Lucia di Lammermoor, Act III: Eccola! … Il dolce suono mi colpi di sua voce!-Maria Gyurkovics/Magda Tiszay/Sándor Svéd/Gyorgy Littasy/Hungarian State Opera Chorus/Hungarian State Opera Orchestra

歌手 : Maria Gyurkovics / Magda Tiszay / Sándor Svéd / Gyorgy Littasy / Hungarian State Opera Chorus / Hungarian State Opera Orchestra
专辑 : Great Hungarian Voices: Mária Gyurkovics
语种 : 纯音乐
时长 : 14:01

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Lucia di Lammermoor, Act III: Eccola! … Il dolce suono mi colpi di sua voce!-Maria Gyurkovics/Magda Tiszay/Sándor Svéd/Gyorgy Littasy/Hungarian State Opera Chorus/Hungarian State Opera Orchestra 推荐歌曲

Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian) - Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian): Act III: Finale: Chorus of the Janissaries: Nie werd' ich deine Huld verkennen (Belmonte, Konstanze, Pedrillo, Blonde, Osmin, Chorus)-Maria Gyurkovics/Sari Gencsy/Endre Rösler/Arpad Kishegyi/Mihaly Szekely
Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian) - Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian): Act III Scene 5: Aria: O, wie will ich triumphieren (Konstanze, Belmonte, Pedrillo, Osmin, Blonde)-Maria Gyurkovics/Sari Gencsy/Endre Rösler/Arpad Kishegyi/Mihaly Szekely
Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian) - Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian): Act II Scene 9: Aria: Wenn der Freude Tranen fliessen (Pedrillo, Belmonte, Konstanze)-Maria Gyurkovics/Endre Rösler/Arpad Kishegyi
Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian) - Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian): Act III: Recitative and Duet: Welch ein Geschick! O Qual der Seele! (Selim, Osmin, Belmonte, Konstanze)-Maria Gyurkovics/Endre Rösler/Arpad Kishegyi/Mihaly Szekely
Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian) - Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian): Act II Scene 9: Quartet: Ach Belmonte! Ach, mein Leben! (Konstanze, Belmonte, Blonde, Pedrillo)-Maria Gyurkovics/Sari Gencsy/Endre Rösler/Arpad Kishegyi
Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian) - Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian): Act I: Trio: Marsch! Marsch! Marsch! Trollt euch fort! (Selim, Konstanze, Pedrillo, Belmonte)-Maria Gyurkovics/Arpad Kishegyi
Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian) - Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian): Act I: Aria: Traurigkeit ward mir zum Lose (Konstanze)-Maria Gyurkovics
Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian) - Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian): Act II Scene 3: Aria: Martern von aller Arten (Konstanze)-Maria Gyurkovics
Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian) - Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian): Act I: Scene 1: Aria: Hier soll ich dich denn sehe (Belmonte)-Maria Gyurkovics
Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian) - Applause-Maria Gyurkovics/Sari Gencsy/Endre Rösler/Arpad Kishegyi
Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian) - Act III: Recitative and Duet: Welch ein Geschick! O Qual der Seele! (Selim, Osmin, Belmonte, Konstanze)-Maria Gyurkovics/Endre Rösler/Arpad Kishegyi/Mihaly Szekely
Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian) - Act III Scene 5: Aria: O, wie will ich triumphieren (Konstanze, Belmonte, Pedrillo, Osmin, Blonde)-Maria Gyurkovics/Sari Gencsy/Endre Rösler/Arpad Kishegyi
Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian) - Act II Scene 9: Aria: Wenn der Freude Tranen fliessen (Pedrillo, Belmonte, Konstanze)-Maria Gyurkovics/Endre Rösler/Arpad Kishegyi/Budapest State Opera Orchestra
Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian) - Act II Scene 9: Quartet: Ach Belmonte! Ach, mein Leben! (Konstanze, Belmonte, Blonde, Pedrillo)-Maria Gyurkovics/Sari Gencsy/Endre Rösler/Arpad Kishegyi
Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian) - Act I: Aria: Traurigkeit ward mir zum Lose (Konstanze)-Maria Gyurkovics/Budapest State Opera Orchestra/Otto Klemperer
Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian) - Act I: Trio: Marsch! Marsch! Marsch! Trollt euch fort! (Selim, Konstanze, Pedrillo, Belmonte)-Maria Gyurkovics/Arpad Kishegyi/Budapest State Opera Orchestra/Otto Klemperer
Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian) - Act I: Aria: Ach ich liebte (Selim, Konstanze)-Maria Gyurkovics/Budapest State Opera Orchestra/Otto Klemperer
Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384 (Sung in Hungarian) - Act I: Scene 1: Aria: Hier soll ich dich denn sehe (Belmonte)-Maria Gyurkovics/Budapest State Opera Orchestra/Otto Klemperer
Don Giovanni, K. 527 (Sung in Hungarian) - Act II: Ah dove e il perfido (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)-Julia Osvath/Julia Orosz/Maria Gyurkovics/Endre Rösler
Don Giovanni, K. 527 (Sung in Hungarian) - Act I: Aria: Batti, batti, o bel Masetto (Zerlina)-Maria Gyurkovics/Budapest State Opera Orchestra/Otto Klemperer
Magnificat in D Major, BWV 243: X. Terzetto: Suscepit Israel-Orchestra Sinfonica della Radio Ungherese/Otto Klemperer/Oliver Nagy/Sandor Marggittay/Magda Tiszay
Magnificat in D Major, BWV 243: VI. Duetto: Et Misericordia-Orchestra Sinfonica della Radio Ungherese/Otto Klemperer/Oliver Nagy/Sandor Marggittay/Magda Tiszay/Lajos Somogyvari
Magnificat in D Major, BWV 243: IX. Aria: Esurientes-Orchestra Sinfonica della Radio Ungherese/Otto Klemperer/Oliver Nagy/Sandor Marggittay/Magda Tiszay
6. Sanctus-Irén Szecsödy/Magda Tiszay/József Simándy/András Faragó/Sándor Margittay/Hungarian State Orchestra
7. Benedictus-József Simándy/András Faragó/Irén Szecsödy/Magda Tiszay/Sándor Margittay/Hungarian State Orchestra
8. Agnus Dei-József Simándy/Irén Szecsödy/Magda Tiszay/Sándor Margittay/András Faragó/Hungarian State Orchestra
2. Gloria-Irén Szecsödy/Magda Tiszay/József Simándy/András Faragó/Sándor Margittay/Hungarian State Orchestra
1. Kyrie-Magda Tiszay/Irén Szecsödy/József Simándy/András Faragó/Sándor Margittay/Hungarian State Orchestra
Magnificat in D Major, BWV 243 - Suscepit Israel (Soprano 1, Soprano 2, Alto)-Anna Báthy/Judit Sandor/Magda Tiszay/Budapest Symphony Orchestra
Magnificat in D Major, BWV 243 - Esurientes (Alto)-Magda Tiszay/Budapest Symphony Orchestra/Otto Klemperer
Magnificat in D Major, BWV 243 - Et misericordia (Alto, Tenor)-Magda Tiszay/Lajos Somogyvari/Budapest Symphony Orchestra/Otto Klemperer
Pieta, rispetto, amore (Macbeth)-Sándor Svéd
Lohengrin - Act II Scene 1: Du wilde Seherin! Wie willst du doch (Friedrich, Ortrud)-Lauritz Melchior/Astrid Varnay/Sándor Svéd/Kerstin Thorborg
Lohengrin - Act I Scene 2: Seht ihn! Sie naht, die hart Beklage! (All The Men, The King, Elsa)-Lauritz Melchior/Astrid Varnay/Sándor Svéd/Kerstin Thorborg
Lohengrin - Act I Scene 2: Mich irret nicht ihr traumerischer Mut (Friedrich, All The Men, The King, Elsa)-Lauritz Melchior/Astrid Varnay/Sándor Svéd/Kerstin Thorborg
Lohengrin - Act I Scene 2: Wer hier im Gotteskampf zu streiten kam ((Herald, All The Men, Friedrich, Elsa, Ladies, First Chorus, Second Chorus)-Lauritz Melchior/Astrid Varnay/Sándor Svéd/Kerstin Thorborg
Lohengrin - Act I Scene 3: Nun sei bedankt, mein lieber Schwan! (Lohengrin, Men and Women, The King)-Lauritz Melchior/Astrid Varnay/Sándor Svéd/Kerstin Thorborg
Lohengrin - Act I Scene 3: Nun hort! Euch, Volk und Edlen, mach’ ich kund (Lohengrin, All The Men, Friedrich, The King)-Lauritz Melchior/Astrid Varnay/Sándor Svéd/Kerstin Thorborg
Lohengrin - Act II Scene 2: Wer ruft? Wie schauerlich und klagend (Elsa, Ortrud)-Lauritz Melchior/Astrid Varnay/Sándor Svéd/Kerstin Thorborg
Lohengrin - Act II Scene 2: Entweihte Gotter! Helft jetzt meiner Rache! (Ortrud, Elsa)-Lauritz Melchior/Astrid Varnay/Sándor Svéd/Kerstin Thorborg
Lohengrin - Act II Scene 3: In Fruh’n versammelt uns der Ruf (Chorus)-Lauritz Melchior/Astrid Varnay/Sándor Svéd/Kerstin Thorborg
Lohengrin - Act II Scene 3: Des Konigs Wort und Will’ tu’ ich euch kund-Lauritz Melchior/Astrid Varnay/Sándor Svéd/Kerstin Thorborg
Lohengrin - Act II Scene 4: Gesegnet soll sie schreiten (Chorus)-Lauritz Melchior/Astrid Varnay/Sándor Svéd/Kerstin Thorborg
Lohengrin - Act II Scene 4: Zuruck Elsa! Nicht langer will ich dulden (Ortrud)-Lauritz Melchior/Astrid Varnay/Sándor Svéd/Kerstin Thorborg
Lohengrin - Act II Scene 4: O Konig! Trugbetörte Fursten! Haltet ein! (Friedrich)-Lauritz Melchior/Astrid Varnay/Sándor Svéd/Kerstin Thorborg
Lohengrin - Act III: Prelude-Lauritz Melchior/Astrid Varnay/Sándor Svéd/Kerstin Thorborg
Lohengrin - Act I Scene 1: Dank, Konig, dir, dass du zu richten kamst! (Friedrich, All The Men, The King, Herald)-Lauritz Melchior/Astrid Varnay/Sándor Svéd/Kerstin Thorborg
Lohengrin - Act III Scene 2: Weh', nun ist all' unser Gluck dahin! (Lohengrin, Elsa)-Lauritz Melchior/Astrid Varnay/Sándor Svéd/Kerstin Thorborg
Lohengrin - Act III Scene 3: Heil Konig Heinrich! (All The Men, The King, Four Nobles)-Lauritz Melchior/Astrid Varnay/Sándor Svéd/Kerstin Thorborg
Lohengrin - Act III Scene 3: Macht Platz, dem Helden von Brabant! (Chorus, The King, Lohengrin, The King's Men, Ladies)-Lauritz Melchior/Astrid Varnay/Sándor Svéd/Kerstin Thorborg
Lohengrin - Act III Scene 3: Mein lieber Schwan! (Lohengrin, The King, Men, Women, Ortrud, Elsa)-Lauritz Melchior/Astrid Varnay/Sándor Svéd/Kerstin Thorborg
Act III: Dialogue (Selim, Belmonte, Pedrillo, Osmin)-Fritz Wunderlich/Andreas Wolf/Erwin Wohlfahrt/Gyorgy Littasy
Act III: Dialogue (Blonde, Pedrillo, Osmin)-Renate Holm/Erwin Wohlfahrt/Gyorgy Littasy
Act I: Dialogue (Osmin, Pedrillo)-Erwin Wohlfahrt/Gyorgy Littasy
Act II: Duet: Vivat Bacchus! Bacchus lebe! (Pedrillo, Osmin)-Erwin Wohlfahrt/Gyorgy Littasy
Act I: Aria: Solche hergelaufne Laffen (Osmin, Pedrillo)-Erwin Wohlfahrt/Gyorgy Littasy
Act II: Dialogue (Osmin, Blonde)-Renate Holm/Gyorgy Littasy
Act I: Dialogue (Selim, Pedrillo, Belmonte, Osmin)-Fritz Wunderlich/Andreas Wolf/Erwin Wohlfahrt/Gyorgy Littasy
Act I: Duet: Wer ein Liebchen hat gefunden (Osmin, Pedrillo)-Erwin Wohlfahrt/Gyorgy Littasy
Act II: Duet: Ich gehe, doch rate ich dir (Osmin, Blonde)-Renate Holm/Gyorgy Littasy
Act I: March and Chorus of the Janissaries: Singt dem grossen Bassa Lieder (Chorus, Bassa)-Gyorgy Littasy
Act I: Aria: Hier soll ich dich denn sehe (Osmin, Belmonte)-Fritz Wunderlich/Gyorgy Littasy
Elektra, Op. 58, TrV 223: "Orest, Orest ist tot!" (Chrysothemis, Elektra, A Young Servant, An Old Servant)-Lisa della Casa/Wiener Philharmoniker/Inge Borkh/Erich Majkut/Gyorgy Littasy/Wiener Philharmoniker/Dimitri Mitropoulos
Die Entführung aus dem Serail (Abduction from the Seraglio), K. 384 - Dialogue (Selim, Osmin, Konstanze, Belmonte)-Andreas Wolf/Gyorgy Littasy/Ruth-Margret Putz/Fritz Wunderlich
Die Entführung aus dem Serail (Abduction from the Seraglio), K. 384 - Act III: Ha, wie will ich triumphieren (Osmin)-Gyorgy Littasy/Salzburg Mozarteum Orchestra/István Kertész
Die Entführung aus dem Serail (Abduction from the Seraglio), K. 384 - Dialogue (Blonde, Pedrillo, Osmin)-Renate Holm/Erwin Wohlfahrt/Gyorgy Littasy/Salzburg Mozarteum Orchestra
Die Entführung aus dem Serail (Abduction from the Seraglio), K. 384 - Act II: Duet: Vivat Bacchus! Bacchus lebe! (Pedrillo, Osmin)-Erwin Wohlfahrt/Gyorgy Littasy/Salzburg Mozarteum Orchestra/István Kertész
Die Entführung aus dem Serail (Abduction from the Seraglio), K. 384 - Act II: Duet: Ich gehe, doch rate ich dir (Osmin, Blonde)-Gyorgy Littasy/Renate Holm/Salzburg Mozarteum Orchestra/István Kertész
Die Entführung aus dem Serail (Abduction from the Seraglio), K. 384 - Dialogue (Osmin, Blonde)-Gyorgy Littasy/Renate Holm/Salzburg Mozarteum Orchestra/István Kertész
Die Entführung aus dem Serail (Abduction from the Seraglio), K. 384 - Act I: March and Chorus of the Janissaries: Singt dem grossen Bassa Lieder (Chorus, Bassa)-Gyorgy Littasy/Vienna State Opera Chorus/Salzburg Mozarteum Orchestra/István Kertész
Die Entführung aus dem Serail (Abduction from the Seraglio), K. 384 - Act I: Duet: Wer ein Liebchen hat gefunden (Osmin, Pedrillo)-Gyorgy Littasy/Erwin Wohlfahrt/Salzburg Mozarteum Orchestra/István Kertész
La Cenerentola (Cinderella): La Cenerentola: Naqui all' affanno, al pianto (Cenerentola)-Ewa Podles/Hungarian State Opera Chorus/Hungarian State Opera Orchestra/Pier Giorgio Morandi
Messa da Requiem: Recordare-Elena Filipova/Hungarian State Opera Chorus/Hungarian State Opera Orchestra/Pier Giorgio Morandi
4 Pezzi sacri: Stabat mater From Quattro Pezzi Sacri-Hungarian State Opera Chorus/Hungarian State Opera Orchestra/Pier Giorgio Morandi
La Cenerentola (Cinderella) - Nacqui all'affanno-Ewa Podles/Hungarian State Opera Chorus/Hungarian State Opera Orchestra/Pier Giorgio Morandi
L'Italiana in Algeri (The Italian Girl in Algiers) - L'Italiana in Algeri: Amici, in ogni evento m'affido a voi... Pensa alla patria (Isabella)-Ewa Podles/Hungarian State Opera Chorus/Hungarian State Opera Orchestra/Pier Giorgio Morandi
Messa da Requiem: Requiem - Dies Irae-Hungarian State Opera Chorus/Hungarian State Opera Orchestra/Pier Giorgio Morandi
Messa da Requiem: Sanctus-Elena Filipova/Hungarian State Opera Chorus/Hungarian State Opera Orchestra/Pier Giorgio Morandi
Orfeo ed Euridice - Act II Scene 2: Arioso: Che puro ciel (Orfeo, Chorus)-Julia Hamari/Hungarian State Opera Chorus/Hungarian State Opera Orchestra/Ervin Lukacs
Orfeo ed Euridice - Act I Scene 1: Ah, se intorno a quest'urna funesta (Chorus, Orfeo)-Julia Hamari/Hungarian State Opera Chorus/Hungarian State Opera Orchestra/Ervin Lukacs
Orfeo ed Euridice - Act II Scene 1: Ah, quale incognito affetto flebile (Chorus)-Hungarian State Opera Chorus/Hungarian State Opera Orchestra/Ervin Lukacs
4 Pezzi sacri - Laudi alla vergine Maria-Hungarian State Opera Chorus/Pier Giorgio Morandi
4 Pezzi sacri - Ave Maria-Hungarian State Opera Chorus/Pier Giorgio Morandi
Messa da Requiem - Tuba mirum-Carlo Colombara/Hungarian State Opera Chorus/Hungarian State Opera Orchestra/Pier Giorgio Morandi
Simon Boccanegra, Act I - Simon Boccanegra, Act I: Figlia! A tal nome io palpito (Simone, Amelia) (威尔第：父女情深，第一幕：“女儿！为了这个名字的悸动”)-Lajos Miller/Jozsef Gregor/Veronika Kincses/Janos Nagy/István Gáti/Balazs Hantos
Simon Boccanegra - Simon Boccanegra: Prologue: All'alba tutti qui verrete? (Pietro, Chorus, Paolo) (威尔第：父女情深，序幕：“黎明时分都在这里呢？”)-Lajos Miller/Jozsef Gregor/Veronika Kincses/Janos Nagy/István Gáti/Balazs Hantos
Simon Boccanegra, Act III Scene 5 - Simon Boccanegra, Act III Scene 5: Piango, perche mi parla (Fiesco, Doge) (威尔第：父女情深，第三幕：“我哭了，因为我说话”)-Lajos Miller/Jozsef Gregor/Veronika Kincses/Janos Nagy/István Gáti/Balazs Hantos
Simon Boccanegra, Act I - Simon Boccanegra, Act I: Vieni a me, ti benedico (Andrea, Gabriele) (威尔第：父女情深，第一幕：“到我这里来，我祝福”)-Lajos Miller/Jozsef Gregor/Veronika Kincses/Janos Nagy/István Gáti/Balazs Hantos
Simon Boccanegra, Act III - Simon Boccanegra, Act III: Evviva il Doge! (Chorus, Capitano, Fiesco, Paolo) (威尔第：父女情深，第三幕：“万岁公爵！”)-Lajos Miller/Jozsef Gregor/Veronika Kincses/Janos Nagy/István Gáti/Balazs Hantos
Simon Boccanegra, Act II - Simon Boccanegra, Act II: Doge, ancor proveran (Simone)-Lajos Miller/Jozsef Gregor/Veronika Kincses/Janos Nagy/István Gáti/Balazs Hantos
Simon Boccanegra, Act I - Simon Boccanegra, Act I: Ecco la spada! (Gabriele, Doge, Paolo, Amelia, Fiesco, Pietro, Chorus) (威尔第：父女情深，第一幕：“这是我的剑”)-Lajos Miller/Jozsef Gregor/Veronika Kincses/Janos Nagy/István Gáti/Balazs Hantos
Violin Concerto No. 1 - III. Finale - Allegro energico (第1号小提琴协奏曲 - 第三乐章 终乐章 - 有力的快板)-David Nadien/Hungarian State Opera Orchestra/Rudolph von Eltz
La Cenerentola (Cinderella): La Cenerentola: Naqui all' affanno, al pianto (Cenerentola)-Ewa Podles/Hungarian State Opera Chorus/Hungarian State Opera Orchestra/Pier Giorgio Morandi
The Wooden Prince - Suite, Op. 30: Tanz des holzgeshinitzlen Prinzen - Nachspiel-Hungarian State Opera Orchestra/Adam Fischer
Romanian Folk Dances: III. In One Spot-Hungarian State Opera Orchestra
Messa da Requiem: Messa da Requiem: Libera me (The Queen)-Elena Filipova/Hungarian State Opera Chorus/Hungarian State Opera Orchestra/Pier Giorgio Morandi
Crisantemi: Crisantemi (version for string orchestra)-Hungarian State Opera Orchestra/Pier Giorgio Morandi
Orfeo ed Euridice - Act I Scene 2: Recitativo: Che disse? Che ascoltai? (Orfeo)-Julia Hamari/Hungarian State Opera Orchestra/Ervin Lukacs
Orfeo ed Euridice - Act II Scene 1: Ah, quale incognito affetto flebile (Chorus)-Hungarian State Opera Chorus/Hungarian State Opera Orchestra/Ervin Lukacs
Variations on a Nursery Song, Op. 25: Variation V Più mosso-Hungarian State Opera Orchestra/Mark Anderson
Ancient Airs And Dances - Suite No. 3: Italiana-English String Orchestra/Hungarian State Opera Orchestra
L'elisir d'amore (The Elixir of Love)* - Act I Scene 10: Adina, credimi-Hungarian State Opera Orchestra/Pier Giorgio Morandi
L'elisir d'amore (The Elixir of Love)* - Act II Scene 9: Aria - Prendi, prendi, per me sei libero-Hungarian State Opera Orchestra/Pier Giorgio Morandi
Verdi: Rigoletto - La Donna E Mobile (弄臣 - 善变的女人)-János Ferencsik/Hungarian State Opera Orchestra
Falstaff (Highlights): Act II. Reverenza!-Hungarian State Opera Orchestra/Pier Giorgio Morandi
Falstaff (Highlights): Act I. Allice, Meg, Nannetta... Fulgida Alice! Amor t'offro-Hungarian State Opera Orchestra/Pier Giorgio Morandi
Simon Boccanegra - Simon Boccanegra: Prologue: L'atra magion vedete? (Paolo, Chorus) (威尔第：父女情深，序幕：“你看到了什么？”)-Lajos Miller/Jozsef Gregor/Veronika Kincses/Janos Nagy/István Gáti/Balazs Hantos
Falstaff, Act I - Falstaff, Act I: L'onore! Ladri-Sándor Svéd/Hungarian State Opera Orchestra/Alexander Svéd/Francesco Molinari-Pradelli/Viktor Vaszy
Rigoletto, Act III Finale - Rigoletto, Act III Finale: Chi e mai … (Rigoletto, Gilda)-Sándor Svéd/Alexander Svéd/Maria Gyurkovics/Hungarian State Opera Orchestra/Viktor Vaszy/Francesco Molinari-Pradelli
Rigoletto, Act I - Rigoletto, Act I: Duet. Figlia! Mio padre! A te dappresso (Rigoletto, Gilda)-Sándor Svéd/Alexander Svéd/Maria Gyurkovics/Olga Szönyi/Viktor Vaszy/Erno Kenez/Hungarian State Opera Orchestra/Francesco Molinari-Pradelli
Symphony No. 94 in G Major, Hob. I:94 "Surprise" - Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto-Hungarian State Opera Orchestra/Hungarian State Orchestra/Hikmet Şimşek
Great Hungarian Voices: Mária Gyurkovics

Great Hungarian Voices: Mária Gyurkovics专辑下载

（2014-11-01）
Don Giovanni, K. 527, Act I: Batti, batti o bel Masetto
Il barbiere di Siviglia (the Barber of Seville), Act I: Una voce poco fa
Lucia di Lammermoor, Act I: Regnava nel silenzio
Lucia di Lammermoor, Act II: Soffriva nel pianto
Linda di Chamounix, Act I: Ah! Tardai troppo
Don Pasquale, Act I: Quel guardo … - Act III: So anch'io la virtu magica …
Hunyadi Laszlo, Act III: Ah, szememben mamor (Ah, rapture and joy …)
Dinorah, "Le pardon de Ploermel", Dinorah, "Le pardon de Ploermel", Act II: Ombra leggiera, "Shadow Song" (Sung in Italian) [Sung in Italian]
Rigoletto, Act I: Gualtier Malde
Un ballo in maschera, Act III: Saper vorreste di che si veste
Falstaff, Act III: Sul fil d'un soffio etesio
Les contes d'Hoffmann (the Tales of Hoffmann), Act I: Les oiseaux dans la charmille