Gluck: 'Che fiero momento' from Orfeo ed Euridice (Live)-Ian Page/Ailish Tynan/Sophie Bevan/Anna Stéphany/Christoph Willibald Gluck/The Mozartists

歌手 : Ian Page / Ailish Tynan / Sophie Bevan / Anna Stéphany / Christoph Willibald Gluck / The Mozartists
专辑 : Blessed Spirit: A Gluck Retrospective - Wigmore Hall Live
语种 : 纯音乐
时长 : 02:42

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Gluck: 'Che fiero momento' from Orfeo ed Euridice (Live)-Ian Page/Ailish Tynan/Sophie Bevan/Anna Stéphany/Christoph Willibald Gluck/The Mozartists 推荐歌曲

Die Schuldigkeit des Ersten Gebots, K. 35 - No. 4, Aria, "Hat der Schöpfer dieses Leben" (以责任为首，作品35 - 第四首，咏叹调，“生活的创造者”) (Weltgeist)-The Orchestra of Classical Opera/Ian Page/Sophie Bevan
Die Schuldigkeit des Ersten Gebots, K. 35 - Recitative, "Die löblich’ und gerechte Bitte" (以责任为首，作品35 - 宣叙调，“和平是值得称赞的”) (Gerechtigkeit, Christgeist, Barmherzigkeit)-The Orchestra of Classical Opera/Ian Page/Cora Burggraaf/Andrew Kennedy
Time For Action-Itch/Ian Page
Grabmusik, K. 42/35a - Aria: Felsen spaltet euren Rachen (Original 1767 Version)-Classical Opera/The Mozartists/Ian Page
Bastien und Bastienne, K. 50 - Scene 4: Dialogue: Das kann sein (Original 1768 Version)-Classical Opera/The Mozartists/Ian Page
No. 7, "Quercia annosa su l'erte pendici"-Krystian Adam/Ian Page/Classical Opera
No. 11, "Ah perchè cercar degg'io" (Aria – original version)-Ian Page/Soraya Mafi/Classical Opera
No. 11, "Ah perchè cercar degg'io"-Ian Page/Soraya Mafi/Classical Opera
Ah, lo previdi, K. 272 - Recitative: Ah, lo previdi!-Ian Page/Sophie Bevan/The Mozartists
Scena di Berenice, Hob. XXIVa:10 - Recitative: Berenice, che fai?-Ian Page/Sophie Bevan/The Mozartists
Alcina, HWV. 34 - Act III: Recitative: M'inganna, me n'avveggo-Ian Page/Allan Clayton/Orchestra of Classical Opera
Ariodante, HWV. 33 - Act II: Aria: Tu vivi, e punito-Ian Page/Allan Clayton/Orchestra of Classical Opera
So Deep So Mean (Original Mix)-Ian Page
Slow Motion (125 Bpm)-Ian Page
Rocket Ship (132 Bpm)-Ian Page
Gluck: 'Dall' orrido soggiorno' from Telemaco (Live)-Ian Page/Ailish Tynan/Sophie Bevan/Anna Stéphany/Christoph Willibald Gluck/The Mozartists
Gluck: 'Ecco son nuovo tormento' (Live)-Ian Page/Ailish Tynan/Sophie Bevan/Anna Stéphany/Christoph Willibald Gluck/The Mozartists
Gluck: 'Ombre tacite e chete' from Telemaco (Live)-Ian Page/Ailish Tynan/Sophie Bevan/Anna Stéphany/Christoph Willibald Gluck/The Mozartists
Gluck: 'Qual vita e questa mai' from Orfeo ed Euridice (Live)-Ian Page/Ailish Tynan/Sophie Bevan/Anna Stéphany/Christoph Willibald Gluck/The Mozartists
Va, dal furor portata, K. 21-Ian Page/Classical Opera/The Mozartists
I know that my Redeemer liveth (soprano air: Larghetto)-Ailish Tynan
Chanson d'amour, Op. 27, No. 1-Ailish Tynan/Iain Burnside
Les roses d'Ispahan, Op. 39, No. 4-Ailish Tynan/Iain Burnside
Nell, Op. 18, No. 1-Ailish Tynan/Iain Burnside
Le jardin clos, Op. 106 - No. 8. Inscription sur le sable-Ailish Tynan/Iain Burnside
Where Shall the Lover Rest-Ailish Tynan/Iain Burnside
O Mistress Mine-Ailish Tynan/Susan Bickley/William Dazeley/Iain Burnside
Tutto è Sciolto-Ailish Tynan/Iain Burnside
Solitary Hotel (巴伯：孤独的酒店)-Ailish Tynan/Iain Burnside
Flood (洪水)-Ailish Tynan/Iain Burnside
The Wonderful Widow of Eighteen Springs (十八个春天的美妙寡妇)-Ailish Tynan/Iain Burnside/John Cage
The Roving Dingle Boy-Ailish Tynan/Iain Burnside
Gluck: 'Figli, diletti figli!' from Alceste (Live)-Ian Page/Ailish Tynan/Sophie Bevan/Anna Stéphany/Christoph Willibald Gluck/The Mozartists
Gluck: 'Vanne a regnar, ben mio' from Il re pastore (Live)-Ian Page/Ailish Tynan/Sophie Bevan/Anna Stéphany/Christoph Willibald Gluck/The Mozartists
B For Barney-Ailish Tynan
The Spanish Lady (西班牙女士)-Ailish Tynan
Tigaree Torum Orum-Ailish Tynan
When Through Life Unblest We Rove-Ailish Tynan
She Moved Thro' The Fair-Ailish Tynan
Il Re Pastore, K. 208, Act II Scene 1: Recitativo, "Questa del campo greco" (Elisa, Agenore)-Ailish Tynan/Benjamin Hulett
Die Schuldigkeit des Ersten Gebots, K. 35 - Accompanied recitative, "Wie, wer erwecket mich?" (以责任为首，作品35 - 乐队伴奏的宣叙调，“Wie, wer erwecket mich？”) (Der Christ, Weltgeist, Christgeist)-The Orchestra of Classical Opera/Ian Page/Allan Clayton/Sophie Bevan
Act III: Duet - Natus Cadit, Atque Deus (Oebalus, Melia) (阿波罗与希亚钦杜斯，作品38，第三幕：二重奏 - 爱情来了，神)-Lawrence Zazzo/Andrew Kennedy/Klara Ek/Sophie Bevan
Die Schuldigkeit des Ersten Gebots, K. 35 - No. 6, Aria, "Schildre einen Philosophen" (以责任为首，作品35 - 第六首，咏叹调，”Schildre einen Philosophen“) (Weltgeist)-The Orchestra of Classical Opera/Ian Page/Sophie Bevan
Die Schuldigkeit des Ersten Gebots, K. 35 - Recitative, "Wen hör’ ich nun hier" (以责任为首，作品35 - 宣叙调，”谁告诉我“) (Weltgeist, Der Christ, Christgeist)-The Orchestra of Classical Opera/Ian Page/Sophie Bevan/Allan Clayton
Zaïde, K. 344 - Act II: Aria: Wer hungrig bei der Tafel sitzt-Jacques Imbrailo/Sophie Bevan/Stuart Jackson/Edward Hughes
Come Away, Death-Sophie Bevan/Iain Burnside
I Know A Bank-Sophie Bevan/Iain Burnside
Jack Overdue-Sophie Bevan/Iain Burnside
Cuckoo-Sophie Bevan/Iain Burnside
At Columbine's Grave-Sophie Bevan/Iain Burnside
Gluck: 'Non jamais un tel epoux' from L'ivrogne corrige' (Live)-Ian Page/Ailish Tynan/Sophie Bevan/Anna Stéphany/Christoph Willibald Gluck/The Mozartists
Gluck: 'Vanne a regnar, ben mio' from Il re pastore (Live)-Ian Page/Ailish Tynan/Sophie Bevan/Anna Stéphany/Christoph Willibald Gluck/The Mozartists
Gluck: 'Ah, lo veggo' from Paride ed Elena (Live)-Ian Page/Ailish Tynan/Sophie Bevan/Anna Stéphany/Christoph Willibald Gluck/The Mozartists
Gluck: 'O del mio dolce ardor' from Paride ed Elena (Live)-Ian Page/Ailish Tynan/Sophie Bevan/Anna Stéphany/Christoph Willibald Gluck/The Mozartists
Mass in B Minor, BWV 232: I. Kyrie Eleison (1st)-Sophie Bevan/Clint Van Der Linde/Ben Johnson/Colin Campbell
When I Am Dead, My Dearest (Live)-Sophie Bevan/Sebastian Wybrew
Spring Sorrow (Live)-Sophie Bevan/Sebastian Wybrew
Basta, vincesti, K. 486a/295a - Recitative: Basta, vincesti, eccoti il foglio-Ian Page/Sophie Bevan/The Mozartists
Mass in B Minor, BWV 232: III. Et in unum Dominum-Sophie Bevan/Clint Van Der Linde/Ben Johnson/Colin Campbell
Mass in B Minor, BWV 232: II. Quoniam tu solus sanctus-Sophie Bevan/Clint Van Der Linde/Ben Johnson/Colin Campbell
Arias and Barcarolles for Mezzo, Baritone and Piano four-hands - II. Love Duet (For Jave)-Anna Stéphany/Danny Driver/Silvia Fraser/Christian Immler
Arias and Barcarolles for Mezzo, Baritone and Piano four-hands - V. Greetings (For J.G.)-Anna Stéphany/Danny Driver/Silvia Fraser/Christian Immler
Arias and Barcarolles for Mezzo, Baritone and Piano four-hands - I. Prelude-Anna Stéphany/Danny Driver/Silvia Fraser/Christian Immler
Arias and Barcarolles for Mezzo, Baritone and Piano four-hands - IV. The Love of My Life (To SWZ. for KO)-Anna Stéphany/Danny Driver/Silvia Fraser/Christian Immler
Requiem in D Minor, K. 626 - Sequence No. 5: Confutatis maledictis (Chorus)-Andrew Kennedy/Marie Arnet/Anna Stéphany/Darren Jeffery
Requiem in D Minor, K. 626 - Offertory No. 2: Hostias et preces (Chorus) --Andrew Kennedy/Marie Arnet/Anna Stéphany/Darren Jeffery
Requiem in D Minor, K. 626 - Sequence No. 4: Recordare, Jesu pie (Soprano, Mezzo-soprano, Tenor, Baritone)-Andrew Kennedy/Marie Arnet/Anna Stéphany/Darren Jeffery
Requiem in D Minor, K. 626 - Sequence No. 3: Rex tremendae majestatis (Chorus)-Andrew Kennedy/Marie Arnet/Anna Stéphany/Darren Jeffery
Requiem in D Minor, K. 626 - Sequence No. 2: Tuba mirum (Soprano, Mezzo-soprano, Tenor, Baritone)-Andrew Kennedy/Marie Arnet/Anna Stéphany/Darren Jeffery
Requiem in D Minor, K. 626 - Sequence No. 1: Dies Irae (Chorus)-Andrew Kennedy/Marie Arnet/Anna Stéphany/Darren Jeffery
Requiem in D Minor, K. 626 - Introit: Requiem aeternam - Kyrie eleison (Chorus)-Andrew Kennedy/Marie Arnet/Anna Stéphany/Darren Jeffery
Requiem in D Minor, K. 626 - Agnus Dei (Chorus) - Communion: Lux aeterna (Soprano, Chorus)-Darren Jeffery/Andrew Kennedy/Marie Arnet/Anna Stéphany
Folk Songs: La donna ideale-Anna Stéphany/Labyrinth Ensemble
Folk Songs: Rossignolet du bois-Anna Stéphany/Labyrinth Ensemble
Histoires naturelles, M. 50: I. Le paon en Fa Majeur-Anna Stéphany/Labyrinth Ensemble
Psyché-Anna Stéphany/Labyrinth Ensemble/Manuel de Falla
Histoires naturelles, M. 50: VI. La pintade en Mi Majeur-Anna Stéphany/Labyrinth Ensemble
Folk Songs: Motettu de tristura-Anna Stéphany/Labyrinth Ensemble
Histoires naturelles, M. 50: II. Le grillon en La Mineur-Anna Stéphany/Labyrinth Ensemble
Requiem in D Minor, K. 626: No 11, Benedictus - Benedictus-London Symphony Chorus/Anna Stéphany/Sir Colin Davis/Darren Jeffery
我怀着满腔热情 - O del mio dolce ardor-Sonia Theodoridou/Kalliopi Germanou
旋律-Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 - Ballet: Menuet-Pierre Monteux/Christoph Willibald Gluck/Rome Opera Orchestra
Sonata No. 1 in C Major for String Trio and Harpsichord, Wq. 53: I. Largo-Viktor Simcisko/Alzbeta Plaskurova/Juraj Alexander
Orfeo ed Euridice, Wq. 30 - Act III: "Che farò senza Euridice" (Orfeo)-Philippe Jaroussky
Sonata No. 1 in C Major for String Trio and Harpsichord, Wq. 53: III. Poco allegro-Viktor Simcisko/Alzbeta Plaskurova/Juraj Alexander
Ballet-Orchestre de l'Opera National de Lyon
Orfeo ed Euridice: Che farò senza Euridice?-James Galway/London Symphony Orchestra/Klauspeter Seibel
Iphigénie en Aulid - Acte III - scene 5 Air Adieu, vivez pour Oreste (Iphigenie) - Lui, par qui le couteau (Clytemnestre, Iphigenie)-John Eliot Gardiner and l'Opéra de Lyon
Gluck: Melodie From "Orfeo ed Euridice", Wq30 (Arr. Giovanni Sgambati)-Hélène Grimaud
Orfeo ed Euridice, Wq. 30 - Gli sguardi trattieni-Shirley Verrett/Christoph Willibald Gluck
Disc 1 - Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits-Eugene Ormandy/The Philadelphia Orchestra/Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act II - Gluck: Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) (오르페우스와 에우리디케, Wq. 30 / 2막: 오르페우스와 에우리디케, Wq. 30 (Arr. For Cello And Strings By Mathieu Herzog)|カゲキオルフェオトエウリディーチェ: セイレイノオドリ|歌劇《オルフェオとエウリディーチェ》: 精霊の踊り) (Arr. for Cello and Strings by Mathieu Herzog)-Camille Thomas/Brussels Philharmonic/Mathieu Herzog
Paride ed Elena / Act 3 - Gluck: Paride ed Elena / Act 3 - Fingere più non so-Magdalena Kožená/Susan Gritton/Gabrieli Players/Paul McCreesh
Orfeo ed Euridice - Act III: Aria: Che farò senza Euridice? (奥菲欧与优丽狄茜 - 第三幕：咏叹调：“世上没有尤丽狄茜我怎能活？”)-Derek Lee Ragin/English Baroque Soloists/John Eliot Gardiner
Orphée et Eurydice: J'ai perdu mon Eurydice-Maria Callas/Georges Pretre/National de la Radiodiffusion Francaise
Orfeo ed Euridice, Wq. 30 - Act I: "Ah! se intorno a quest'urna funesta" (Orfeo, Chorus)-Philippe Jaroussky
Orfeo ed Euridice, Act II: Che farò senza Euridice?, (Orfeo)-Fedora Barbieri
Iphigénie en Aulid - Acte III - scene 3 Air Il faut, de mon destin (Iphigenie)-John Eliot Gardiner and l'Opéra de Lyon
Paride ed Elena / Act 5 / Appendices - Gluck: Paride ed Elena / Act 5 / Appendices - Sempre a te sarò fedele! (合唱)-Magdalena Kožená/Susan Gritton/Gabrieli Players/Paul McCreesh
Bastien und Bastienne, K. 50 - Scene 4: Aria: Geh! Du sagst mir eine Fabel (Original 1768 Version)-Classical Opera/The Mozartists/Ian Page
Bastien und Bastienne, K. 50 - Scene 4: Dialogue: Es freut mich, dass endlich zu dir (Original 1768 Version)-Classical Opera/The Mozartists/Ian Page
Bastien und Bastienne, K. 50 - Scene 2: Dialogue: Guten Morgen, Herr Colas! (Original 1768 Version)-Classical Opera/The Mozartists/Ian Page
Bastien und Bastienne, K. 50 - Scene 4: Dialogue: Das kann sein (Original 1768 Version)-Classical Opera/The Mozartists/Ian Page
Bastien und Bastienne, K. 50 - Scene 1: Aria: Mein liebster Freund hat mich verlassen (Original 1768 Version)-Classical Opera/The Mozartists/Ian Page
Bastien und Bastienne, K. 50 - Scene 1: Dialogue: Du fliehst von mir, Bastien? (Original 1768 Version)-Classical Opera/The Mozartists/Ian Page
Bastien und Bastienne, K. 50 - Scene 2: Auftritt des Colas (Original 1768 Version)-Classical Opera/The Mozartists/Ian Page
Bastien und Bastienne, K. 50 - Scene 2: Aria: Würd ich auch, wie manche Buhlerinnen (Original 1768 Version)-Classical Opera/The Mozartists/Ian Page
Bastien und Bastienne, K. 50 - Scene 4: Aria: Diggi, daggi, schurry, murry (2nd 1769 Version)-Classical Opera/The Mozartists/Ian Page
Grabmusik, K. 42/35a - Duet: Jesu, was hab ich getan? (Original 1767 Version)-Classical Opera/The Mozartists/Ian Page
Ah, lo previdi, K. 272 - Recitative: Misera! Misera!-Ian Page/Sophie Bevan/The Mozartists
Oh, temerario Arbace… Per quel paterno amplesso, K. 79 - Aria: Per quel paterno amplesso-Ian Page/Sophie Bevan/The Mozartists
Ah, lo previdi, K. 272 - Aria: Ah, t'invola-Ian Page/Sophie Bevan/The Mozartists
Ah, lo previdi, K. 272 - Recitative: Ah, lo previdi!-Ian Page/Sophie Bevan/The Mozartists
Scena di Berenice, Hob. XXIVa:10 - Aria: Perché, se tanti siete-Ian Page/Sophie Bevan/The Mozartists
Scena di Berenice, Hob. XXIVa:10 - bars 1-3-Ian Page/Sophie Bevan/The Mozartists
Bella mia fiamma, K. 528 - Aria: Resta, oh cara-Ian Page/Sophie Bevan/The Mozartists
No, non turbati… Ma tu tremi, o mio tesoro?, WoO. 92a - Aria: Ma tu tremi, o mio tesoro?-Ian Page/Sophie Bevan/The Mozartists
Symphony in E-Flat Major, Op. 7 No. 6 - III. Presto-Ian Page/Classical Opera/The Mozartists
Symphony in E-Flat Major, Op. 7 No. 6 - I. Allegro-Ian Page/Classical Opera/The Mozartists
Blessed Spirit: A Gluck Retrospective - Wigmore Hall Live

Blessed Spirit: A Gluck Retrospective - Wigmore Hall Live专辑下载

（2010-07-05）
Gluck: 'Il Ciel mi vuol oppresso' from La Semiramide riconosciuta (Live)
Gluck: 'Se povero il ruscello' from Ezio (Live)
Gluck: 'Se mai senti spirartisul volto' from La clemenza di Tito (Live)
Gluck: 'Berenice, che fai?' from Antigono (Live)
Gluck: 'Perche, se tanti siete' from Antigono (Live)
Gluck: 'Ombre tacite e chete' from Telemaco (Live)
Gluck: 'Dall' orrido soggiorno' from Telemaco (Live)
Gluck: 'Elisa? Aminta? E sogno?' from Il re pastore (Live)
Gluck: 'Vanne a regnar, ben mio' from Il re pastore (Live)
Gluck: 'Non jamais un tel epoux' from L'ivrogne corrige' (Live)
Gluck: 'Qual vita e questa mai' from Orfeo ed Euridice (Live)
Gluck: 'Ecco son nuovo tormento' (Live)
Gluck: 'Che faro senza Euridice?' (Live)
Gluck: 'Figli, diletti figli!' from Alceste (Live)
Gluck: 'Ah per questo gia stanco' from Alceste (Live)
Gluck: 'O del mio dolce ardor' from Paride ed Elena (Live)
Gluck: 'Dieux puissants que j'atteste' from Iphigenie en Aulide (Live)
Gluck: 'Jupiter, lance la foudre' from Iphigenie en Aulide (Live)
Component 1 - Gluck: 'On s'etonnerait moins que la saison nouvelle' from Armide (Live)
Ian Page introduction to encore (Live)
Gluck: 'Ah, lo veggo' from Paride ed Elena (Live)