Dvorak: Husitska, Op. 67: Overture-Plovdiv Philharmonic Orchestra
语种 : 越南语
时长 : 14:10
The overture is clearly modeled on the sketches for the trilogy, expressing the "origin of the Hussite movement" in the introduction, "the Hussite wars" in the exposition and development, and the "restoration of peace after the wars" in the recapitulation and coda. Dvorák's choice of keys was particularly shaped by the underlying program, beginning in C major for the introduction, moving to C minor and E flat major for the exposition, and returning to an affirmative C major for the recapitulation.Two melodies said to be sung by the Hussite warriors as they marched into battle bearing the sacred chalice are incorporated: the first, a Hussite chorale, Ye who are the warriors of God serves as the main subject; the second, a portion of a thirteenth-century St. Wenceslas chant forms the second theme. The introduction contains a processional theme of the composer's own, although it is clearly modeled after the St. Wenceslas chant. Dvorák's use of the Hussite chorale, long an emblem of national pride for the Czech people, was a particularly deft choice. Prior to the recapitulation, it sounds as if it is off in the distance, played by muted horns in the remote key of B major.
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