Suite für Klavier, Op. 25 - I. Präludium, rasch-Maurizio Pollini/Arnold Schönberg
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The work is the earliest in which Schoenberg employs a row of "12 tones related only to one another" in every movement:[citation needed] the earlier 5 Stücke, Op. 23 (1920–23) employs a 12-tone row only in the final Waltz movement, and the Serenade, Op. 24 uses a single row in its central Sonnet.The Basic Set of the Suite for Piano consists of the following succession: E–F–G–D♭–G♭–E♭–A♭–D–B–C–A–B♭.In form and style the work echoes many features of the Baroque suite.
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