Credo (ミサキョクハチョウチョウサクヒンハチジュウロク: クレド|ミサ曲 ハ長調 作品86: Credo)-Charlotte Margiono/Catherine Robbin/William Kendall/Alastair Miles/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner

歌手 : Charlotte Margiono / Catherine Robbin / William Kendall / Alastair Miles / Orchestre Révolutionnaire et Romantique / John Eliot Gardiner
专辑 : Beethoven 2020 – Large Vocal Works
语种 : 其他
时长 : 10:30

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Credo (ミサキョクハチョウチョウサクヒンハチジュウロク: クレド|ミサ曲 ハ長調 作品86: Credo)-Charlotte Margiono/Catherine Robbin/William Kendall/Alastair Miles/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner 推荐歌曲

Bitterbessie Dagbreek-Charlotte Margiono/Frans Ehlhart
Die Lied Van Die Gebreekte Riete-Charlotte Margiono/Frans Ehlhart
Ah Perfido! , Op. 65-Charlotte Margiono/John Eliot Gardiner/Orchestre Révolutionnaire et Romantique
Mozart: Non Temer, Amato Bene: Rondo K. 490 for "Idomeneo"-Charlotte Margiono
Mozart: Al Desio, Di Chi T'Adora: Rondo K. 577-Charlotte Margiono
"Amico, per pietà...Andiam, signora"-Ildebrando D'Arcangelo/Eirian James/Charlotte Margiono/Julian Clarkson/English Baroque Soloists/John Eliot Gardiner
Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2 - Mozart: Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2 - Mi tradì quell'alma ingrata (K540c, Aria) (Live)-Charlotte Margiono/English Baroque Soloists/John Eliot Gardiner
Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2 - Mozart: Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2 - "Ah! taci, ingiusto core" (唐·乔望尼，作品527“啊，我还是感觉到愤愤不平”)-Charlotte Margiono/Ildebrando D'Arcangelo/Rod (Rodney) Gilfry/English Baroque Soloists/John Eliot Gardiner
Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 1 - Mozart: Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 1 - "Fermati, scellerato!" (唐·乔望尼，作品527“听下，恶棍！”)-Charlotte Margiono/Eirian James/Rod (Rodney) Gilfry/English Baroque Soloists/John Eliot Gardiner
Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2 - Mozart: Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2 - "Amico, che ti par?" (唐·乔望尼，作品527“朋友，你呢？”)-Rod (Rodney) Gilfry/Ildebrando D'Arcangelo/Charlotte Margiono/English Baroque Soloists/John Eliot Gardiner
Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2 - Mozart: Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2 - "L'ultima prova" (Live)-Charlotte Margiono/Rod (Rodney) Gilfry/Ildebrando D'Arcangelo/English Baroque Soloists/John Eliot Gardiner
Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2 - Mozart: Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2 - "Ah! dov'è il perfido?" (唐·乔望尼，作品527“啊！这是哪里？”)-Luba Orgonasova/Charlotte Margiono/Eirian James/Christoph Prégardien/Julian Clarkson/Ildebrando D'Arcangelo
Hierdie Reis-Charlotte Margiono/Frans Ehlhart
Mozart: Per Pietà, Ben Mio: Rondo From "Così Fan Tutte", K. 588-Charlotte Margiono
Mozart: Cara, Se Le Mie Pene: Aria, K. Ⅵ. Deest-Charlotte Margiono
Mozart: Parto, Ma Tu Ben Mio: Aria from "La Clemenza Di Tito" K. 621-Charlotte Margiono
Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 1 - Mozart: Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 1 - "Ah, fuggi il traditor" (唐·乔望尼，浪子终受罚，作品527 - “啊，逃跑的叛徒”)-Charlotte Margiono/English Baroque Soloists/John Eliot Gardiner
Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2 - Mozart: Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2 - Mi tradì quell'alma ingrata (K540c, Aria) (唐·乔望尼，浪子终受罚，作品527 - 背叛了我那忘恩负义的) (Live)-Charlotte Margiono/English Baroque Soloists/John Eliot Gardiner
Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2 - Mozart: Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2 - In quali eccessi (K.540c, Recitative) (唐·乔望尼，浪子终受罚，作品527 - 什么过分) (Live)-Charlotte Margiono/English Baroque Soloists/John Eliot Gardiner
Mass in D Major, Op. 123 "Missa Solemnis" - Credo (D大调弥撒曲，作品123“庄严弥撒曲” - 信经)-Charlotte Margiono/Catherine Robbin/William Kendall/Alastair Miles/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Mass in C Major, Op. 86 - Beethoven: Mass in C Major, Op. 86 - Agnus Dei (ミサキョクハチョウチョウサクヒンハチジュウロク: アニュスデイ|ミサ曲 ハ長調 作品86: Agnus Dei)-Charlotte Margiono/Catherine Robbin/William Kendall/Alastair Miles/Monteverdi Choir/Orchestre Révolutionnaire et Romantique
La clemenza di Tito, K. 621 / Act II - Mozart: La clemenza di Tito, K. 621 / Act II - "Torna di Tito a lato" (狄托的仁慈，作品621 - “狄托回到了这边”)-Catherine Robbin/English Baroque Soloists/John Eliot Gardiner
Orlando, HWV 31 / Act 1 - Ecco Dorinda-Emma Kirkby/Catherine Robbin/The Academy of Ancient Music/Christopher Hogwood
Orlando, HWV 31 / Act 1 - Se fedel vuoi, ch'io ti creda-Arleen Augér/Catherine Robbin/The Academy of Ancient Music/Christopher Hogwood
La clemenza di Tito, K. 621 / Act I - Mozart: La clemenza di Tito, K. 621 / Act I - "Deh conservate, oh Dei" - "Sesto!"-Anne Sofie von Otter/Catherine Robbin/Sylvia McNair/Cornelius Hauptmann/Julia Varady/The Monteverdi Choir/Monteverdi Choir
Haydn: Mass No.6 in G Missa Sti. Nicolai, HXXII No.6 "Nicolaimesse" - Agnus Dei - Adagio - Allegretto-Nancy Argenta/Catherine Robbin/Michael Schade/Alastair Miles
Berlioz Roméo et Juliette, Op.17 Part 7 - Mais vous avez repris la guerre de famille-Catherine Robbin/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner/Monteverdi Choir
Berlioz Roméo et Juliette, Op.17 Deuxieme Prologue - Plus de bal maintenant (Version with original parts)-Catherine Robbin/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner/Monteverdi Choir
Berlioz Roméo et Juliette, Op.17 Part 1 - Mab la messagère...-Catherine Robbin/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner/Monteverdi Choir
Berlioz Roméo et Juliette, Op.17 Part 5 - Requiem aeternam (Version with original parts)-Catherine Robbin/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner/Monteverdi Choir
Roméo et Juliette, Op.17 / Version with original parts / Part 1 - Berlioz: Roméo et Juliette, Op.17 / Version with original parts / Part 1 - Prologue: "Pousée par un désir..."-Catherine Robbin/Jean-Paul Fouchécourt/The Monteverdi Choir/Monteverdi Choir/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Vesperae solennes de confessore in C, K.339 - 2. Confitebor tibi, Domine-Emma Kirkby/Catherine Robbin/John Mark Ainsley/Michael George
Handel: Belshazzar / Act 2 - "See, from his post Euphrates flies!" (“看，他能从幼发拉底河上飞过！”)-Catherine Robbin/The English Concert/Trevor Pinnock/The English Concert Choir
Handel: Belshazzar, HWV 61 / Act 1 - "Be comforted: safe though the tyrant seem" / "Methought, as on the bank of deep Euphrates" (“不用着急，尽管这暴君看起来还安全” / “在那边，幼发拉底河岸”)-Catherine Robbin/The English Concert/Trevor Pinnock
Mass in D Major, Op. 123 "Missa Solemnis" - Agnus Dei (D大调弥撒曲，作品123“庄严弥撒曲” - 羔羊经)-Charlotte Margiono/Catherine Robbin/William Kendall/Alastair Miles/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Nein, junger Herr (No, Master)-Daniel Lichti/Catherine Robbin/Leslie De'Ath
Nicht länger kann ich singen (No longer can I sing)-Daniel Lichti/Catherine Robbin/Leslie De'Ath
Selig ihr Blinden (Happy are you, blind ones)-Daniel Lichti/Catherine Robbin/Leslie De'Ath
Ich ließ mir sagen und mir ward erzählt (I was told, and it was related)-Daniel Lichti/Catherine Robbin/Leslie De'Ath
Ich esse nun mein Brot nicht trocken mehr (I do not eat my bread unmoistened anymore)-Daniel Lichti/Catherine Robbin/Leslie De'Ath
Rejoice In The Lord Alway, Z.49-The Brandenburg Consort/Christopher Robson/William Kendall/Stephen Roberts
God is with us (A Christmas Proclamation)-William Kendall/Winchester Cathedral Choir/David Dunnett/David Hill
Thunder Entered Her-William Kendall/Winchester Cathedral Choir/Ian Simcock/David Dunnett
Glorious Victory-The Band of The Royal Anglian Regiment/Captain Peter Hudson/William Kendall
The Dream of Gerontius, Op. 38: The Dream of Gerontius, Op. 38, Part II: But Hark! A Grand Mysterious Harmony-William Kendall/Sarah Fryer/Bournemouth Symphony Chorus/Waynflete Singers
Didone abbandonata (3rd version) - Act I Scene 10: Tutta ho scorsa la Reggia (Iarba, Araspe, Enea)-William Kendall/Daniel Taylor/Martina Borst/Stuttgart Chamber Orchestra
Dixit Dominus, HWV 232 - 8. Gloria Patri, et Filio-Isobel Buchanan/Ann Mackay/William Kendall/The Choir of King's College, Cambridge/English Chamber Orchestra/Stephen Cleobury
Didone abbandonata (3rd version) - Act I Scene 7: Quanto è stolto, se crede (Iarba, Araspe)-William Kendall/Daniel Taylor/Stuttgart Chamber Orchestra/Frieder Bernius
Didone abbandonata (3rd version) - Act I Scene 11: Non partirà sé pria … (Iarba, Selene)-William Kendall/Mechthild Bach/Stuttgart Chamber Orchestra/Frieder Bernius
Didone abbandonata (3rd version) - Act I Scene 13: Dove corri, o Signore? (Araspe, Iarba)-Daniel Taylor/William Kendall/Stuttgart Chamber Orchestra/Frieder Bernius
Didone abbandonata (3rd version) - Act II Scene 4: Io sento vacillar la mia costanza (Enea, Iarba)-Martina Borst/William Kendall/Stuttgart Chamber Orchestra/Frieder Bernius
Didone abbandonata (3rd version) - Act I Scene 5: Vedi mio Re … (Araspe, Iarba, Didone, Osmida)-Daniel Taylor/William Kendall/Dorothea Roschmann/Arno Raunig
Didone abbandonata (3rd version) - Act I Scene 15: Ecco il rival, ne seco (Iarba, Araspe, Enea, Osmida)-William Kendall/Daniel Taylor/Martina Borst/Arno Raunig
Didone abbandonata (3rd version) - Act II Scene 11: Didone, e che mi chiedi? (Iarba, Enea, Didone)-William Kendall/Martina Borst/Dorothea Roschmann/Stuttgart Chamber Orchestra
Didone abbandonata (3rd version) - Act II Scene 11: Infedel! Ti lascio: addio (Enea, Didone, Iarba)-Martina Borst/Dorothea Roschmann/William Kendall/Stuttgart Chamber Orchestra
Didone abbandonata (3rd version) - Act I Scene 13: Son qual siume, che gonsio d'umori (Iarba)-William Kendall/Stuttgart Chamber Orchestra/Frieder Bernius
Didone abbandonata (3rd version) - Act III Scene 16: Fermati (Iarba, Didone, Osmida, Selene)-William Kendall/Dorothea Roschmann/Arno Raunig/Mechthild Bach
Dixit Dominus, HWV 232 - 1. Dixit Dominus-Isobel Buchanan/Michael Chance/William Kendall/The Choir of King's College, Cambridge
Anonymous - I Saw Three Ships-Mark Tinkler/William Kendall/The Choir of St John’s Cambridge/Stephen Cleobury/George Guest
I Saw Three Ships-Mark Tinkler/William Kendall/Choir Of St. John's College, Cambridge/Stephen Cleobury
Don Carlos (Sung in French) - Act II, Scene 2: O ma chère compagne-Alastair Miles/Bo Skovhus/Iano Tamar/Vienna State Opera Chorus
Part I: Aria: "Bacchus ewig jung und schön" (Arr. Mozart)-Alastair Miles/Handel and Haydn Society Orchestra/Christopher Hogwood
Niobe, regina di Tebe - Act III Scene 1: Aria: Amami, e vederai (Niobe) - Scene 2: Fuggi Creonte (Poliferno, Creonte)-Véronique Gens/Alastair Miles/Iestyn Davies/Balthasar-Neumann Ensemble
La conquista di Granata - Act III Scene 9: Hassem, il debito per te funesto (Gonzalo, Hassem, Zulema)-José Bros/Alastair Miles/Mariola Cantarero/Madrid Symphony Orchestra
Oedipus Rex, Act II: "Ego senem cecedi" (Œdipe, Jocasta)-Franz Welser-Möst/Anthony Rolfe Johnson/Marjana Lipovsek/Sir John Tomlinson/Alastair Miles/John Mark Ainsley/Peter Coleman-Wright
Oedipus Rex, Act I: "Dicere non possum, dicere non licet" (Tirésias, Œdipe)-Franz Welser-Möst/Alastair Miles/Marjana Lipovsek/Anthony Rolfe Johnson/Sir John Tomlinson/John Mark Ainsley/Peter Coleman-Wright
Haydn: Mass No.6 in G Missa Sti. Nicolai, HXXII No.6 "Nicolaimesse" - Kyrie - Allegretto-Nancy Argenta/Catherine Robbin/Michael Schade/Alastair Miles
Haydn: Mass No.12 - 'Theresienmesse' in B flat HobXXII/12 (1799) - Sanctus - Benedictus-Nancy Argenta/Catherine Robbin/Michael Schade/Alastair Miles
Handel - Messiah, K. 572 (Sung in German) - Aria: Doch wer mag ertragen den Tag seiner Ankunft (Bass)-Alastair Miles/Stuttgart Bach Collegium/Helmuth Rilling
Saul, HWV 53 / Act 1 - Handel: Saul, HWV 53 / Act 1 - "With rage I shall burst his praises to hear!" (Live)-Alastair Miles/English Baroque Soloists/John Eliot Gardiner
Saul, HWV 53 / Act 2 - Handel: Saul, HWV 53 / Act 2 - "My father comes...Hast thou obey'd my orders" (Live)-John Mark Ainsley/Alastair Miles/English Baroque Soloists/John Eliot Gardiner
Ernani / Part 2 - Scellerati, il mio furore (Ernani / Part 2: アクトウドモメ|歌劇《エルナーニ》: 悪党どもめ、私の怒りは)-Paata Burchuladze/Alastair Miles/Luciano Pavarotti/Joan Sutherland/Welsh National Opera Orchestra/Richard Bonynge
Leonore, Op. 72 / Act 3 - Beethoven: Leonore, Op. 72 / Act 3 - "Der Koenig wird dein Richter sein!" (カゲキレオノーレ: "Der Koenig wird dein Richter sein!"|歌劇《レオノーレ》: "Der Koenig wird dein Richter sein!")-Alastair Miles/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner/Monteverdi Choir/The Monteverdi Choir
Leonore, Op. 72 / Act 3 - Beethoven: Leonore, Op. 72 / Act 3 - "Doch höre erst, du Bösewicht" (カゲキレオノーレ: "Doch höre erst, du Bösewicht"|歌劇《レオノーレ》: "Doch höre erst, du Bösewicht")-Alastair Miles/Hillevi Martinpelto/Kim Begley/The Monteverdi Choir/Monteverdi Choir/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Berlioz: Roméo et Juliette, Op.17 / Part 7 - Quoi! Roméo de retour!-Alastair Miles/Chor des Bayerischen Rundfunks/Wiener Philharmoniker/Sir Colin Davis
Handel: Messiah - First version of 1752; edited by Donald Burrows - Part 1 - 4. Accompagnato: Thus saith the Lord-Alastair Miles/The Brandenburg Consort/Stephen Cleobury
Mendelssohn : Elijah : Part 1 "Nun Auch Der Bach Vertrocknet Ist"-Alastair Miles
Mendelssohn : Elijah : Part 2 "Seraphim Standen Über Ihm"-Alastair Miles
Mendelssohn : Elijah : Part 2 "Es Ist Genug!"-Alastair Miles
Le nozze di Figaro, K. 492 - No. 27 Aria: "Aprite Un Po' Quegli Occhi"-Sir Charles Mackerras/Timothy Byram-Wigfield/Alastair Miles
Shicksalslied, Op. 54-Orchestre Révolutionnaire et Romantique
Symphony No. 5 in B-Flat Major, D. 485 - III. Menuetto: Allegro molto (Live)-Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Beethoven: Symphony No.1 in C, Op.21 - 2. Andante cantabile con moto-John Eliot Gardiner/Orchestre Révolutionnaire et Romantique
(Duett:) "Wir muessen gleich zu Werke schreiten" - (Quartett:) "Ach Vater, eilt!"-John Eliot Gardiner/Orchestre Révolutionnaire et Romantique/Christiane Oelze
No.2 Duett: "Jetzt, Schätzchen, jetzt sind wir allein"-John Eliot Gardiner/Orchestre Révolutionnaire et Romantique/Christiane Oelze
Symphony No. 2 in D Major, Op. 73 - III. Allegretto grazioso (quasi andantino) - Presto ma non assai-Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Oberon - English Text Version with Narration - Act 2 - Ruler of this awful hour (奥伯龙 - 带旁白的英文文本版本 - 第二幕 -这个可怕时刻的统治者)-Jonas Kaufmann/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Oberon - English Text Version with Narration - Act 3 - Terzettino: And I must I then (奥伯龙 - 带旁白的英文文本版本 - 第三幕 - 三重唱：然后我必须)-Marina Comparato/Jonas Kaufmann/William Dazeley/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Berlioz: Messe solennelle - Ed. Hugh J.McDonald (1940 Motet pour l'Offertoire)-Donna Brown/Jean-Luc Viala/Gilles Cachemaille/Orchestre Révolutionnaire et Romantique
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor" - Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor" - I. Allegro (ピアノキョウソウキョクダイゴバンヘンホチョウチョウサクヒンナナジュウサンコウテイ: ダイイチガクショウアレグロ|ピアノ協奏曲 第5番 変ホ長調 作品73 《皇帝》: 第1楽章: Allegro)-Robert Levin/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Roméo et Juliette, Op.17 / Part 3 - Berlioz: Roméo et Juliette, Op.17 / Part 3 - Scène d'amour (爱情戏)-Monteverdi Choir/The Monteverdi Choir/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Roméo et Juliette, Op.17 / Version with original parts / Part 1 - Berlioz: Roméo et Juliette, Op.17 / Version with original parts / Part 1 - Prologue: "D'anciennes haines endormies"-Catherine Robbin/Jean-Paul Fouchécourt/Monteverdi Choir/The Monteverdi Choir/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Berlioz Roméo et Juliette, Op.17 Part 7 - Mais notre sang rougit leur gleve-Catherine Robbin/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner/Monteverdi Choir
Leonore, Op. 72 / Act 3 - Beethoven: Leonore, Op. 72 / Act 3 - "Doch höre erst, du Bösewicht" (カゲキレオノーレ: "Doch höre erst, du Bösewicht"|歌劇《レオノーレ》: "Doch höre erst, du Bösewicht")-Alastair Miles/Hillevi Martinpelto/Kim Begley/Monteverdi Choir/The Monteverdi Choir/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Leonore, Op. 72 / Act 2 - Beethoven: Leonore, Op. 72 / Act 2 - "Ha! Welch ein Augenblick!" (カゲキレオノーレ: "Ha! Welch ein Augenblick!"|歌劇《レオノーレ》: "Ha! Welch ein Augenblick!")-Matthew Best/Monteverdi Choir/The Monteverdi Choir/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Symphony No. 7 in A Major, Op. 92 - Beethoven: Symphony No. 7 in A Major, Op. 92 - III. Presto - Assai meno presto (A大调第7号交响曲，作品92 - コウキョウキョクダイナナバンイチョウチョウサクヒンキュウジュウニ: ダイサンガクショウプレストアッサイメノプレスト|交響曲 第7番 イ長調 作品92: 第3楽章: Presto - Assai meno presto)-Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Credo-John Eliot Gardiner/The Monteverdi Choir/Orchestre Révolutionnaire et Romantique
No. 1 "Vor Edens Tor im Morgenprangen" (第1首 “在早晨的伊甸园门前”)-John Eliot Gardiner/Orchestre Révolutionnaire et Romantique/Bernarda Fink
No. 23 "Hinab zu...Sie schwebt...Doch horch...Und was" (第23首 “下来，他漂浮在空中但是听得清楚，那还有什么”)-John Eliot Gardiner/Christoph Prégardien/Orchestre Révolutionnaire et Romantique
No. 16 "O laß mich von der Luft...Sie wankt-sie sinkt" (第16首 “噢，让我从空中出来。他降落在地上”)-John Eliot Gardiner/Christoph Prégardien/Orchestre Révolutionnaire et Romantique
Ich hatte viel Bekummernis, BWV 21 - Aria: Bache von gesalznen Zahren (Tenor)-Vernon Kirk/English Baroque Soloists/John Eliot Gardiner
Gold und Silber, Op. 79 - Walzer (ワルツ)-Wiener Philharmoniker/John Eliot Gardiner
Die Entführung aus dem Serail, K.384 / Act 3 - Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Sie macht auf, Herr!" -"Gift und Dolch! Was ist das?"-Uwe Peper/Stanford Olsen/Luba Orgonasova/Cornelius Hauptmann/Cyndia Sieden/English Baroque Soloists
Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas - J.S. Bach: Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas - No.1 Chorus: "Jauchzet, frohlocket" (1번 한낮이 환호하네|1. 合唱: 歓呼の声を放て、喜び躍れ|カンコノコエヲハナテ　ヨロコビオドレ)-The Monteverdi Choir/English Baroque Soloists/John Eliot Gardiner
Vespro della Beata Vergine - Performing Edition by John Eliot Gardiner - 2. Domine ad adjuvandum me festina (圣母晚祷 - 约翰·艾略特·加德纳演出版 - 第2首 主快来帮助我)-Monteverdi Choir/The Monteverdi Choir/Philip Jones Brass Ensemble/The Philip Jones Brass Ensemble/Monteverdi Orchestra/John Eliot Gardiner
Symphony No. 1 in C Major, Op. 21 - Beethoven: Symphony No. 1 in C Major, Op. 21 - I. Adagio molto - Allegro con brio-Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Le nozze di Figaro, K.492 / Act 4 - Mozart: Le nozze di Figaro, K.492 / Act 4 - "Tutto è disposto" (“全部准备​​妥当”)-Bryn Terfel/English Baroque Soloists/John Eliot Gardiner
Le nozze di Figaro, K.492 / Act 1 - Mozart: Le nozze di Figaro, K.492 / Act 1 - "Va là, vecchia pedante" - "Susannetta, sei tu?"-Alison Hagley/Pamela Helen Stephen/English Baroque Soloists/John Eliot Gardiner
King Arthur Z628 Act 3 What Power Art Thou [Cold Genius]-John Eliot Gardiner
Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 1 - Mozart: Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 1 - "Ho capito, signor sì!" (唐·乔望尼，作品527“我明白了，先生！”)-Julian Clarkson/English Baroque Soloists/John Eliot Gardiner
v_ritangwu - Orphée et Eurydice, Wq. 41, Act 1 Scene 1: Choeur, "Ah! dans ce bois tranquille et sombre" (Nymphes, Bergers, Orphée)-Monteverdi Choir/Orchestre de l'Opera National de Lyon/Sir John Eliot Gardiner
Christ lag in Todes Banden, BWV 4: No. 8, Chorale. "Wir essen und leben wohl"-John Eliot Gardiner
Bleib bei uns, denn es will Abend werden Cantata, BWV 6 - J.S. Bach: Bleib bei uns, denn es will Abend werden Cantata, BWV 6 - 1. Chor: Bleib bei uns, denn es will Abend werden-English Baroque Soloists/John Eliot Gardiner/Monteverdi Choir/The Monteverdi Choir
Gottes Zeit ist die allerbeste Zeit, Cantata BWV 106 - J.S. Bach: Gottes Zeit ist die allerbeste Zeit, Cantata BWV 106 - No. 1 Sonatina-English Baroque Soloists/John Eliot Gardiner
Symphony No.7 In A, Op.92 - Beethoven: Symphony No.7 In A, Op.92 - IV. Allegro con brio-Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Les Brigands - Opra-Bouffe En 3 Actes. Livret D'Henri Meilhac & Ludovic Halvy - Acte II - Dialogues : Bravo ! C'est Trs Bien (Falsacappa, Fragoletto, Pietro)-John Eliot Gardiner
2. Dies irae (第2首 震怒之日)-John Eliot Gardiner/The Monteverdi Choir/Orchestre Révolutionnaire et Romantique
Le nozze di Figaro, K.492 / Act 3 - Mozart: Le nozze di Figaro, K.492 / Act 3 - "Vedro mentr'io sospiro" (“在我感叹之时”)-Rod (Rodney) Gilfry/English Baroque Soloists/John Eliot Gardiner
One Touch Of Venus - Weill: One Touch Of Venus - Speak Low-Anne Sofie von Otter/NDR-Sinfonieorchester/John Eliot Gardiner
J.S. Bach: Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas - No.8 Aria (Baß): "Großer Herr, o starker König" (feat. The English Baroque soloists, Crispian Steele-Perkins & Olaf Bar)-John Eliot Gardiner/The English Baroque Soloists/John Eliot Gardiner/The English Baroque Soloists/Crispian Steele-Perkins克里斯皮安·斯蒂尔-珀金斯/Olaf Bar
Beethoven 2020 – Large Vocal Works

Beethoven 2020 – Large Vocal Works专辑下载

（2019-11-01）