Kyrie (ミサキョクハチョウチョウサクヒンハチジュウロク: キリエ|ミサ曲 ハ長調 作品86: Kyrie)-Charlotte Margiono/Catherine Robbin/William Kendall/Alastair Miles/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner

歌手 : Charlotte Margiono / Catherine Robbin / William Kendall / Alastair Miles / Orchestre Révolutionnaire et Romantique / John Eliot Gardiner
专辑 : Beethoven 2020 – Large Vocal Works
语种 : 葡萄牙语
时长 : 05:33

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Kyrie (ミサキョクハチョウチョウサクヒンハチジュウロク: キリエ|ミサ曲 ハ長調 作品86: Kyrie)-Charlotte Margiono/Catherine Robbin/William Kendall/Alastair Miles/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner 推荐歌曲

Le nozze di Figaro, K. 492: Act II - "Porgi amor qualche ristoro" (费加罗的婚礼，作品492：第二幕 - “求爱神给我安慰”)-Nikolaus Harnoncourt/Charlotte Margiono/Royal Concertgebouw Orchestra/Wolfgang Amadeus Mozart
Mass in D Major, Op. 123 " Missa Solemnis" - Agnus Dei (D大调弥撒曲，作品123 “ 庄严弥撒曲” 羔羊)-Charlotte Margiono/Alastair Miles
Hond-Charlotte Margiono/Frans Ehlhart
Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 1 - Mozart: Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 1 - "Ah! chi mi dice mai" - "Udisti? qualche bella" (唐·乔望尼，作品527“啊！有谁能告诉我” -“你听说过一些不错的吗？”)-Charlotte Margiono/Rod (Rodney) Gilfry/Ildebrando D'Arcangelo/English Baroque Soloists/John Eliot Gardiner
Korreltjie Sand-Charlotte Margiono/Frans Ehlhart
Ontvlugting-Charlotte Margiono/Frans Ehlhart
Die Lied Van Die Gebreekte Riete-Charlotte Margiono/Frans Ehlhart
Lied Van Die Lappop-Charlotte Margiono/Frans Ehlhart
Ah Perfido! , Op. 65-Charlotte Margiono/John Eliot Gardiner/Orchestre Révolutionnaire et Romantique
Begin Somer-Charlotte Margiono/Frans Ehlhart
Jy Het Vir My Gesterf...-Charlotte Margiono/Frans Ehlhart
Symphony No. 5 in C Minor, Op. 67 "Fate": I. Allegro con brio-Charlotte Margiono/John Eliot Gardiner/Rodney Gilfry/Orchestre Révolutionnaire et Romantique
Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 1 - Mozart: Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 1 - "Fermati, scellerato!" (唐·乔望尼，作品527“听下，恶棍！”)-Charlotte Margiono/Eirian James/Rod (Rodney) Gilfry/English Baroque Soloists/John Eliot Gardiner
Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2 - Mozart: Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2 - "Dunque quello sei tu" - "Ah pietà... compassion" - "Ferma, perfido, ferma" (Zerlina, Donna Elvira, Don Ottavio, Masetto, Leporello)-Eirian James/Charlotte Margiono/Christoph Prégardien/Julian Clarkson/Ildebrando D'Arcangelo/English Baroque Soloists
Mozart: Parto, Ma Tu Ben Mio: Aria from "La Clemenza Di Tito" K. 621-Charlotte Margiono
Mozart : Così fan tutte : Act 2 "Fra gli amplessi" [Fiordiligi, Ferrando]-Charlotte Margiono/Deon Van Der Walt/Nikolaus Harnoncourt
Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 1 - Mozart: Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 1 - "Ah, fuggi il traditor" (唐·乔望尼，浪子终受罚，作品527 - “啊，逃跑的叛徒”)-Charlotte Margiono/English Baroque Soloists/John Eliot Gardiner
Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2 - Mozart: Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2 - Mi tradì quell'alma ingrata (K540c, Aria) (唐·乔望尼，浪子终受罚，作品527 - 背叛了我那忘恩负义的) (Live)-Charlotte Margiono/English Baroque Soloists/John Eliot Gardiner
Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2 - Mozart: Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2 - "Di molte faci il lume" (唐·乔望尼，浪子终受罚，作品527 - “许多不容易”)-Ildebrando D'Arcangelo/Charlotte Margiono/English Baroque Soloists/John Eliot Gardiner
Mass in D Major, Op. 123 "Missa Solemnis" - Gloria (D大调弥撒曲，作品123“庄严弥撒曲” - 荣耀经)-Charlotte Margiono/Catherine Robbin/William Kendall/Alastair Miles/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Mass in D Major, Op. 123 "Missa Solemnis" - IV. Sanctus (D大调弥撒曲，作品123“庄严弥撒曲” - 第4首 圣哉经)-Catherine Robbin/Alastair Miles/Monteverdi Choir/Orchestre Révolutionnaire et Romantique
Orlando, HWV 31 / Act 2 - A qual rischio vi espone-Arleen Augér/Catherine Robbin/David Thomas/The Academy of Ancient Music
Haydn: Mass No.6 in G Missa Sti. Nicolai, HXXII No.6 "Nicolaimesse" - Sanctus - Benedictus - Adagio - Allegro - Moderato-Nancy Argenta/Catherine Robbin/Michael Schade/Alastair Miles
Haydn: Mass No.12 - 'Theresienmesse' in B flat HobXXII/12 (1799) - Kyrie-Nancy Argenta/Catherine Robbin/Michael Schade/Alastair Miles
Berlioz Roméo et Juliette, Op.17 Part 7 - Quoi! Roméo de retour (Version with original parts)-Catherine Robbin/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner/Monteverdi Choir
Berlioz Roméo et Juliette, Op.17 Deuxieme Prologue - Plus de bal maintenant (Version with original parts)-Catherine Robbin/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner/Monteverdi Choir
Berlioz Roméo et Juliette, Op.17 Part 7 - Et nous voulons par notre hommage (Version with original parts Part)-Catherine Robbin/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner/Monteverdi Choir
Berlioz Roméo et Juliette, Op.17 Part 1 - Prologue La fête est terminée...-Catherine Robbin/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner/Monteverdi Choir
Roméo et Juliette, Op.17 / Part 1 - Berlioz: Roméo et Juliette, Op.17 / Part 1 - Prologue: "D'anciennes haines endormies"-Catherine Robbin/Jean-Paul Fouchécourt/Monteverdi Choir/The Monteverdi Choir/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Mass in C, K.317 "Coronation" - 5. Benedictus-Emma Kirkby/Catherine Robbin/John Mark Ainsley/Michael George
6. Magnificat anima mea-Emma Kirkby/Catherine Robbin/Charles Richard Franci Maunder/John Mark Ainsley/Michael George/Winchester College Quiristers
Handel: Belshazzar / Act 3 - "Yes, I will build thy city" (“是的，我会建设你的城市”)-Catherine Robbin/The English Concert/Trevor Pinnock
Handel: Belshazzar, HWV 61 / Act 1 - "Be comforted: safe though the tyrant seem" / "Methought, as on the bank of deep Euphrates" (“不用着急，尽管这暴君看起来还安全” / “在那边，幼发拉底河岸”)-Catherine Robbin/The English Concert/Trevor Pinnock
Handel: Belshazzar, HWV 61 / Act 1 - "Well may they laugh" / "Oh memory! Still bitter to my soul!" (“他们可以笑” / “哦，回忆！还是我内心的痛！”)-David Wilson-Johnson/Catherine Robbin/The English Concert/Trevor Pinnock
Laß sie nur gehen, die so die Stolze spielt (Just let her go, who acts so proud)-Daniel Lichti/Catherine Robbin/Leslie De'Ath
Geselle, woll'n wir uns in Kutten hüllen (Friend, shall we don the monkish garb)-Daniel Lichti/Catherine Robbin/Leslie De'Ath
Daß doch gemalt all deine Reize wären (Oh, had all your loveliness been painted)-Daniel Lichti/Catherine Robbin/Leslie De'Ath
Selig ihr Blinden (Happy are you, blind ones)-Daniel Lichti/Catherine Robbin/Leslie De'Ath
Nun laß uns Frieden schließen (Now let us make peace)-Daniel Lichti/Catherine Robbin/Leslie De'Ath
Verschling' der Abgrund meines Liebsten Hütte (Oh, may my lover's cottage be engulfed in an abyss)-Daniel Lichti/Catherine Robbin/Leslie De'Ath
Rejoice In The Lord Alway, Z.49-The Brandenburg Consort/Christopher Robson/William Kendall/Stephen Roberts
Thunder Entered Her-William Kendall/Winchester Cathedral Choir/Ian Simcock/David Dunnett
Glorious Victory-The Band of The Royal Anglian Regiment/Captain Peter Hudson/William Kendall
The Dream of Gerontius, Op. 38: The Dream of Gerontius, Op. 38, Part II: But Hark! A Grand Mysterious Harmony-William Kendall/Sarah Fryer/Bournemouth Symphony Chorus/Waynflete Singers
Didone abbandonata (3rd version) - Act I Scene 12: Non è più tempo, Araspe (Iarba, Osmida)-William Kendall/Arno Raunig/Stuttgart Chamber Orchestra/Frieder Bernius
Didone abbandonata (3rd version) - Act I Scene 10: Tutta ho scorsa la Reggia (Iarba, Araspe, Enea)-William Kendall/Daniel Taylor/Martina Borst/Stuttgart Chamber Orchestra
Didone abbandonata (3rd version) - Act I Scene 7: Quanto è stolto, se crede (Iarba, Araspe)-William Kendall/Daniel Taylor/Stuttgart Chamber Orchestra/Frieder Bernius
Didone abbandonata (3rd version) - Act III Scene 4: Seguitemi, o compagni: Alla reggia! (Iarba, Osmida)-William Kendall/Arno Raunig/Stuttgart Chamber Orchestra/Frieder Bernius
Didone abbandonata (3rd version) - Act I Scene 11: Non partirà sé pria … (Iarba, Selene)-William Kendall/Mechthild Bach/Stuttgart Chamber Orchestra/Frieder Bernius
Didone abbandonata (3rd version) - Act II Scene 5: Fosca nube il sol ricopra (Iarba)-William Kendall/Stuttgart Chamber Orchestra/Frieder Bernius
Didone abbandonata (3rd version) - Act I Scene 13: Dove corri, o Signore? (Araspe, Iarba)-Daniel Taylor/William Kendall/Stuttgart Chamber Orchestra/Frieder Bernius
Didone abbandonata (3rd version) - Act II Scene 4: Io sento vacillar la mia costanza (Enea, Iarba)-Martina Borst/William Kendall/Stuttgart Chamber Orchestra/Frieder Bernius
Didone abbandonata (3rd version) - Act I Scene 5: Vedi mio Re … (Araspe, Iarba, Didone, Osmida)-Daniel Taylor/William Kendall/Dorothea Roschmann/Arno Raunig
Didone abbandonata (3rd version) - Act I Scene 15: Ecco il rival, ne seco (Iarba, Araspe, Enea, Osmida)-William Kendall/Daniel Taylor/Martina Borst/Arno Raunig
Didone abbandonata (3rd version) - Act II Scene 11: Infedel! Ti lascio: addio (Enea, Didone, Iarba)-Martina Borst/Dorothea Roschmann/William Kendall/Stuttgart Chamber Orchestra
Didone abbandonata (3rd version) - Act III Scene 2: Per un momento il legno (Iarba, Enea)-William Kendall/Martina Borst/Stuttgart Chamber Orchestra/Frieder Bernius
Didone abbandonata (3rd version) - Act III Scene 16: Fermati (Iarba, Didone, Osmida, Selene)-William Kendall/Dorothea Roschmann/Arno Raunig/Mechthild Bach
Didone abbandonata (3rd version) - Act III Scene 16: Cadrà fra poco in cenere (Iarba)-William Kendall/Stuttgart Chamber Orchestra/Frieder Bernius
Dixit Dominus, HWV 232 - 1. Dixit Dominus-Isobel Buchanan/Michael Chance/William Kendall/The Choir of King's College, Cambridge
Anonymous - I Saw Three Ships-Mark Tinkler/William Kendall/The Choir of St John’s Cambridge/Stephen Cleobury/George Guest
Act II, Scene 2: Le Roi!-Alastair Miles/Cornelia Salje/Vienna State Opera Chorus/Vienna State Opera Orchestra
Niobe, regina di Tebe - Act II Scene 4: Aria: Ascendo alle stelle (Anfione, Niobe, Creonte, Poliferno)-Jacek Laszczkowski/Véronique Gens/Iestyn Davies/Alastair Miles
Haydn: Mass No.12 - 'Theresienmesse' in B flat HobXXII/12 (1799) - Sanctus - Benedictus-Nancy Argenta/Catherine Robbin/Michael Schade/Alastair Miles
Handel - Messiah, K. 572 (Sung in German) - Aria: Das Volk, das im Dunkeln wandelt (Bass)-Alastair Miles/Stuttgart Bach Collegium/Helmuth Rilling
Handel - Messiah, K. 572 (Sung in German) - Solo Quartet and Chorus: Uns ist zum Heil ein Kind geboren (Quartet, Chorus)-Donna Brown/Cornelia Kallisch/Roberto Saccà/Alastair Miles
Ernani / Part 3 - Qual rumore? Che sarà (Ernani / Part 3: ナンノオトダ？|歌劇《エルナーニ》: 何の音だ?何だろう?)-Luciano Pavarotti/Paata Burchuladze/Alastair Miles/Leo Nucci/Richard Morton/Welsh National Opera Orchestra
Ernani / Part 3 - Un patto! Un giuramento! (Ernani / Part 3: キョウヤク！|歌劇《エルナーニ》: 協定！誓約！)-Luciano Pavarotti/Paata Burchuladze/Alastair Miles/Chorus of the Welsh National Opera/Welsh National Opera Orchestra/Richard Bonynge
Leonore, Op. 72 / Act 3 - Beethoven: Leonore, Op. 72 / Act 3 - "Doch höre erst, du Bösewicht" (カゲキレオノーレ: "Doch höre erst, du Bösewicht"|歌劇《レオノーレ》: "Doch höre erst, du Bösewicht")-Alastair Miles/Hillevi Martinpelto/Kim Begley/The Monteverdi Choir/Monteverdi Choir/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Mendelssohn : Elijah : Part 1 "Weh Ihnen, Dass Sie Von Mir Weichen!"-Alastair Miles
Mendelssohn : Elijah : Part 1 Overture-Alastair Miles
Mendelssohn : Elijah : Part 1 "So Wahr Der Herr, Der Gott Lsraels, Lebet"-Alastair Miles
Mendelssohn : Elijah : Part 1 "Denn Er Hat Seinen Engeln Befohlen"-Alastair Miles
Mendelssohn : Elijah : Part 1 "Herr, Höre Unser Gebet!"-Alastair Miles
Mendelssohn : Elijah : Part 1 "Zerreisset Eure Herzen"-Alastair Miles
Mendelssohn : Elijah : Part 2 "Fürchte Dich Nicht, Spricht Unser Gott"-Alastair Miles
Mendelssohn : Elijah : Part 1 "Wohl Dem, Der Den Herrn Fürchtet"-Alastair Miles
Mendelssohn : Elijah : Part 2 "Wer Bis An Das Ende Beharrt"-Alastair Miles
Mendelssohn : Elijah : Part 2 "Sei Stille Dem Herrn"-Alastair Miles
Mendelssohn : Elijah : Part 2 "Es Ist Genug!"-Alastair Miles
Mendelssohn : Elijah : Part 2 "Du Mann Gottes"-Alastair Miles
Violin Concerto in D Major, Op. 61 - Beethoven: Violin Concerto in D Major, Op. 61 - 3. Rondo. Allegro (베토벤: 바이올린 협주곡 라장조, 작품번호 61: 3. Rondo (Allegro)|ヴァイオリンキョウソウキョク: ダイ３ガクショウ|ヴァイオリン協奏曲 ホ短調 作品64: 第3楽章: RONDO. ALLEGRO)-Viktoria Mullova/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Symphony No. 5 in C Minor, Op. 67 - Beethoven: Symphony No. 5 in C Minor, Op. 67 - III. Allegro (C小调第5号交响曲，作品67 - コウキョウキョクダイゴバン　ウンメイ: ダイサンガクショウ：アレグロ|交響曲 第5番 ハ短調 作品67《運命》: 第3楽章: Allegro)-Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Symphony No. 1 in C Major, Op. 21 - Beethoven: Symphony No. 1 in C Major, Op. 21 - IV. Finale (Adagio - Allegro molto e vivace) (C大调第1号交响曲，作品21 - コウキョウキョクダイイチバン: ダイヨンガクショウ|交響曲 第1番 ハ長調 Op.21: 第4楽章:Finale (Adagio - Allegro molto e vivace))-Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
No. 18 Finale: "Zur Rache! Zur Rache!"-John Eliot Gardiner/The Monteverdi Choir/Orchestre Révolutionnaire et Romantique
No. 6 "Doch seine Ströme sind jetzt rot" (第6首 “他面前的溪流变成了红色”)-John Eliot Gardiner/The Monteverdi Choir/Orchestre Révolutionnaire et Romantique
4. Largo - Finale: Allegro vivace-John Eliot Gardiner/Orchestre Révolutionnaire et Romantique
No. 17 Rezitativ und Duett: "Ich kann mich noch nicht fassen" - "O namenlose Freude!"-John Eliot Gardiner/Orchestre Révolutionnaire et Romantique/Kim Begley
Falstaff / Act 2 - Verdi: Falstaff / Act 2 - "Siam pentiti, e contriti"-Francis Egerton/Gabriele Monici/Jean-Philippe Lafont/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Roméo et Juliette, Op.17 / Part 6 - Berlioz: Roméo et Juliette, Op.17 / Part 6 - Invocation - Réveil de Juliette-Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Berlioz Roméo et Juliette, Op.17 Part 1 - Bientôt la mort est souveraine...-Catherine Robbin/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner/Monteverdi Choir
Berlioz Roméo et Juliette, Op.17 Part 7 - Jurez donc par l'auguste symbole (因此，通过威严的象征发誓) (Version with original parts)-Catherine Robbin/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner/Monteverdi Choir
Symphony No.4 In D Minor, Op.120 - Schumann: Symphony No.4 In D Minor, Op.120 - 5. Lebhaft-Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Berlioz Roméo et Juliette, Op.17 Part 7 - Quoi! Roméo de retour (Version with original parts)-Catherine Robbin/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner/Monteverdi Choir
Roméo et Juliette, Op.17 / Version with original parts / Part 1 - Berlioz: Roméo et Juliette, Op.17 / Version with original parts / Part 1 - Prologue: "D'anciennes haines endormies"-Catherine Robbin/Jean-Paul Fouchécourt/Monteverdi Choir/The Monteverdi Choir/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Leonore, Op. 72 / Appendix - Beethoven: Leonore, Op. 72 / Appendix - No. 7a March in B-Flat Major (カゲキレオノーレ: No. 7a March in B-Flat Major|歌劇《レオノーレ》: No. 7a March in B-Flat Major)-Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Tristia, Op. 18, H.119 - Berlioz: Tristia, Op. 18, H.119 - 1. Méditation religieuse (トリスティア: シュウキョウテキメイソウキョク|トリスティア 作品18: 1．宗教的瞑想曲)-Monteverdi Choir/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Tristia, Op. 18 - Berlioz: Tristia, Op. 18 - 2. La mort d'Ophélie. Ballade (トリスティア: バラード　オフェーリアノシ|トリスティア 作品18: 2．バラード〈オフェーリアの死〉)-Monteverdi Choir/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Messa da Requiem - 2. Liber scriptus (安魂弥撒 - 第2首 审判之辞)-Anne Sofie von Otter/The Monteverdi Choir/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Requiem, Op. 48 - Fauré: Requiem, Op. 48 - 4. Pie Jesu (I) (レクイエム　: ピエ・イエズス（アア　イエズスヨ）|レクイエム 作品48: 第4曲:ピエ・イエズス（ああ、イエズスよ）)-Catherine Bott/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Symphonie fantastique, Op.14 - Berlioz: Symphonie fantastique, Op.14 - 3. Scène aux champs (Adagio) (幻想交响曲，作品14 - 第三乐章 田野景色 - 柔板)-Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian" - Mendelssohn: Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian" - III. Con moto moderato (コウキョウキョクダイ４バンイタリア: メヌエット|交響曲 第4番 イ長調 作品90《イタリア》: 第3楽章: Menuetto. Con moto moderato)-Wiener Philharmoniker/Wiener Philharmoniker/John Eliot Gardiner
The Arrival of the Queen of Sheba (萨巴女王莅临)-John Eliot Gardiner
温馨八音盒-John Eliot Gardiner
"Erfreut euch, ihr Herzen" Cantata, BWV 66 - J.S. Bach: "Erfreut euch, ihr Herzen" Cantata, BWV 66 - Chorale "Halleluja! Des solln wir alle froh sein"-English Baroque Soloists/John Eliot Gardiner/The Monteverdi Choir/Monteverdi Choir
Symphony No. 1 in C Major, Op. 21 - Beethoven: Symphony No. 1 in C Major, Op. 21 - I. Adagio molto - Allegro con brio-Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Disc 1 - Concierto de Aranjuez: II. Adagio [Excerpt]-Julian Bream/Joaquín Rodrigo/John Eliot Gardiner/Chamber Orchestra of Europe
Le nozze di Figaro, K.492 / Act 4 - Mozart: Le nozze di Figaro, K.492 / Act 4 - "Tutto è disposto" (“全部准备​​妥当”)-Bryn Terfel/English Baroque Soloists/John Eliot Gardiner
Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas - J.S. Bach: Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas - No. 4 Aria: " Bereite dich, Zion"-Anne Sofie von Otter/Anthony Robson/English Baroque Soloists/John Eliot Gardiner
Le nozze di Figaro, K.492 / Act 1 - Mozart: Le nozze di Figaro, K.492 / Act 1 - "Va là, vecchia pedante" - "Susannetta, sei tu?"-Alison Hagley/Pamela Helen Stephen/English Baroque Soloists/John Eliot Gardiner
King Arthur Z628 Act 3 What Power Art Thou [Cold Genius]-John Eliot Gardiner
Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 1 - Mozart: Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 1 - "Ho capito, signor sì!" (唐·乔望尼，作品527“我明白了，先生！”)-Julian Clarkson/English Baroque Soloists/John Eliot Gardiner
Le nozze di Figaro, K.492 / Act 4 - Mozart: Le nozze di Figaro, K.492 / Act 4 - "Deh vieni, non tardar" (“来吧，我甜美的喜悦”)-Alison Hagley/English Baroque Soloists/John Eliot Gardiner
Hercules, HWV 60 / Act 1 - Handel: Hercules, HWV 60 / Act 1 - March-English Baroque Soloists/John Eliot Gardiner
Symphony No. 2 in D Major, Op. 36 - Beethoven: Symphony No. 2 in D Major, Op. 36 - I. Adagio molto - Allegro con brio-Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Die Schöpfung, Hob. XXI:2 / Erster Teil - Haydn: Die Schöpfung, Hob. XXI:2 / Erster Teil - No. 8 Rezitativ: "Und Gott sprach: Es bringe die Erde Gras hervor" (Gabriel)-Sylvia McNair/The English Baroque Soloists/John Eliot Gardiner/English Baroque Soloists/John Eliot Gardiner
Oberon - English Text Version with Narration - Act 1 - Overture (奥伯龙 - 带旁白的英文文本版本 - 第一幕 - 序曲)-Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas - J.S. Bach: Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas - No. 8 Aria: "Großer Herr, o starker König"-Olaf Bar/Crispian Steele-Perkins克里斯皮安·斯蒂尔-珀金斯/Crispian Steele-Perkins/English Baroque Soloists/John Eliot Gardiner
O ewiges Feuer, o Ursprung der Liebe, Cantata BWV 34 - J.S. Bach: O ewiges Feuer, o Ursprung der Liebe, Cantata BWV 34 - No. 3 Aria: "Wohl euch, ihr auserwählten Seelen" (第3首 咏叹调：“你们，被拣选的灵魂”)-Bernarda Fink/English Baroque Soloists/John Eliot Gardiner
Hercules, HWV 60 / Act 2 - Handel: Hercules, HWV 60 / Act 2 - Recit: "It must be so!"- Aria: "When beauty sorrow's" (赫丘里斯 - 宣叙调：“想必如此！” - 咏叹调：“当美人显露悲痛”)-Sarah Walker/The English Baroque Soloists/Jennifer Smith/English Baroque Soloists/John Eliot Gardiner
Christmas Oratorio, BWV 248 / Part Four - For New Year's Day - J.S. Bach: Christmas Oratorio, BWV 248 / Part Four - For New Year's Day - No. 39 Aria: "Flösst, mein Heiland, flösst dein Namen"-Nancy Argenta/Katie Pringle/Anthony Robson/English Baroque Soloists/John Eliot Gardiner
Beethoven 2020 – Large Vocal Works

Beethoven 2020 – Large Vocal Works专辑下载

（2019-11-01）