Handel: Messiah, HWV 56 / Pt. 2 - XXXVIII. "Why Do the Nations so Furiously Rage Together?"-John Tomlinson/The English Concert/Trevor Pinnock/Carl Philipp Emanuel Bach

歌手 : John Tomlinson / The English Concert / Trevor Pinnock / Carl Philipp Emanuel Bach
语种 : 英语
时长 : 02:58
外邦为何暴怒争斗，男低音咏叹调歌词：“万邦为何暴怒？这样彼此争斗？民众为何谋算虚妄的事？世上君王都起来，一切掌权的人一同聚集商议，要敌挡主，他的受膏者。”上例中，可见暴怒的“怒”字上的“拖腔”，是一种炫技性的扩展，在演唱上有一定难度，需要一定技巧才能完成演唱任务。我们知道，“拖腔”恰恰是古典音乐大师用以表达思想的一种重要的手法；既在连绵不断的旋律线条中表达乐思，也利用这种机会让歌唱家炫耀技巧。因此，这种“拖腔”在古典作曲家的作品中特别的多。不是近代作曲家不会用，而是近代作曲家在炫技和表达乐思手法上已经达到非常多样化的程度，因此，“拖腔”就显得不突出了。事实是，无论戏曲或歌剧，在一些技巧性较强的歌曲中，这种“拖腔”的形式是随处可见的，只是发展的模式上有些改变而已。

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TXT Handel: Messiah, HWV 56 / Pt. 2 - XXXVIII. "Why Do the Nations so Furiously Rage Together?"-John Tomlinson/The English Concert/Trevor Pinnock/Carl Philipp Emanuel Bach 文本歌词

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Handel: Messiah, HWV 56 / Pt. 2 - XXXVIII. "Why Do the Nations so Furiously Rage Together?"-John Tomlinson/The English Concert/Trevor Pinnock/Carl Philipp Emanuel Bach 推荐歌曲

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