Sappho - Act I Scene 2: The Symposium: Introduction - Phaon has become much thinner … The Nymph in the fountain (Minos, Sappho, Chorus)-Deborah Polaski/Wolfgang Koch/Gulbenkian Choir/Gulbenkian Orchestra

歌手 : Deborah Polaski / Wolfgang Koch / Gulbenkian Choir / Gulbenkian Orchestra
专辑 : GLANVILLE-HICKS, P.: Sappho [Opera] (Condon)
语种 : 英语
时长 : 06:21

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Sappho - Act I Scene 2: The Symposium: Introduction - Phaon has become much thinner … The Nymph in the fountain (Minos, Sappho, Chorus)-Deborah Polaski/Wolfgang Koch/Gulbenkian Choir/Gulbenkian Orchestra 推荐歌曲

Act I Scene 2: N'allez pas croire que ce fauteuil (La Prieure, Blanche)-Deborah Polaski/Sally Matthews/Vienna Radio Symphony Orchestra/Bertrand De Billy
Act I Scene 2: Vous pleurez? (La Prieure, Blanche)-Deborah Polaski/Sally Matthews/Vienna Radio Symphony Orchestra/Bertrand De Billy
Act I Scene 4: Je trouve que Blanche de la Force tarde beaucoup (La Prieure, Mere Marie)-Deborah Polaski/Michelle Breedt/Vienna Radio Symphony Orchestra/Bertrand De Billy
Act I Scene 4: Monsieur Javelinot, je vous prie de me donner (La Prieure, M. Javelinot, Mere Marie)-Deborah Polaski/Nenad Marinkovic/Michelle Breedt/Vienna Radio Symphony Orchestra
Act III: Interlude: Soeur Gerald, il faut absolument prevenir le pretre (La Prieure, Mere Marie)-Deborah Polaski/Michelle Breedt/Vienna Radio Symphony Orchestra/Bertrand De Billy
Götterdämmerung (Twilight of the Gods) - Act II Scene 4: Heil'ge Gotter (Brunnhilde, Gunther, Siegfried, Gutrune, Hagen, Frauen, Mannen)-Deborah Polaski/Robert Bork/Christian Franz/Anna Gabler
Götterdämmerung (Twilight of the Gods) - Prologue: Zu neuen Taten, teurer Helde (Brunnhilde, Siegfied)-Deborah Polaski/Christian Franz/Hamburg Philharmonic Orchestra/Simone Young
Götterdämmerung (Twilight of the Gods) - Prologue: Oh, heilige Gotter! (Brunnhilde, Siegfried)-Deborah Polaski/Christian Franz/Hamburg Philharmonic Orchestra/Simone Young
Götterdämmerung (Twilight of the Gods) - Act I Scene 3: Welch banger Traume Maren meldest du Traurige mir (Brunnhilde, Waltraute)-Deborah Polaski/Petra Lang/Hamburg Philharmonic Orchestra/Simone Young
Götterdämmerung (Twilight of the Gods) - Act II Scene 4: Gegrusst sei, teurer Held! (Gunther, Siegfried, Brunnhilde)-Robert Bork/Christian Franz/Deborah Polaski/Hamburg Philharmonic Orchestra
Ariane et Barbe-bleue - Act I: A mort! A mort! - L'avezvous vue dans le carrosse? (Voices of the Crowd, Single Voices)-Deborah Polaski/Jane Henschel/Kwangchul Youn/Ruxandra Donose
Act I Scene 3: Weh, ach wehe! Dies zu dulden! (Brangane, Isolde)-Deborah Polaski/Heidi Brunner/Vienna Radio Symphony Orchestra/Bertrand De Billy
Act II Scene 2: O sink hernieder, Nacht der Liebe (Tristan, Isolde)-Johan Botha/Deborah Polaski/Wiener Singverein/Vienna Radio Symphony Orchestra
Prelude-Deborah Polaski/Heidi Brunner/Vienna Radio Symphony Orchestra/Bertrand De Billy
Ariane et Barbe-bleue - Act I: Que faites-vous? (The Nurse, Ariane)-Deborah Polaski/Jane Henschel/Kwangchul Youn/Ruxandra Donose
Die Walküre - Act II Scene 1: Was verlangst du? (Wotan, Fricka, Brunnhilde)-Falk Struckmann/Jeanne Piland/Deborah Polaski/Hamburg Philharmonic Orchestra
Ariane et Barbe-bleue - Act III: Cela vient d'elle-meme et se cachait en elle (Ariane, Ygraine, Belangere)-Deborah Polaski/Jane Henschel/Kwangchul Youn/Ruxandra Donose
Die Walküre - Act III Scene 3: Und das ich ihm in Stucke schlug! (Wotan, Brunnhilde)-Falk Struckmann/Deborah Polaski/Hamburg Philharmonic Orchestra/Simone Young
Ariane et Barbe-bleue - Act I: Celles-ci sont terribles, et je n'y touche point (The Nurse, Ariane)-Deborah Polaski/Jane Henschel/Kwangchul Youn/Ruxandra Donose
Die Walküre - Act II Scene 5: Wehwalt! Wehwalt! (Hunding, Siegmund, Sieglinde, Brunnhilde, Wotan)-Mikhail Petrenko/Stuart Skelton/Yvonne Naef/Deborah Polaski
O Michele? Michele? (Giorgetta, Michele, Bargemen, Luigi, Il Tinca, Il Talpa)-Elza van den Heever/Wolfgang Koch/Johan Botha/Charles Reid
O Luigi! Luigi! (Giorgetta, Luigi, Michele)-Elza van den Heever/Johan Botha/Wolfgang Koch/Vienna Radio Symphony Orchestra
So langsam, Weib? (Simone, Bianca)-Wolfgang Koch/Heidi Brunner/Vienna Radio Symphony Orchestra/Bertrand De Billy
Salome, Op. 54, TrV. 215 - Scene III: Zurück, Tochter Sodoms! Berühre mich nicht!-Wolfgang Koch/Emily Magee/Frankfurt Radio Symphony Orchestra/Andrés Orozco-Estrada
Salome, Op. 54, TrV. 215 - Scene III: Jochanaan! Ich bin verliebt in deinen Leib-Emily Magee/Wolfgang Koch/Frankfurt Radio Symphony Orchestra/Andrés Orozco-Estrada
Salome, Op. 54, TrV. 215 - Scene II: Jauchze nicht, du Land Palästina-Wolfgang Koch/Emily Magee/Stephan Somburg/Torben Jürgens
Doktor Faust - Prologue I: Euerer Magnifizenz Verzeihung (Wagner, Faust)-Steven Humes/Wolfgang Koch/Elmar Schloter/Bavarian State Orchestra
Doktor Faust - Intermezzo: Der Mann sinnt auf deinen Tod (Mephistopheles, Faust, Soldat)-John Daszak/Wolfgang Koch/Raymond Very/Elmar Schloter
Doktor Faust - Prologue II: Credo in unum Deum (Chorus, Faust, Mephistopheles)-Wolfgang Koch/John Daszak/Elmar Schloter/Bavarian State Opera Chorus
Doktor Faust - Prologue II: Frage, immerhin (Chorus, Faust, Stimme 1, Stimme 2, Stimme 3, Stimme 4, Stimme 5, Stimme 6)-Wolfgang Koch/Steven Humes/Rudiger Trebes/Adrian Sâmpetrean
Doktor Faust - Prologue I: Seid Ihr den Studenten begegnet? (Wagner, Faust)-Steven Humes/Wolfgang Koch/Elmar Schloter/Bavarian State Orchestra
Palestrina - Act I Scene 3: Es drohet nicht von eitlen Dilettanten (Borromeo)-Wolfgang Koch/Frankfurt Opera and Museum Orchestra/Kirill Petrenko
Palestrina - Act II Scene 3: Ein liebreich wurd'ger Herr (Borromeo, Novagerio)-Wolfgang Koch/Frank van Aken/Frankfurt Opera and Museum Orchestra/Kirill Petrenko
Palestrina - Act III Scene 2: Die Messe, ach, der Messe susses Licht! (Borromeo, Palestrina)-Wolfgang Koch/Peter Bronder/Frankfurt Opera and Museum Orchestra/Kirill Petrenko
Palestrina - Act II Scene 2: Morone ist von innsbruck schon herein (Novagerio, Madruscht, Borromeo)-Frank van Aken/Alfred Reiter/Wolfgang Koch/Frankfurt Opera and Museum Orchestra
Palestrina - Act II Scene 4: Zahlreich wird heut' die heilige Versammlung (Lorraine, Madruscht, Novagerio, Borromeo, Brus)-Magnus Baldvinsson/Alfred Reiter/Frank van Aken/Wolfgang Koch
Lear - Part I Scene 1: Frankreichs Konig (Lear, Cordelia, France, Regan, Goneril, Gloster, Edgar, Edmund, Narr)-Wolfgang Koch/Britta Stallmeister/Magnus Baldvinsson/Caroline Whisnant
Lear - Part I Scene 1: Wir haben euch hierher befohlen (Lear, Goneril, Cordelia, Regan, Kent)-Wolfgang Koch/Jeanne-Michele Charbonnet/Britta Stallmeister/Caroline Whisnant
Das Rheingold - Scene 3: Was wollt ihr hier? (Alberich, Wotan, Loge)-Falk Struckmann/Peter Galliard/Wolfgang Koch/Hamburg Philharmonic Orchestra
Das Rheingold - Scene 3: Nehmt euch in acht! Alberich naht (Mime, Wotan, Alberich, Loge)-Falk Struckmann/Wolfgang Koch/Jurgen Sacher/Hamburg Philharmonic Orchestra
Symphony No. 9 in D Minor, Op. 125 "Choral" - Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral" - 4. Allegro energico, sempre ben marcato - (コウキョウキョクダイクバンニタンチョウサクヒンヒャクニジュウゴガッショウ: ダイヨンガクショウアレグロエネルジーコセンプレベンマルカート|交響曲 第9番 ニ短調 作品125 《合唱》: 第4楽章: Allegro energico, sempre ben marcato)-Gulbenkian Choir/Coro Gulbenkian/Orchestra Of The 18th Century/Frans Brüggen
Otello* - Act I: Esultate! (Otello, Chorus, Iago, Roderigo)-Nikolai Schukoff/Lester Lynch/Carlos Cardoso/Gulbenkian Choir
Otello* - Act I: Roderigo, beviam! (Iago, Cassio, Chorus, Roderigo)-Lester Lynch/Junho You/Carlos Cardoso/Gulbenkian Choir
Act I: Fuoco di gioia! (Chorus)-Gulbenkian Choir/Gulbenkian Orchestra/Lawrence Foster
Otello* - Act II: Dove guardi splendono (Chorus, Desdemona, Otello, Iago)-Melody Moore/Nikolai Schukoff/Lester Lynch/Gulbenkian Choir
Otello* - Act III: Come la ucciderò? (Otello, Iago, Chorus)-Nikolai Schukoff/Lester Lynch/Gulbenkian Choir/Gulbenkian Orchestra
Otello* - Act I: Inaffia l'ugola! (Iago, Cassio, Roderigo, Chorus)-Lester Lynch/Junho You/Carlos Cardoso/Gulbenkian Choir
Requiem - Introitus (入口)-Gulbenkian Choir/Gulbenkian Orchestra/Joana Carneiro
Requiem - Confutactis, maledictis-Gulbenkian Choir/Gulbenkian Orchestra/Joana Carneiro
Judas (secundum Lucam, Johannem, Matthaeum et Marcum) - Scripturae (canone aeternum)-Gulbenkian Choir/Gulbenkian Orchestra/Fernando Eldoro
Judas (secundum Lucam, Johannem, Matthaeum et Marcum) - Ecce manus-Gulbenkian Choir/Gulbenkian Orchestra/Fernando Eldoro
Judas (secundum Lucam, Johannem, Matthaeum et Marcum) - Domine, quis est?-Gulbenkian Choir/Gulbenkian Orchestra/Fernando Eldoro
Judas (secundum Lucam, Johannem, Matthaeum et Marcum) - Christus apprehenditur-Gulbenkian Choir/Gulbenkian Orchestra/Fernando Eldoro
Judas (secundum Lucam, Johannem, Matthaeum et Marcum) - Prodotoris finis-Gulbenkian Choir/Gulbenkian Orchestra/Fernando Eldoro
Symphony No.9 in D minor, Op.125 - "Choral" - Alla marcia (Allegro vivace assai) --Anthony Rolfe Johnson/Gulbenkian Choir/Orchestra Of The 18th Century/Frans Brüggen
Die Schöpfung Hob. XXI:2 / Part 2 - Haydn: Die Schöpfung Hob. XXI:2 / Part 2 - 28. Chor: Vollendet ist das große Werk (第28首 合唱：而今伟业已然成就)-Coro Gulbenkian/Frans Brüggen/Gulbenkian Choir/Orchestra Of The 18th Century
Die Schöpfung Hob. XXI:2 / Part 2 - Haydn: Die Schöpfung Hob. XXI:2 / Part 2 - 26. Chor: Vollendet ist das große Werk (第26首 合唱：而今伟业已然成就)-Coro Gulbenkian/Frans Brüggen/Gulbenkian Choir/Orchestra Of The 18th Century
Die Schöpfung Hob. XXI:2 / Part 1 - Haydn: Die Schöpfung Hob. XXI:2 / Part 1 - 13. Chor mit Soli: Die Himmel erzählen die Ehre Gottes (第13首 合唱：诸天述说上帝的荣耀)-Coro Gulbenkian/Gulbenkian Choir/Frans Brüggen/Luba Orgonasova/John Mark Ainsley/Eike Wilm Schulte/Orchestra Of The 18th Century
Die Schöpfung Hob. XXI:2 / Part 1 - Haydn: Die Schöpfung Hob. XXI:2 / Part 1 - 10. Chor: Stimmt an die Saiten (第10首 合唱：伴着弦音，弹起竖琴)-Coro Gulbenkian/Gulbenkian Choir/Frans Brüggen/Orchestra Of The 18th Century
Symphony No. 9 in D Minor, Op. 125 "Choral" - Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral" - 4. Alla marcia. Allegro vivace assai - (コウキョウキョクダイクバンニタンチョウサクヒンヒャクニジュウゴガッショウ: ダイヨンガクショウアラマルチアアレグロマビバーチェアッサイ|交響曲 第9番 ニ短調 作品125 《合唱》: 第4楽章: Alla Marcia. Allegro vivace assai)-Anthony Rolfe Johnson/Coro Gulbenkian/Gulbenkian Choir/Orchestra Of The 18th Century/Frans Brüggen
Cello Concerto in C Major, H.VIIb, No.1 - Haydn: Cello Concerto in C, H.VIIb, No.1: 1. Moderato-Jian Wang/Jian Wang/Gulbenkian Orchestra/Muhai Tang
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Cello Concerto in D,H.VIIb No. 2 - Haydn: Cello Concerto in D,H.VIIb No. 2: 2. Adagio-Jian Wang/Jian Wang/Gulbenkian Orchestra/Muhai Tang
Cello Concerto in C Major, H.VIIb, No.1 - Haydn: Cello Concerto in C, H.VIIb, No.1: 2. Adagio-Jian Wang/Jian Wang/Gulbenkian Orchestra/Muhai Tang
Mendelssohn: Psalm No. 42, 'Wie der Hirsch schreit', Op. 42: II. Meine Seele dürstet nach Gott-Michel Corboz/Gulbenkian Orchestra
Judas (secundum Lucam, Johannem, Matthaeum et Marcum) - Ecce manus-Gulbenkian Choir/Gulbenkian Orchestra/Fernando Eldoro
Requiem - Lacrimosa-Gulbenkian Choir/Gulbenkian Orchestra/Joana Carneiro
Requiem - Sanctus-Gulbenkian Choir/Gulbenkian Orchestra/Joana Carneiro
Requiem - Libera me-Gulbenkian Choir/Gulbenkian Orchestra/Joana Carneiro
Requiem - Introitus (入口)-Gulbenkian Choir/Gulbenkian Orchestra/Joana Carneiro
Judas (secundum Lucam, Johannem, Matthaeum et Marcum) - Domine, quis est?-Gulbenkian Choir/Gulbenkian Orchestra/Fernando Eldoro
Requiem - Agnus Dei-Gulbenkian Choir/Gulbenkian Orchestra/Joana Carneiro
Judas (secundum Lucam, Johannem, Matthaeum et Marcum) - Se suspendit-Gulbenkian Choir/Gulbenkian Orchestra/Fernando Eldoro
Judas (secundum Lucam, Johannem, Matthaeum et Marcum) - Scripturae (canone aeternum)-Gulbenkian Choir/Gulbenkian Orchestra/Fernando Eldoro
Requiem - Kyrie-Gulbenkian Choir/Gulbenkian Orchestra/Joana Carneiro
Introduction and Concert Allegro, Op. 134: Introduction and Concert-Allegro, Op. 134-Sequeira Costa/Stephen Gunzenhauser/Gulbenkian Orchestra
Piano Concerto in A Minor, Op. 54 - III. Allegro vivace-Sequeira Costa/Stephen Gunzenhauser/Gulbenkian Orchestra
Piano Concerto in A Minor, Op. 54 - II. Intermezzo: Andantino grazioso-Sequeira Costa/Stephen Gunzenhauser/Gulbenkian Orchestra
Magnificat In C Majore D486-Gulbenkian Orchestra
Vi. Agnus Dei (Mass In A Flat Major D678)-Gulbenkian Orchestra
GLANVILLE-HICKS, P.: Sappho [Opera] (Condon)

GLANVILLE-HICKS, P.: Sappho [Opera] (Condon)专辑下载

（2012-11-14）
Act I: Overture
Act I Scene 1: Hurry, Joy, hurry! … Is your lady up? (Chloe, Joy, Doris, Diomedes, Minos)
Act I Scene 1: Now, at last you are here (Minos, Sappho)
Act I Scene 1: Aria: My sleep is fragile like an eggshell is (Sappho, Minos)
Sappho - Act I Scene 1: Minos! (Kreon, Minos, Sappho)
Sappho - Act I Scene 1: So, Phaon's back (Minos, Sappho, Phaon)
Sappho - Act I Scene 1: Aria: It must have seemed like that to them (Phaon, Minos, Sappho)
Sappho - Act I Scene 1: Phaon, how is it kreon did not ask you to stay (Sappho, Phaon, Minos)
Sappho - Act I Scene 2: The Symposium: Boy! bring us the laurel! … What are the fortunes of the world we live in? (Diomedes, Sappho, Minos, Kreon, Phaon, Alexandrian, Chorus)
Sappho - Act I Scene 2: The Symposium: Wait, hear me first! … The epigram contest (Minos, Diomedes, Sappho, Chorus)
Act I Scene 2: The Symposium: Sappho! Sappho! … If death is noble (Sappho, Chorus)
Act I Scene 2: The Symposium: Ah, it is you (Phaon, Sappho)
Act I Scene 2: The Symposium: Nay, but always and forever (Sappho, Phaon)
Sappho - Act II Scene 3: Introduction - What are you making? … Here's Minos coming (Sappho, Phaon, Chorus)
Sappho - Act II Scene 3: Hail to Pittakos (Phaon, Minos, Chorus)
Act II Scene 4: Sea begotten heroes (Chorus)
Act II Scene 4: Admit it now … Now, where is this brother of mine (Sappho, Pittakos, Kreon, Phaon)
Act II Scene 4: Ah, here you are at last (Pittakos, Sappho)
Act II Scene 4: Aria: You think I do not feel … Sappho! Sappho! (Pittakos, Sappho, Minos)
Act III Scene 5: Diomedes, oh Diomedes, what have you done? (Sappho, Diomedes)
Act III Scene 5: Sleep now (Sappho, Diomedes)
Sappho - Act III Scene 6: Priestess of the Oracle … Invocation (Sappho, Priestress, Chorus)
Sappho - Act III Scene 6: Oh Mask! (Kreon, Sappho, Chorus)
Act III Scene 7: Introduction
Act III Scene 7: The voting must be over (Minos, Sappho)
Act III Scene 7: Aria: I am very tired (Minos, Sappho)
Act III Scene 7: Sappho! Sappho! It is exile (Pittakos, Sappho, Minos)
Act III Scene 7: Now everything is silence and remoteness (Sappho)