Bernstein: Halil, Nocturne For Solo Flute, String Orchestra And Percussion (Live At Frederic R. Mann Auditorium, Tel Aviv / 1981)-Jean-Pierre Rampal/Israel Philharmonic Orchestra/Leonard Bernstein

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While Bernstein dabbled in dodecaphonic writing in Kaddish and Dybbuk, Halil is rooted in twelve-tone techniques. The flute solo falls silent near the end of the work, as if to suggest the wastefulness of Yadin’s death, and the alto flute embedded within the orchestra or placed off stage plays a duet with the solo viola. Halil was received well by critics; the horror that Bernstein attempted to convey was heard. A Washington Tribune critic commented, “[Halil is] a brooding, terrific element which whispers of nightmares and nameless horrors.”

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Bernstein: Halil, Nocturne For Solo Flute, String Orchestra And Percussion (Live At Frederic R. Mann Auditorium, Tel Aviv / 1981)-Jean-Pierre Rampal/Israel Philharmonic Orchestra/Leonard Bernstein 推荐歌曲


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(2014-01-01)