High到天际的假声男高音 歌单曲目列表

歌曲 歌手 专辑 时长
Se Al Labro Mio Artaserseair D'Arbace Aris Christofellis Farinelli Et Son Temps 06:05
Serse, Act I - "Ombra mai fù" Andreas Scholl / Orchestra of the Age of Enlightenment / Roger Norrington 50 Greatest Opera Classics 03:00
Arianna e Teseo: Mira in cielo (波尔波拉：阿里阿德涅和忒修斯：米拉在天上) Andrea Marcon / Philippe Jaroussky / Venice Baroque Orchestra Farinelli - Porpora Arias 05:53
L'Orfeo, Act III - "Lagrime, dove sete?"  Orfeo Philippe Jaroussky La storia di Orfeo 03:42
Merope - Act III: Sposa... non mi conosci Max Emanuel Cencic / Il Pomo d'Oro / Riccardo Minasi Venezia - Opera Arias of the Serenissima 09:36
Intorno all'idol mio (围绕着我崇拜的人儿) David Daniels / Martin Katz Serenade 03:59
5. Aria: Ich freue mich auf meinen Tod (康塔塔，作品82号︰我期待着我的死亡) Andreas Scholl / Kammerorchester Basel / Julia Schröder 04:02
Cerf Volant Dennis Chmelensky Dennis 02:20
Io Le Diro Che L'Amoair De Serse Aris Christofellis Farinelli Et Son Temps 02:13
Argippo, RV 697 - Act II: Io son rea dell'onor mio Max Emanuel Cencic / Il Pomo d'Oro / Riccardo Minasi Venezia - Opera Arias of the Serenissima 05:25
Serse, HWV. 40: Ombra mai fù Andreas Scholl / Orchestra of the Age of Enlightenment / Roger Norrington 03:01
今夜无人入睡  节选自贾科莫·普契尼歌剧《图兰朵》 Vitas 大海啊故乡 03:00
Polifemo: Alto Giove (波尔波拉：波吕菲摩斯：奥拓宇宙) Andrea Marcon / Venice Baroque Orchestra / Philippe Jaroussky Farinelli - Porpora Arias 10:29
Nisi Dominus (Psalm 126), R.608 - Vivaldi: Nisi Dominus (Psalm 126), R.608 - 4. Cum dederit dilectis suis somnum Andreas Scholl / Australian Brandenburg Orchestra / Paul Dyer Baroque Favourites 05:14
Aria Vitas Шедевры трех веков 03:21
O Sole Mio Vitas Шедевры трех веков 03:14
Giustino Vedro con mio diletto (Anastasio) Philippe Jaroussky Vivaldi: Opera Arias 05:11
Opera #2 Vitas Tancevalniy Marafon 03:14
Qui sedes ad dextram Patris (您坐在天父右边的主)  Mass in B Minor, BWV 232 Harry Bicket / The English Concert / Katharina Spreckelsen / David Daniels 04:18

High到天际的假声男高音

古典
声男高音是男声演唱音域最高的一种男高音，他的音域甚至是女高音和女低音的重叠，高音比女高音高，低音比女低音低。假声男高音的声音透明、纤柔、轻盈。假声男高音一般会在古乐中出现，即西方早期声乐，进入近代以来逐渐衰弱。但二战后，随着欧洲盛行一种古乐表演流派，需要演唱早期的声乐作品，歌唱方法和声音效果力求恢复古乐的原貌，尽可能真实地再现古乐纯正之美，于是高男高音借复古之势重返乐坛。