Mozart: Don Giovanni, K. 527, Act 2 Scene 16 - "Ah! dove è perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)-Peter Mattei/Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence/Giles Cachemaille/Carmela Remigio/Véronique Gens/Mark Padmore/Lisa Larsson

歌手 : Peter Mattei / Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence / Giles Cachemaille / Carmela Remigio / Véronique Gens / Mark Padmore / Lisa Larsson
专辑 : Mozart - Don Giovanni
语种 : 纯音乐
时长 : 05:44

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Mozart: Don Giovanni, K. 527, Act 2 Scene 16 - "Ah! dove è perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)-Peter Mattei/Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence/Giles Cachemaille/Carmela Remigio/Véronique Gens/Mark Padmore/Lisa Larsson 推荐歌曲

ATTO II: Deh, Vieni Alla Finestra (第二幕：请到窗边来)-Carmela Remigio/Lisa Larsson/Mark Padmore/Peter Mattei
Lieder eines fahrenden Gesellen (Songs of a Wayfarer) (Version for Voice and Orchestra) - No. 4. Die zwei blauen Augen-Peter Mattei/Baden-Baden South West German Radio Symphony Orchestra/Michael Gielen
Lieder eines fahrenden Gesellen (Songs of a Wayfarer) (Version for Voice and Orchestra) - No. 1. Wenn mein Schatz Hochzeit macht-Peter Mattei/Baden-Baden South West German Radio Symphony Orchestra/Michael Gielen
Les Troyens, Act I, No. 3: "Reviens a toi"-Peter Mattei/Sir Colin Davis/London Symphony Orchestra/Petra Lang
O Helga natt (Cantique de Noel) (arr. for voice, choir and orchestra): O Helga natt (O Holy Night)-Peter Mattei/Anders Bondeman/St. Jacob's Chamber Choir/Gary Graden
O Betlehem du lilla stad: O Betlehem du lilla stad (Oh Little Town of Betlehem)-Peter Mattei/Anders Bondeman
Tchaikovsky: Eugene Onegin, Op.24, TH.5 / Act 3 - "Knyaginya Gremina! Smotrite!"-Anna Samuil/Peter Mattei/Ferruccio Furlanetto/Konzertvereinigung Wiener Staatsopernchor/Wiener Philharmoniker/Wiener Philharmoniker/Daniel Barenboim
Tchaikovsky: Eugene Onegin, Op.24, TH.5 / Act 3 - Scene and Aria. "I zdyes mnye skuchno!"-Peter Mattei/Konzertvereinigung Wiener Staatsopernchor/Wiener Philharmoniker/Wiener Philharmoniker/Daniel Barenboim
Duel Scene. "A, vot oni!"-Peter Mattei/Joseph Kaiser/Georg Nigl/Wiener Philharmoniker/Wiener Philharmoniker/Daniel Barenboim
Don Carlo* - Act V: Aria: Tu, che le vanita … Francia, nobile suol (Elisabeth)-Lars Cleveman/Peter Mattei/Bengt Rundgren/Hillevi Martinpelto
Don Carlo* - Act IV Scene 1: Scene: Il Grand' Inquisitor (Lerma, Grand Inquisitor, Philip)-Lars Cleveman/Peter Mattei/Bengt Rundgren/Hillevi Martinpelto
Don Carlo* - Act III Scene 1: Chorus: Quanti fior e quante stelle (Masks, Eboli)-Lars Cleveman/Peter Mattei/Bengt Rundgren/Hillevi Martinpelto
Don Carlo* - Act II: Prelude (第二幕：前奏曲)-Lars Cleveman/Peter Mattei/Bengt Rundgren/Hillevi Martinpelto
Don Carlo* - Act I: Romance: Io la vidi e al suo sorriso (Don Carlos)-Lars Cleveman/Peter Mattei/Bengt Rundgren/Hillevi Martinpelto
Les Troyens, Op. 29, H 133, Act I: No. 9. "Que la déesse ... A cet objet sacré"-Peter Mattei/Sir Colin Davis/London Symphony Orchestra/Petra Lang
Stardust-Peter Mattei/Norrköping Symphony Orchestra
Autumn in New York-Peter Mattei/Norrköping Symphony Orchestra
I've Gotta Be Me-Peter Mattei/Norrköping Symphony Orchestra
Who Can I Turn To-Peter Mattei/Norrköping Symphony Orchestra
Pennies from Heaven-Peter Mattei/Norrköping Symphony Orchestra
Mozart: Don Giovanni, K. 527, Act 2 Scene 10 - No. 21a, Aria, "Il mio tesoro intanto" (Don Ottavio)-Peter Mattei/Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence/Giles Cachemaille/Carmela Remigio/Véronique Gens/Mark Padmore/Lisa Larsson
Mozart: Don Giovanni, K. 527, Act 1 Scene 16 - No. 12, Aria, "Batti, batti, o bel Masetto" (Zerlina)-Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence/Peter Mattei/Giles Cachemaille/Carmela Remigio/Véronique Gens/Mark Padmore/Lisa Larsson
Mozart: Don Giovanni, K. 527, Act 2 Scene 6 - No. 18, Aria, "Vedrai, carino" (Zerlina)-Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence/Peter Mattei/Giles Cachemaille/Carmela Remigio/Véronique Gens/Mark Padmore/Lisa Larsson
Mozart: Don Giovanni, K. 527, Act 1 Scene 2 - Recitativo, "Leporello, ove sei?" (Don Giovanni, Leporello)-Peter Mattei/Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence/Giles Cachemaille/Carmela Remigio/Véronique Gens/Mark Padmore/Lisa Larsson
Mozart: Don Giovanni, K. 527, Act 1 Scene 13 - No. 10a, Recitativo accompagnato, "Don Ottavio, son morta!" (Donna Anna, Don Ottavio)-Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence/Peter Mattei/Giles Cachemaille/Carmela Remigio/Véronique Gens/Mark Padmore/Lisa Larsson
Mozart: Don Giovanni, K. 527, Act 1 Scene 9 - No. 7, Duettino, "Là ci darem la mano" (Don Giovanni, Zerlina)-Daniel Harding/Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence
Mozart: Don Giovanni, K. 527, Act 2 Scene 11 - No. 22, Duetto, "O statua gentilissima" (Leporello, Don Giovanni, Commendatore)-Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence/Peter Mattei/Giles Cachemaille/Carmela Remigio/Véronique Gens/Mark Padmore/Lisa Larsson
Mozart: Don Giovanni, K. 527, Act 2 Scene 12 - No. 23b, Rondo, "Non mi dir, bell'idol mio" (Donna Anna)-Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence/Peter Mattei/Giles Cachemaille/Carmela Remigio/Véronique Gens/Mark Padmore/Lisa Larsson
Mozart: Don Giovanni, K. 527, Act 1 Scene 5 - No. 3, Aria, "Ah! chi mi dice mai" (Donna Elvira, Don Giovanni, Leporello)-Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence/Peter Mattei/Giles Cachemaille/Carmela Remigio/Véronique Gens/Mark Padmore/Lisa Larsson
Mozart: Don Giovanni, K. 527, Act 1 Scene 14 - Recitativo, "Come mai creder deggio" (Don Ottavio)-Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence/Peter Mattei/Giles Cachemaille/Carmela Remigio/Véronique Gens/Mark Padmore/Lisa Larsson
Mozart: Don Giovanni, K. 527, Act 1 Scene 12 - Recitativo, "Povera sventurata!" (Don Giovanni)-Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence/Peter Mattei/Giles Cachemaille/Carmela Remigio/Véronique Gens/Mark Padmore/Lisa Larsson
Mozart: Don Giovanni, K. 527, Act 1 Scene 20 - "Riposate, vezzose ragazze!" (Don Giovanni, Leporello, Masetto, Zerlina, Donna Anna, Donna Elvira, Don Ottavio)-Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence/Peter Mattei/Giles Cachemaille/Carmela Remigio/Véronique Gens/Mark Padmore/Lisa Larsson
Mozart: Don Giovanni, K. 527, Act 2 Scene 4 - No. 17, Aria, "Metà di voi qua vadano" (Don Giovanni)-Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence/Peter Mattei/Giles Cachemaille/Carmela Remigio/Véronique Gens/Mark Padmore/Lisa Larsson
Mozart: Don Giovanni, K. 527, Act 1 Scene 9 - Recitativo, "Alfin siam liberati" (Don Giovanni, Zerlina)-Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence/Peter Mattei/Giles Cachemaille/Carmela Remigio/Véronique Gens/Mark Padmore/Lisa Larsson
Mozart: Don Giovanni, K. 527, Act 2 Scene 10 - Recitativo, "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio)-Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence/Peter Mattei/Giles Cachemaille/Carmela Remigio/Véronique Gens/Mark Padmore/Lisa Larsson
Mozart: Don Giovanni, K. 527, Act 2 Scene 13 - No. 24, Finale, "Già la mensa è preperata" (Don Giovanni, Leporello)-Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence/Peter Mattei/Giles Cachemaille/Carmela Remigio/Véronique Gens/Mark Padmore/Lisa Larsson
Mozart: Don Giovanni, K. 527, Act 1 Scene 14 - Recitativo, "Come mai creder deggio" (Don Ottavio)-Peter Mattei/Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence/Giles Cachemaille/Carmela Remigio/Véronique Gens/Mark Padmore/Lisa Larsson
Mozart: Don Giovanni, K. 527, Act 1 Scene 16 - Recitativo, "Masetto, senti un po'!" (Zerlina, Masetto)-Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence/Peter Mattei/Giles Cachemaille/Carmela Remigio/Véronique Gens/Mark Padmore/Lisa Larsson
Mozart: Don Giovanni, K. 527, Act 1 Scene 13 - No. 10a, Recitativo accompagnato, "Don Ottavio, son morta!" (Donna Anna, Don Ottavio)-Peter Mattei/Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence/Giles Cachemaille/Carmela Remigio/Véronique Gens/Mark Padmore/Lisa Larsson
Mozart: Don Giovanni, K. 527, Act 2 Scene 11 - No. 22, Duetto, "O statua gentilissima" (Leporello, Don Giovanni, Commendatore)-Solistes De l'Acadmie Europenne De Musique D'Aix-en-Provence/Peter Mattei/Giles Cachemaille/Carmela Remigio/Véronique Gens/Mark Padmore/Lisa Larsson
ATTO I: Fin Ch'han Dal Vino (第一幕：香槟之歌)-Carmela Remigio/Mark Padmore/Peter Mattei/Giles Cachemaille
ATTO I: Fin Ch'han Dal Vino (第一幕：香槟之歌)-Carmela Remigio/Mark Padmore/Peter Mattei/Giles Cachemaille
Stabat Mater - I. Stabat Mater dolorosa-Orchestra Della Toscana/Gianluigi Gelmetti/Carmela Remigio/Daniela Barcellona
Stabat Mater - III. Quis est homo-Orchestra Della Toscana/Gianluigi Gelmetti/Carmela Remigio/Daniela Barcellona
Stabat Mater - VI. Sancta Mater-Orchestra Della Toscana/Gianluigi Gelmetti/Carmela Remigio/Daniela Barcellona
La traviata: E'strano !-Orchestre des Rencontres Musicales Lausanne/Francesc Bonnín/Carmela Remigio
Don Giovanni, K.527 / Act 1 - Non ti fidar, o misera (唐·乔望尼，作品527“你并不悲惨”)-Simon Keenlyside/Carmela Remigio/Uwe Heilmann/Soile Isokoski/Chamber Orchestra of Europe/Claudio Abbado
Don Giovanni, K.527 / Act 2 - "Non mi dir, bell'idol mio" (唐·乔望尼，作品527“心爱的，别再说”)-Carmela Remigio/Chamber Orchestra of Europe/Claudio Abbado
La dichiarazione-Carmela Remigio/Leone Magiera
La clemenza di Tito, KV 621: Recitativo "Ecco il punto, o Vitellia"-Carmela Remigio/Antonello Manacorda/Orchestra I Pomeriggi Musicali
Cherubin - Act I: Apeuree Mon tuteur! (Nina, The Duke, The Baron, The Philosopher)-Carmela Remigio/Bruno Lazzaretti/Riccardo Novaro/Giorgio Surian
Cherubin - Act III: Nina! Cherubin! (Cherubin, Nina, The Duke, Ricardo, The Philosopher)-Michelle Breedt/Carmela Remigio/Bruno Lazzaretti/Emanuele Giannino
Maria Stuarda - Act III Scene 8: O colpo! (Familiars) - Scene 9: E gia vicino del tuo morir l'istante (Cecil, Maria Stuarda, Anna, Talbot, Familiars)-Marzio Giossi/Carmela Remigio/Cinzia Rizzone/Circuito Lirico Regional Chorus
Maria Stuarda - Act III Scene 7: Anna! (Familiars, Anna) - Scene 8: Io vi rivedo alfin (Maria Stuarda, Anna, Familiars)-Cinzia Rizzone/Carmela Remigio/Circuito Lirico Regional Chorus/Fondazione Orchestra Gaetano Donizetti di Bergamo
Maria Stuarda - Act III Scene 8: Deh! Tu di un'umile preghiera il suono (Maria Stuarda, Anna, Familiars)-Carmela Remigio/Cinzia Rizzone/Circuito Lirico Regional Chorus/Fondazione Orchestra Gaetano Donizetti di Bergamo
Maria Stuarda - Act II Scene 4: E sempre la stessa - Superba, orgogliosa (Elisabetta, Maria Stuarda, Talbot, Anna, Leicester, Cecil)-Sonia Ganassi/Carmela Remigio/Riccardo Zanellato/Cinzia Rizzone
Act II Scene 2: Ah! Se il mio cor tremo giammai (Maria Stuarda, Leicester)-Carmela Remigio/Joseph Calleja/Fondazione Orchestra Gaetano Donizetti di Bergamo/Fabrizio Maria Carminati
Act II Scene 2: Del suo core, del suo cor convinta io sono (Maria Stuarda, Leicester)-Carmela Remigio/Joseph Calleja/Fondazione Orchestra Gaetano Donizetti di Bergamo/Fabrizio Maria Carminati
Act II Scene 2: Ah! non m'inganna la gioia? (Maria Stuarda, Leicester)-Carmela Remigio/Joseph Calleja/Fondazione Orchestra Gaetano Donizetti di Bergamo/Fabrizio Maria Carminati
La forza del destino : Pace, pace mio Dio (威尔第：命运之力：平安了，我的神)-Raina Kabaivanska/Carmela Remigio/Patrizia Ciofi
Manon Lescaut: In quelle trine morbide-Raina Kabaivanska/Carmela Remigio/Patrizia Ciofi
Rameau: Dardanus / Act 1 - "Cesse, cruel Amour" (达耳达诺斯 / 第1幕 - “停，残酷的爱”)-Véronique Gens/Marc Minkowski
Ravel: Rapsodie espagnole, M.54 - 4. Feria-Véronique Gens/Anne Sofie von Otter/Stella Doufexis/Berliner Philharmoniker/Claudio Abbado
Rameau: Dardanus / Act 2 - "D'un penchant si fatal"-Véronique Gens/Marc Minkowski
Aria: Venti, fermate mi-Véronique Gens
La Reine de Chypre, Acte I: Duo "Gérard, Mon Gérard !"-Véronique Gens/Herve Niquet/Orchestre de Chambre de Paris/Cyrille Dubois
La Reine de Chypre - Acte II: Récitatif "Catarina !" (塞浦路斯女王 - 第二幕：宣叙调“卡特琳娜！”)-Eric Huchet/Véronique Gens/Herve Niquet/Orchestre de Chambre de Paris
Gilles: Lamentation du Mercredi Soir - Ghimel-Véronique Gens/Jean-Paul Fouchécourt/Jean Louis Paya/Douglas Nasrawi
Campra: De Profundis - Trio D'Hommes-Véronique Gens/Jean-Paul Fouchécourt/Peter Harvey
Campra: Deus Noster Refugium - Récit De Taille-Véronique Gens/Jean-Paul Fouchécourt/Peter Harvey
Campra: Deus Noster Refugium - Dialogue De Choeurs-Véronique Gens/Jean-Paul Fouchécourt/Peter Harvey
Chants d'Auvergne, Vol. 1 - No. 4. La Delaissado (The Abandoned Girl)-Véronique Gens/Jean-Claude Casadesus/Lille National Orchestra
Agrippina, HWV 6 - Act I Scene 10: Che sento! (Pallante, Narciso, Agrippina, Nerone) - Scene 11: Alla tue (Ottone, Agrippina, Narciso, Pallante, Nerone) - Scene 12: Augusta (Ottone, Agrippina)-Bernard Deletré/Fabrice Di Falco/Véronique Gens/Philippe Jaroussky
Agrippina, HWV 6 - Act II Scene 20: Ogni vento ch'al porto lo spinga (Agrippina)-Véronique Gens/Grande Écurie et la Chambre du Roy/Jean-Claude Malgoire
F. Couperin: Trois Leçons de Ténèbres - Troisième Leçon à deux voix - LAMED-Sandrine Piau/Véronique Gens/Les Talens Lyriques
Fuyons ce monstre! échappons à sa rage!-Véronique Gens/Chorus/Les Talens Lyriques/Christophe Rousset
Rameau: Hippolyte et Aricie / Act 5 - Où suis-je transporté? (我在运送？)-Véronique Gens/Jean Paul Fouchecourt/Jean-Paul Fouchécourt/Les Musiciens du Louvre/Marc Minkowski
Rameau: Hippolyte et Aricie / Act 5 - "Descendez, brillante immortelle" (“下来，辉煌不朽”)-Véronique Gens/Les Musiciens du Louvre/Ensemble Vocal Sagittarius/Marc Minkowski
Castor & Pollux, RCT 32, Acte V, Scène 1: "Castor revoit le jour" (Phébé)-William Christie/Véronique Gens/Les Arts Florissants
Dardanus - Acte 1, Scene 1 - Air-Véronique Gens
Romance de mignon-Véronique Gens/Susan Manoff
Zoroastre, Acte I Scène 2: "Princesse, Avec Phaères" (Abramane)-William Christie/Mark Padmore
Lights Out-Mark Padmore/Morgan Szymanski
English Folk Songs: III. The Turtle Dove-Mark Padmore/Morgan Szymanski
St. Matthew Passion, BWV 244 / Part One - No.28 Evangelist, Jesus: "Und siehe, einer aus denen"-Mark Padmore/Peter Harvey/Gabrieli Players/Paul McCreesh
Zoroastre, Acte IV Scène 6: Air Grave-William Christie/Mark Padmore
Giustino: Act 1. Recit: Signor, ti arrise il Fato-Freiburger Barockorchester/Dorothea Roschmann/Dean Ely/Mark Padmore
Giustino: Act 3. Recit: Signor, se vile intercessor-Freiburger Barockorchester/Dawn Kotoski/Mark Padmore/Michael Chance
Sulpitius-Mark Padmore
Winterreise, D. 911: 17. Im Dorfe-Mark Padmore/Kristian Bezuidenhout
Messiah: Part II, No 43. Thou Shalt Break Them-Sir Colin Davis/Mark Padmore/London Symphony Orchestra
Johannes-Passion, BWV 245, II. Teil: 16. (Evangelist und Chorus) "Da führeten sie Jesum vor Kaiphas", usw.-Philippe Herreweghe/Collegium Vocale Gent/Mark Padmore/Michael Volle
Songs in Time of War Toe Wei Ba, who has Llived Away from the Court-Mark Padmore
Zur Logenfeier Hummel-Mark Padmore
Winterreise, D. 911 - No. 10, Rast-Mark Padmore/Kristian Bezuidenhout
In Damascus - XI. My country-Sacconi Quartet/Mark Padmore
Dichterliebe, Op. 48 - Dichterliebe, Op. 48: XI. Ein Jüngling liebt ein Mädchen-Mark Padmore/Kristian Bezuidenhout
Sängerfahrt, Op. 33, 3te Lief - Sängerfahrt, Op. 33, 3te Lief: II. Was will die einsame Thräne?-Mark Padmore/Kristian Bezuidenhout
The Holy Sonnets of John Donne, Op. 35: IV. Oh, to vex me-Mark Padmore/Roger Vignoles
Folksongs: There's none to soothe-Mark Padmore/Roger Vignoles
Zoroastre, Acte IV Scène 6: Air Vif-Mark Padmore
ATTO II: Deh, Vieni Alla Finestra (第二幕：请到窗边来)-Carmela Remigio/Lisa Larsson/Mark Padmore/Peter Mattei
Orchestral Songs on Poems by Emily Dickinson, Op. 82a - No. 1, We Met as Sparks-Lisa Larsson/Royal Stockholm Philharmonic Orchestra/Andrew Manze
Orchestral Songs on Poems by Emily Dickinson, Op. 82a - No. 8, Presentiment-Lisa Larsson/Royal Stockholm Philharmonic Orchestra/Andrew Manze
Orchestral Songs on Poems by Emily Dickinson, Op. 82a - No. 7, If I Can Stop One Heart from Breaking-Lisa Larsson/Royal Stockholm Philharmonic Orchestra/Andrew Manze
Orchestral Songs on Poems by Emily Dickinson, Op. 82a - No. 10, Fame Is a Bee-Lisa Larsson/Royal Stockholm Philharmonic Orchestra/Andrew Manze
Orchestral Songs on Poems by Emily Dickinson, Op. 82a - No. 5, As Imperceptibly as Grief-Lisa Larsson/Royal Stockholm Philharmonic Orchestra/Andrew Manze
Guilty-Illunity/Lisa Larsson
Gli Orazi ed i Curiazi - Act II Scene 7: Finale II: Numi, se giusti siete (Orazia, Marco Orazio, Sabina, Publio Orazio, Chorus)-Kirsten Blaise/Andreas Karasiak/Lisa Larsson/Florian Mock
Act II Scene 2: — (Marco Orazio, Curiazio, Publio Orazio, Sabina, Orazia, Chorus)-Andreas Karasiak/Anna Bonitatibus/Florian Mock/Lisa Larsson
Act II Scene 4: Aria with Choir: A versar l'amato sangue-Anna Bonitatibus/Kirsten Blaise/Andreas Karasiak/Lisa Larsson
Christmas Mass: Benedictus - Agnus Dei-Lisa Larsson/Räto Tschupp/Aargauer Symphonie-Orchester/Regina Jakobi
Arianna a Naxos: Hob. XXVIb:2-Combattimento Consort Amsterdam/Lisa Larsson
Armida: Hob. XXIVa:10-Combattimento Consort Amsterdam/Lisa Larsson
Vier letzte Lieder: IV. Im Abendrot "Wir sind durch Not und Freude gegangen", Andante-Lisa Larsson/Musikkollegium Winterthur/Douglas Boyd
Der Bürger als Edelmann, Op. 60 - Orchestersuite: II. Menuett Tempo di Menuetto-Lisa Larsson/Musikkollegium Winterthur/Douglas Boyd
Zueignung, Op. 10, 1: "Ja, du weißt es, teure Seele" Moderato-Lisa Larsson/Musikkollegium Winterthur/Douglas Boyd
Der Bürger als Edelmann, Op. 60 - Orchestersuite: IV. Auftritt und Tanz der Schneider Schnell-Lisa Larsson/Musikkollegium Winterthur/Douglas Boyd
Requiem KV. 626 'Offertorium - Sanctus'-Ensemble Lyrique/Lisa Larsson/Herbert Lippert/Elisabeth von Magnus
Requiem KV. 626 'Sequentia - Confutatis'-Ensemble Lyrique/Lisa Larsson/Herbert Lippert/Harry Peeters
Requiem KV. 626 'Sequentia - Rex tremendae'-Ensemble Lyrique/Lisa Larsson/Herbert Lippert/Harry Peeters
Mozart - Don Giovanni

Mozart - Don Giovanni专辑下载

（2005-11-25）