Cantata No. 96, BWV 96 "Herr Christ, der einge Gottessohn" - Herr Christ, der einge Gottessohn, BWV 96: No. 5, Aria. "Bald zur Rechten, bald zur Linken" (第96号康塔塔,作品96“主基督,神的独生子” - 第5首 咏叹调:“忽而向右,忽而向左”)-Nikolaus Harnoncourt/Concentus Musicus Wien/Philippe Huttenlocher
Bass
语种 : 纯音乐
时长 : 03:17
The bass aria illustrates the words "Bald zur Rechten, bald zur Linken lenkte sich mein verirrter Schritt" (Soon to the right, soon to the left my erring steps lean) in jagged motifs and a frequent switch between winds and strings. In the middle section steady steps picture "Gehe doch, mein Heiland, mit" (Yet go with me, my Savior). The final part combines both elements. Gardiner notes that Bach uses the winds and strings in concerting choirs (cori spezzati), enforced by positioning them on galleries, one of them right, the other left of the singers.The technique had been practised in Venice in the late sixteenth century and introduced in Germany by composers such as Heinrich Schütz who studied in Venice. Gardiner observes also a hint at the style of French opera which Bach may have heard, traveling as a boy in northern Germany, at the Hamburg opera, in Celle or Lüneburg.
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TXT Cantata No. 96, BWV 96 "Herr Christ, der einge Gottessohn" - Herr Christ, der einge Gottessohn, BWV 96: No. 5, Aria. "Bald zur Rechten, bald zur Linken" (第96号康塔塔,作品96“主基督,神的独生子” - 第5首 咏叹调:“忽而向右,忽而向左”)-Nikolaus Harnoncourt/Concentus Musicus Wien/Philippe Huttenlocher 文本歌词
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Cantata No. 96, BWV 96 "Herr Christ, der einge Gottessohn" - Herr Christ, der einge Gottessohn, BWV 96: No. 5, Aria. "Bald zur Rechten, bald zur Linken" (第96号康塔塔,作品96“主基督,神的独生子” - 第5首 咏叹调:“忽而向右,忽而向左”)-Nikolaus Harnoncourt/Concentus Musicus Wien/Philippe Huttenlocher 推荐歌曲
Bach, JS : Sacred Cantatas Vol.5 : BWV 79-99 (約翰·塞巴斯蒂安·巴赫:神圣的康塔塔第5卷,作品79 - 99)专辑下载
(2005-11-15)