Purcell: Dido and Aeneas, Z. 626, Act II Scene 2 - Stay, Prince, and Hear-Boston Baroque/Martin Pearlman/Russell Braun/Donna Ames

歌手 : Boston Baroque / Martin Pearlman / Russell Braun / Donna Ames
专辑 : Purcell: Dido and Aeneas, Z. 626
语种 : 英语
时长 : 02:23

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Purcell: Dido and Aeneas, Z. 626, Act II Scene 2 - Stay, Prince, and Hear-Boston Baroque/Martin Pearlman/Russell Braun/Donna Ames 推荐歌曲

Messiah: Every valley shall be exhalted - Tenor Air-Martin Pearlman/Boston Baroque
Sonata XIV in D Major ‘The Assumption of the Virgin': [Sonata] – Arias 1 and 2 – Gigue-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata IX in A Minor ‘The Carrying of the Cross': Sonata – Courente and 2 doubles – Final-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata IV in D Minor ‘The Presentation of Jesus in the Temple': Ciacona with 12 variations-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata I in D Minor ‘The Annunciation': Praeludium – Aria and 2 variations – Finale-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata III in B Minor ‘The Nativity': [Sonata] / Presto – Courente and double – Adagio-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata VI in C Minor ‘The Agony in the Garden': Lamento-Christina Day Martinson/Martin Pearlman/Boston Baroque
Messiah: Pifa (Pastoral Symphony)-Martin Pearlman/Boston Baroque
Messiah: All we like sheep - Chorus-Martin Pearlman/Boston Baroque
Messiah: And with His stripes we are healed - Chorus-Martin Pearlman/Boston Baroque
Messiah: All they that see him - Tenor Recitative-Martin Pearlman/Boston Baroque
Messiah: For unto us a Child is born - Chorus-Martin Pearlman/Boston Baroque
Messiah: Surely he hath borne our griefs - Chorus-Martin Pearlman/Boston Baroque
Messiah: He was despised - Alto Air-Martin Pearlman/Boston Baroque
Messiah: He shall feed His flock like a shepherd - Alto & Soprano Air-Martin Pearlman/Boston Baroque
Messiah: Why do the nations? - Bass Air-Martin Pearlman/Boston Baroque
Messiah: But thanks be to God - Chorus-Martin Pearlman/Boston Baroque
Messiah: Worthy is the lamb . . . Amen - Chorus-Martin Pearlman/Boston Baroque
Messiah: How beautiful are the feet - Soprano Air-Martin Pearlman/Boston Baroque
Messiah: Lift up your heads - Chorus-Martin Pearlman/Boston Baroque
Sonata XIV in D Major ‘The Assumption of the Virgin': [Sonata] – Arias 1 and 2 – Gigue-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata IV in D Minor ‘The Presentation of Jesus in the Temple': Ciacona with 12 variations-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata VIII in B-Flat Major ‘The Crowning with Thorns': Sonata: Adagio / Presto – Gigue and 2 doubles-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata I in D Minor ‘The Annunciation': Praeludium – Aria and 2 variations – Finale-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata X in G Minor ‘The Crucifixion': Praeludium – Aria and 5 variations-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata III in B Minor ‘The Nativity': [Sonata] / Presto – Courente and double – Adagio-Christina Day Martinson/Martin Pearlman/Boston Baroque
Messiah: And the angel said unto them - Soprano Recitative-Martin Pearlman/Boston Baroque
Messiah: All they that see him - Tenor Recitative-Martin Pearlman/Boston Baroque
Messiah: There were shepherds - Soprano Recitative / And lo, the angel of the Lord came upon them - Soprano Recitative-Martin Pearlman/Boston Baroque
Messiah: All we like sheep - Chorus-Martin Pearlman/Boston Baroque
Messiah: He was despised - Alto Air-Martin Pearlman/Boston Baroque
Messiah: Let us break their bonds asunder - Chorus-Martin Pearlman/Boston Baroque
Messiah: Behold, I tell you a mystery - Bass Recitative-Martin Pearlman/Boston Baroque
Messiah: The people that walked in darkness - Bass Air-Martin Pearlman/Boston Baroque
Messiah: O death, where is thy sting? - Alto & Tenor Duet-Martin Pearlman/Boston Baroque
Messiah: Why do the nations? - Bass Air-Martin Pearlman/Boston Baroque
Messiah: How beautiful are the feet - Soprano Air-Martin Pearlman/Boston Baroque
Messiah: Then shall the eyes of the blind - Alto Recitative-Martin Pearlman/Boston Baroque
Messiah: Lift up your heads - Chorus-Martin Pearlman/Boston Baroque
Messiah: Sinfonia-Martin Pearlman/Boston Baroque
In the Village of Subotiv-Russell Braun/Mia Bach
We Met and Married-Allyson McHardy/Russell Braun/Mia Bach
Confession-Russell Braun/Mia Bach
Should We Meet Again-Russell Braun/Mia Bach
The Orphan-Russell Braun/Mia Bach
An Evening Tryst-Monica Whicher/Russell Braun/Carolyn Maule
Our Love Once Blossomed-Russell Braun/Carolyn Maule
Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen (feat. Kenneth Slowik)-Smithsonian Chamber Players/Russell Braun/Kenneth Slowik
The Lord's Prayer-Russell Braun/Carolyn Maule
O Canada National Anthem-ViVA Trio/Mark Masri/Russell Braun/Gavin Hope/Rachel Lutrell/Vasil Popaduik
Recapturing Youth-Russell Braun/Carolyn Maule
Apollo e Dafne, HWV 122: Recitative: Placati al fin, o cara (Calm yourself, O dear one) (Apollo)-Russell Braun
Apollo e Dafne, HWV 122: Recitative: Odi la mia ragion! (Hear my reason!) (Apollo, Dafne)-Russell Braun/Karina Gauvin
The Blacksmith-Russell Braun/Carolyn Maule
So Sweet, Yet so Sour-Russell Braun/Carolyn Maule
Thou Seemest Like a Flower-Russell Braun/Carolyn Maule
Apollo e Dafne, HWV 122 - Recitative: Che crudel! (How cruel!) (Apollo, Dafne)-Karina Gauvin/Russell Braun/Les Violons du Roy/Bernard Labadie
Apollo e Dafne, HWV 122 - Recitative: Che voce! Che belta! (What a voice! What a beauty!) (Apollo, Dafne)-Karina Gauvin/Russell Braun/Les Violons du Roy/Bernard Labadie
Apollo e Dafne, HWV 122 - Recitative: La terra e liberata! (The earth is freed!) (Apollo)-Russell Braun/Les Violons du Roy/Bernard Labadie
V. Der Trunkene im Frühling (The drunk man in spring)-John Elwes/Russell Braun/Smithsonian Chamber Players/Santa Fe Pro Musica
Purcell: Dido and Aeneas, Z. 626

Purcell: Dido and Aeneas, Z. 626专辑下载

（1996-10-01）