Madrigali e canzonette, Book 9, SV 168-178: Su, su, su, pastorelli vezzosi-Guy de Mey/Martin Klietmann/Jozsef Gregor/Capella Savaria/Nicholas McGegan

歌手 : Guy de Mey / Martin Klietmann / Jozsef Gregor / Capella Savaria / Nicholas McGegan
专辑 : Monteverdi: Il Combattimento Di Tancredi E Clorinda / Madrigals
语种 : 越南语
时长 : 04:13

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Madrigali e canzonette, Book 9, SV 168-178: Su, su, su, pastorelli vezzosi-Guy de Mey/Martin Klietmann/Jozsef Gregor/Capella Savaria/Nicholas McGegan 推荐歌曲

Bestelle dein Haus: Wenn gleich süss ist das Leben-Max van Egmond/Ricercar Consort/Guy de Mey
Son lunghi e non mi brami (Aria)-Guy de Mey/René Jacobs/Christoph Willibald Gluck
Funeral music - Part I: Recitative: So kannstu aus dem Diensthaus (Tenor)-Guy de Mey/Das kleine Konzert/Hermann Max
Funeral music - Part I: Aria: Ob gleich aller Treiber Wut (Tenor)-Guy de Mey/Das kleine Konzert/Hermann Max
Funeral music - Part III: Aria: Lob und Dank zum Opfer geben (Tenor)-Guy de Mey/Das kleine Konzert/Hermann Max
Funeral music - Part III: Recitative: Befreit mich nun der Sohn (Tenor)-Guy de Mey/Das kleine Konzert/Hermann Max
Funeral music - Part II: Duet: Drum will ich auch Dankopfer bringen (Alto, Tenor)-Lena Susanne Norin/Guy de Mey/Das kleine Konzert/Hermann Max
Bestelle dein Haus: Christus ist mein Leben - Ich habe Lust, abzuscheiden-Max van Egmond/Ricercar Consort/Guy de Mey
Bestelle dein Haus: Herzlich tut mich verlangen-Max van Egmond/Ricercar Consort/Guy de Mey
Du aber Daniel, gehe hin, TWV 4:17: Sonata-Max van Egmond/Ricercar Consort/Guy de Mey
Du aber Daniel, gehe hin, TWV 4:17: Recitativo "Dir ist, hochsel’ger Mann"-Max van Egmond/Ricercar Consort/Guy de Mey
Du aber Daniel, gehe hin, TWV 4:17: Accompagnato "Mit sehnenden Verlangen"-Max van Egmond/Ricercar Consort/Guy de Mey
Harmonische Freude frommer Seelen: In dem Herrn ich mich erfreue-Max van Egmond/Ricercar Consort/Guy de Mey
Bestelle dein Haus: Bestelle dein Haus - Herr, lehre doch mich-Max van Egmond/Ricercar Consort/Guy de Mey
Du aber Daniel, gehe hin, TWV 4:17: Aria "Du Aufenhalt der blasen Sorgen"-Max van Egmond/Ricercar Consort/Guy de Mey
Kantate Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": Glorie, Lob, Ehr'und Herrlichkeit-Max van Egmond/Ricercar Consort/Guy de Mey
Du aber Daniel, gehe hin, TWV 4:17: Recitativo "Mit Freuden folgt die Seele"-Max van Egmond/Ricercar Consort/Guy de Mey
Kantate Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": In deine Hände - Heute wirst du mit mir im Paradies - Mit Fried und Freud-Max van Egmond/Ricercar Consort/Guy de Mey
Harmonische Freude frommer Seelen: Ich freue mich im Herrn-Max van Egmond/Ricercar Consort/Guy de Mey
Du aber Daniel, gehe hin, TWV 4:17: Coro "Schlaf wohl, ihr seligen Gebeine"-Max van Egmond/Ricercar Consort/Guy de Mey
24 Theils ernsthafte, theils scherzende Oden: An den Schlaf, "To Morpheus"-Martin Klietmann
6 Moralische Kantaten: No. 3. Das massige Gluck, TWV 20:31: Aria II: Die Hohe hat Gefahr-Martin Klietmann
24 Theils ernsthafte, theils scherzende Oden: Trinklied-Martin Klietmann
6 Moralische Kantaten: No. 3. Das massige Gluck, TWV 20:31: Recitative: Ist noch ein Platzgen auf der Welt-Martin Klietmann
6 Moralische Kantaten: No. 3. Das massige Gluck, TWV 20:31: Aria I: Der Glanz, wonach der Ehrgeiz zielet-Martin Klietmann
Singe-Spiel-und Generalbass-Ubungen, TWV 25:39-85: Die Einsamkeit (Solitude)-Martin Klietmann
Singe-Spiel-und Generalbass-Ubungen, TWV 25:39-85: Seltenes Gluck (Rare Happiness)-Martin Klietmann
Singe-Spiel-und Generalbass-Ubungen, TWV 25:39-85: Gluck (Happiness)-Martin Klietmann
Singe-Spiel-und Generalbass-Ubungen, TWV 25:39-85: Zufriedenheit (Contentment)-Martin Klietmann
24 Theils ernsthafte, theils scherzende Oden - Trinklied-Martin Klietmann/Collegium Musicum 90
24 Theils ernsthafte, theils scherzende Oden - An den Schlaf, "To Morpheus"-Martin Klietmann/Collegium Musicum 90
6 Moralische Kantaten: No. 3. Das massige Gluck, TWV 20:31 - Aria II: Die Hohe hat Gefahr-Martin Klietmann/Collegium Musicum 90
6 Moralische Kantaten: No. 3. Das massige Gluck, TWV 20:31 - Recitative: Ist noch ein Platzgen auf der Welt-Martin Klietmann/Collegium Musicum 90
6 Moralische Kantaten: No. 3. Das massige Gluck, TWV 20:31 - Aria I: Der Glanz, wonach der Ehrgeiz zielet-Martin Klietmann/Collegium Musicum 90
Singe-Spiel-und Generalbass-Ubungen, TWV 25:39-85 - Gluck (Happiness)-Martin Klietmann/Collegium Musicum 90
Singe-Spiel-und Generalbass-Ubungen, TWV 25:39-85 - Die Einsamkeit (Solitude)-Martin Klietmann/Collegium Musicum 90
Singe-Spiel-und Generalbass-Ubungen, TWV 25:39-85 - Seltenes Gluck (Rare Happiness)-Martin Klietmann/Collegium Musicum 90
Singe-Spiel-und Generalbass-Ubungen, TWV 25:39-85 - Zufriedenheit (Contentment)-Martin Klietmann/Collegium Musicum 90
Gloria --Ilona Tokody/Klára Takács/Dénes Gulyás/Jozsef Gregor
Tosca, S. 69, Act II - Tosca, S. 69, Act II: Nel pozo del giardino (Scarpia, Cavaradossi, Tosca, Sciarrone)-Eva Marton/José Carreras/Juan Pons/István Gáti/Italo Tajo/Ferenc Gerdesits
Tosca, S. 69, Act II - Tosca, S. 69, Act II: Ecco, vedi (Tosca, Scarpia, Spoletta)-Eva Marton/José Carreras/Juan Pons/István Gáti/Italo Tajo/Ferenc Gerdesits
Don Pasquale - Don Pasquale: Overture (序曲)-Jozsef Gregor/Magda Kalmár/István Gáti/Janos Bandi/Hungarian Radio and Television Chorus/Hungarian State Orchestra
Don Pasquale, Act II - Don Pasquale, Act II: Ah, e rimasto la impietrato (多尼采蒂：第二幕：第二幕压轴：它变成了石头)-Jozsef Gregor/Magda Kalmár/István Gáti/Janos Bandi/Hungarian Radio and Television Chorus/Hungarian State Orchestra
Don Pasquale, Act III - Don Pasquale, Act III: Duet. Signorina, in tanta fretta (多尼采蒂：第三幕：二重唱：小姐，这么急)-Jozsef Gregor/Magda Kalmár/István Gáti/Janos Bandi/Hungarian Radio and Television Chorus/Hungarian State Orchestra
Christus, S. 3/R. 478 - Christus, S. 3/R. 478: After Epiphany: Ride into Jerusalem: Hosanna (Soloists, Chorus)-Lajos Basti/Sandor Sòlyom-Nagy/Éva Andor/Zsuzsa Nemeth/József Réti/Jozsef Gregor
A bûvös szekrény (the Magic Cupboard), Act II Scene 5: Tiszelet, hodolat [Apprentices, Sulejka]-Margit Laszlo/Alfonz Bartha/Jozsef Dene/Gyorgy Radnai/Jozsef Gregor/József Réti
L'infedelta delusa No. 11, Hob. XXVIII:5, L'infedelta delusa, Hob.XXVIII:5, Act II - L'infedelta delusa No. 11, Hob. XXVIII:5, L'infedelta delusa, Hob.XXVIII:5, Act II: Finale. Nel mille settecento-Magda Kalmár/Julia Paszthy/István Rozsos/Attila Fülöp/Jozsef Gregor/Budapest Franz Liszt Chamber Orchestra
Pomade kiraly uj ruhaja (King Pomade's New Clothes), Act I Scene 3: Hat honnan jottetek? [so where do you come from, Hmm?] [King Pomade, Dani, Beni, Dzsufi, Tobias Ramrodracked, Chorus]-Jozsef Gregor/Sándor Palcsó/Jozsef Dene/Zsolt Bende/Laszlo Palocz/Éva Andor
Háry János: Adventure 3: Rectuiting Dance. A jo lovas katonanak (Hary, Chorus)-Sandor Sòlyom-Nagy/Klára Takács/Maria Sudlik/Balázs Póka/Katalin Meszoly/Jozsef Gregor
Der geduldige Socrates (Patient Socrates), TWV 21:9, Act II Scene 1 - Der geduldige Socrates (Patient Socrates), TWV 21:9, Act II Scene 1: Recitative. Geh du dorthin! [Xantippe, Amitta, Socrates]-Jozsef Gregor/Eva Vamossy/Katalin Farkas/Eva Bartfai-Barta/Julia Paszthy/Guy de Mey
Il pittore parigino (the Parisian Painter), Act I Scene 4 - Il pittore parigino (the Parisian Painter), Act I Scene 4: Recitative. Zitto! … - Scence 5: Recitative. Cieli! … - Scene 6: Recitative. Posso … [Cintia, Broccardo, Baron]-Marta Szucs/Veronika Kincses/Gérard Garino/Jozsef Gregor/Martin Kleitmann/Salieri Chamber Orchestra
Il Pastor fido, HWV 8, Act III Scene 8 - Il Pastor fido, HWV 8, Act III Scene 8: Ballet: General dance-Paul Esswood/Katalin Farkas/Marta Lukin/Gábor Kállay/Maria Flohr/Jozsef Gregor
Il Pastor fido, HWV 8, Act II Scene 9 - Il Pastor fido, HWV 8, Act II Scene 9: Aria. Scherza in mar la navicella (Amarilli)-Paul Esswood/Katalin Farkas/Marta Lukin/Gábor Kállay/Maria Flohr/Jozsef Gregor
Il Pastor fido, HWV 8, Act I Scene 8 - Il Pastor fido, HWV 8, Act I Scene 8: Ballet: March-Paul Esswood/Katalin Farkas/Marta Lukin/Gábor Kállay/Maria Flohr/Jozsef Gregor
La Giuditta - La Giuditta: Pt. I: Recitative. Vedra Bettulia (Oloferne, Captain) Aria. Vincerai s'il … [Captain] - Recitative. Empio … [Oloferne, Captain] [Version for 3 voices]-Mária Zádori/Katalin Gémes/Jozsef Gregor/Drew Minter/Guy de Mey/Capella Savaria
La Giuditta - La Giuditta: Pt. I: Recitative. Vanne, superbo – Aria. Della Patria – (Captain) [Version for 3 voices]-Mária Zádori/Katalin Gémes/Jozsef Gregor/Drew Minter/Guy de Mey/Capella Savaria
La Giuditta - La Giuditta: Pt. II: Recitative. Spunta gia l'alba (Priest) - Aria. Traditor [Priest] [Version for 3 voices]-Mária Zádori/Katalin Gémes/Jozsef Gregor/Drew Minter/Guy de Mey/Capella Savaria
Additional Arias for Pergolesi's La Serva Padrona (Paris, 1754) - Additional Arias for Pergolesi's La Serva Padrona (Paris, 1754): Air. Vous gentilles jeunes filles [Zerbine]-Katalin Farkas/Jozsef Gregor/Capella Savaria/Pal Nemeth
Passio Jesu Christi, FWV F:1, "Brockes-Passion" - Part I: Recitative: Mich qualt der Sunder schwere Last (Jesus)-Peter Cser/Capella Savaria/Mary Terey-Smith
Abaris ou les Boreades - Premier et deuxieme contredanse-Capella Savaria/Mary Terey-Smith
Agrippina: Act 1. Aria: La mia sorte fortunata-Capella Savaria/Nicholas McGegan/Michael Dean
Agrippina: Act 1. Terzetto: E quando mai?-Béla Szilágyi/Nicholas Isherwood/Capella Savaria/Nicholas McGegan
Abaris ou les Boreades: Abaris ou Les Boreades (Suite and Dances): Gavotte pour les Fleurs et les Zephirs-Capella Savaria/Mary Terey-Smith
Overture for Flute and Bassoon in G Major - I. Overture: Presto-Pal Nemeth/Paolo Tognon/Capella Savaria
Symphony in G Major, Eisen G3, "Sinfonia pastorale" - Symphony in G Major, Eisen G3, "Sinfonia pastorale": I. Allegro moderato-Capella Savaria/Pal Nemeth/Németh Pál
Sinfonia No. 9 in B flat major: I. Introduzione Largo - Allegro-Capella Savaria
Recitativo Holofernes, Juditha: Haec In Crastinum Serva (何乐弗尼，尤迪德宣叙调：这只能明天继续)-Nicholas McGegan, English Bach Festival Singers & Baroque Orchestra/Judit Nemeth/Gloria Banditelli/Capella Savaria
La Passione di Gesu Cristo Signor Nostro: Giacche mi tremi in seno-Capella Savaria
Brockes-Passion, HWV 48 - Brockes-Passion, HWV 48: Weg, weg, weg! (Chorus)-Martin Kleitmann/István Gáti/Mária Zádori/Katalin Farkas/Guy de Mey/Gunther Burzynski
Symphony in D minor (P. 20. MH 393) I. Allegro brilliante-Capella Savaria/Németh Pál
La Passione di Gesu Cristo Signor Nostro: All'idea de tuoi perigli-Capella Savaria
Symphony in C major (P. 31. MH 478) III. Fugato. Molto vivace-Capella Savaria/Németh Pál
Silete venti, HWV 242 - Silete venti, HWV 242: O fortunata anima (康塔塔《寂静的风》，HWV 242)-Mária Zádori/Capella Savaria/Pal Nemeth
Coelestis dum spirat aura, HWV 231 - Coelestis dum spirat aura, HWV 231: Recitative. Vestro, religiosi-Mária Zádori/Capella Savaria/Pal Nemeth
Concerto No. 12 - Ciacona-Capella Savaria/Németh Pál
Concerto No. 8 - Sonata. Grave-Capella Savaria/Németh Pál
Concerto No. 6 - Sonata. Allegro-Capella Savaria/Németh Pál
Qual ti riveggio, oh Dio, HWV 150, "Ero e Leandro" - Qual ti riveggio, oh Dio, HWV 150, "Ero e Leandro": Recitative. Ecco, gelide labbra-Mária Zádori/Ralf Popken/Capella Savaria/Pal Nemeth
Serse, HWV 40, Act 1 - No. 5 Aria: "Va godendo vezzoso e bello"-The Hanover Band/Nicholas McGegan/George Friedrich Handel/Jennifer Smith
Messiah, HWV 56: How beautiful are the feet - Their sound is gone out… (alternate version)-Nicholas McGegan/Lorraine Hunt Lieberson/Philharmonia Baroque Orchestra
No. 46 Aria: "Amor, tiranno Amor"-Nicholas McGegan/George Friedrich Handel/The Hanover Band/Brian Asawa
Suite from Platee - Loure - Grave-Philharmonia Baroque Orchestra/Nicholas McGegan/Jean-Philippe Rameau
Aria: "Ne men con l'ombre d'infidelta"-The Hanover Band/Nicholas McGegan/George Friedrich Handel/Jennifer Smith
The Four Seasons: 'Autumn' (Concerto in F op.8 no.3): Adagio molto-Nicholas McGegan
The Four Seasons: 'Spring' (Concerto in E op.8 no.1): Largo-Nicholas McGegan
La Tempesta di mare' (Storm at Sea) (Concerto in E flat op.8 no.5): Presto-Nicholas McGegan
La Princesse de Navarre - Act III - Sarabande (纳瓦尔公主 - 第三幕 - 萨拉班德舞曲)-Nicholas McGegan/Marilyn Hill-Smith/English Bach Festival Baroque Orchestra/English Bach Festival Chorus
Water Music Suite No.2 in D major: No.15 Bourrée-Nicholas McGegan
C.P.E. Bach: Fantasy in C Major-Nicholas McGegan/Catherine Mackintosh/Anthony Pleeth/Carl Philipp Emanuel Bach
Choro: "Gia la tromba che chiamo"-The Hanover Band/Nicholas McGegan/The Hanover Chorus/George Friedrich Handel
Recit: Saria lieve ogni doglia-Nicholas McGegan/George Friedrich Handel/The Hanover Band/Judith Malafronte
Recit: "Pugnammo, amici"-The Hanover Band/Nicholas McGegan/George Friedrich Handel/Dean Ely/Sue Bickley
Aria: Se bramate d'amar-Nicholas McGegan/George Friedrich Handel/The Hanover Band/Judith Malafronte
Recitativo: "Eccoti Il foglio, Elviro"-The Hanover Band/Nicholas McGegan/George Friedrich Handel/Brian Asawa/David Thomas
II. Adagio e staccato-Nicholas McGegan/George Friedrich Handel/Scottish Chamber Orchestra
III. Allegro molto-Nicholas McGegan/Antonio Vivaldi/Scottish Chamber Orchestra/Ursula Leveaux
II. Larghetto-Nicholas McGegan/Antonio Vivaldi/Scottish Chamber Orchestra/Robin Williams
Serenade No. 6 in D Major, K. 239 "Notturna" - Serenade No. 6 in D Major, K. 239 "Notturna": II. Minuetto-Capella Savaria/Nicholas McGegan
Monteverdi: Il Combattimento Di Tancredi E Clorinda / Madrigals

Monteverdi: Il Combattimento Di Tancredi E Clorinda / Madrigals专辑下载

（2014-07-15）
Combattimento di Tancredi e Clorinda, SV 153: Il Combattimento di Tancredi e Clorinda
Madrigals, Book 8 (Madrigali, libro ottavo) "Madrigali guerrieri, et amorosi", SV 146-167: Ardo e scoprir, ahi lasso, io non ardisco, SV 158
Si dolce e'l tormento
Ohimè ch'io cado, ohimè ch'inciampo, SV 316: Ohime ch'io cado, ohime
Madrigals, Book 8 "Madrigali guerrieri, et amorosi": Lamento della ninfa: Non avea Febo ... / Amor, dicea ... / Si trai sdegnosi ...
Madrigali e canzonette, Book 9, SV 168-178: Bel pastor dal cui bel sguardo
Madrigals, Book 7 (Concerto: Settimo libro de madrigali, con altri generi de canti), SV 117–145: Interrotte speranze, eterna fede, SV 132
Symphonia, Tempro la cetra: Tempro la cetra, e per cantar gli onori
Madrigals, Book 7 (Concerto, settimo libro de madrigali, con altri generi de canti), SV 117–145, Con che soavita, labbra adorate, SV 139: Con che soavita, labbra adorate
Zefiro torna e di soavi accenti
Scherzi musicali, SV 230-245, Eri già tutta mia, SV 248: Eri gia tutta mia