy Siepmann
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00:47 |
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Trouble getting off the ground, but the key is not in doubt.
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Jeremy Siepmann
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00:49 |
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Jumping the queue: Schubert takes a lesson from Mozart.
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Jeremy Siepmann
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01:33 |
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Mozart demonstrates a traditional transition.
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Jeremy Siepmann
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00:33 |
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Destination clarified
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Jeremy Siepmann
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00:07 |
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Mozart confirms our arrival.
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Jeremy Siepmann
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00:08 |
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A Schubertian shocker from a later work
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Jeremy Siepmann
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00:52 |
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Rejoining the 'Trout', with a reminder
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Jeremy Siepmann
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00:27 |
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The piano joins the strings with yet a third variant of the theme.
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Jeremy Siepmann
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00:31 |
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A rhythmic motto: the 'triplet motif'
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Jeremy Siepmann
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01:26 |
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We get it here.
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Jeremy Siepmann
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00:17 |
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We get it there.
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Jeremy Siepmann
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00:17 |
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We find it everywhere, even in the double-bass.
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Jeremy Siepmann
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00:27 |
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The strings' answer to the piano's opening flourish
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Jeremy Siepmann
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00:36 |
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The two-part structure of the 'answering motif'...
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Jeremy Siepmann
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00:24 |
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...but scarcely ever the same way twice
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Jeremy Siepmann
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00:34 |
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The piano and strings now share the material for the first time.
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Jeremy Siepmann
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00:42 |
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Conversation as the first principle of chamber music
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Jeremy Siepmann
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00:43 |
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Opening (introductory) section heard complete
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Jeremy Siepmann
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01:01 |
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The violin and double-bass in partnership
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Jeremy Siepmann
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01:16 |
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The violin and piano swap roles.
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Jeremy Siepmann
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00:59 |
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Transition to second main theme; triplets now everywhere
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Jeremy Siepmann
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01:12 |
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On the threshold of the new theme
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Jeremy Siepmann
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00:30 |
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Second main theme (a 'love duet'), shared by cello and viola
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Jeremy Siepmann
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01:24 |
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The abandonment of octaves in the piano changes the tone colour.
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Jeremy Siepmann
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01:07 |
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A surprising change of tone and a premonition
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Jeremy Siepmann
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00:39 |
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A return to lyricism, but the cello jumps the gun
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Jeremy Siepmann
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00:37 |