Sacrum, R.586 - rev. Franz Giegling - 3c Credo: (Allegro) Et resurrexit-Margaret Marshall/Anne Collins/Anthony Rolfe Johnson/Robert Holl/John Alldis Choir/English Chamber Orchestra

歌手 : Margaret Marshall / Anne Collins / Anthony Rolfe Johnson / Robert Holl / John Alldis Choir / English Chamber Orchestra
专辑 : Vivaldi: Sacred Music
语种 : 拉丁语
时长 : 02:15

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Sacrum, R.586 - rev. Franz Giegling - 3c Credo: (Allegro) Et resurrexit-Margaret Marshall/Anne Collins/Anthony Rolfe Johnson/Robert Holl/John Alldis Choir/English Chamber Orchestra 推荐歌曲

Pergolesi: Stabat Mater, P. 77 - 1. Stabat Mater (페르골레지: 스타바트 마테르: 1번. Stabat Mater|スターバトマーテル: ダイイッキョクカナシミニシズメルミオモハナミダニムセビテ|スターバト・マーテル: 第1曲: 悲しみに沈める御母は涙にむせびて)-Margaret Marshall/Lucia Valentini-Terrani/London Symphony Orchestra/Claudio Abbado/Leslie Pearson
Così fan tutte - Mozart: Così fan tutte, K. 588, Act 1: Sestetto. "Alla bella Despinetta" (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) [Live]-Margaret Marshall/Agnes Baltsa/James Morris/Francisco Araiza/Kathleen Battle/José Van Dam
Mozart: Così fan tutte, K. 588, Act 1 - Mozart: Così fan tutte, K. 588, Act 1: Finale. "Dammi un bacio, o mio tesoro" (Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina, Don Alfonso) [Live]-Riccardo Muti/Agnes Baltsa/Francisco Araiza/James Morris/José Van Dam/Kathleen Battle
Les Danaides, 2. Akt, 3. Szene: Foudre céleste! Je t'appelle!-Margaret Marshall/Radio-Sinfonieorchester Stuttgart/Gianluigi Gelmetti
Les Danaides, 2. Akt, 1. Szene: Où sommes-nous?-Margaret Marshall/Clarry Bartha/Dimitri Kavrakos/Sdfunk-Chor
Misera, dove son!, K. 369-Margaret Marshall/West German Radio Symphony Orchestra/Gunter Wand
Litaniae de venerabili altaris sacramento, K. 243 - Litaniae de Venerabili Altaris Sacramento, K. 243: Dulcissimum Convivium-Margaret Marshall/Bavarian Radio Symphony Orchestra/Gunter Wand
Die Schuldigkeit des ersten Gebots, K.35 - "Lasst mich euer Gnade Schein"-Hans Peter Blochwitz/Margaret Marshall/Ann Murray/Radio-Sinfonieorchester Stuttgart
Laudate Pueri (Psalm 112), R.602 - Vivaldi: Laudate Pueri (Psalm 112) , R.602 - 4. Andante: Quis sicut Dominus-Margaret Marshall/English Chamber Orchestra/Vittorio Negri/John Constable/Olga Hegedus/Adrian Beers
Sacrum, R.586 - rev. Franz Giegling - 4b Sanctus: (Andante molto) Benedictus-Margaret Marshall/Anthony Rolfe Johnson/John Alldis Choir/English Chamber Orchestra/Vittorio Negri/Olga Hegedus
Laudate Pueri (Psalm 112), R.602 - Vivaldi: Laudate Pueri (Psalm 112) , R.602 - 6. Allegro: Suscitans-Margaret Marshall/Felicity Lott/English Chamber Orchestra/Vittorio Negri/Olga Hegedus/Adrian Beers
Mozart: Mass in C minor, K.427 "Grosse Messe" - Rev. and reconstr. by H.C. Robbins Landon - Gloria: Laudamus te (荣耀经：赞颂主)-Margaret Marshall/Academy of St Martin in the Fields/Sir Neville Marriner
Mozart: Mass in C minor, K.427 "Grosse Messe" - Rev. and reconstr. by H.C. Robbins Landon - Kyrie (垂怜经)-Margaret Marshall/Academy of St Martin in the Fields Chorus/Academy of St Martin in the Fields/Sir Neville Marriner
Missa solemnis in C, K.337 - 3. Credo-Margaret Marshall/Ann Murray/Rogers Covey-Crump/David Wilson-Johnson/The Choir of King's College, Cambridge/English Chamber Orchestra
Stabat Mater, P. 77 - I. Stabat Mater dolorosa (第一乐章 圣母悲伤侍立)-Margaret Marshall/Alfreda Hodgson/Mainzer Kammerorchester/Gunter Kehr
Vesperae de Dominica in C Major, K. 321 - I. Dixit-Margaret Marshall/Margaret Cable/Wynford Evans/Stephen Roberts
Gloria In Excelsis Deo-Margaret Marshall
Osanna-Margaret Marshall
Quoniam Tu Solus Sanctus-Margaret Marshall
Qui Tollis (免除世罪者)-Margaret Marshall
Die Zauberflöte, K.620 / Act 1 - Mozart: Die Zauberflöte, K.620 / Act 1 - "Zu Hilfe! Zu Hilfe!"-Anne Collins/Francisco Araiza/Yvonne Kenny/Iris Vermillion/Wolfgang Amadeus Mozart/Academy of St. Martin in the Fields/Sir Neville Marriner
Mozart: Die Zauberflöte, K.620 / Act 1 - Dialog "Ihr Götter" - "O zittre nicht"-Anne Collins/Cheryl Studer/Yvonne Kenny/Wolfgang Amadeus Mozart/Iris Vermillion/Academy of St. Martin in the Fields/Sir Neville Marriner
Die Zauberflöte, K.620 / Act 1 - Mozart: Die Zauberflöte, K.620 / Act 1 - "Hm! hm! hm! hm!" (""他们！他们！他们！他们！"")-Olaf Bar/Anne Collins/Francisco Araiza/Yvonne Kenny/Wolfgang Amadeus Mozart/Iris Vermillion/Academy of St. Martin in the Fields
Janáček: Sinfonietta - 3. Moderato - Con moto - Prestissimo - Tempo I - Moderato (シンフォニエッタ: ダイ３ガクショウ|シンフォニエッタ: 第3楽章:MODERATO)-London Symphony Orchestra/Teresa Kubiak/Claudio Abbado/Anne Collins/Robert Tear/Wolfgang Schöne
Suor Angelica - Suor Angelica!.....Madre, madre, parlate! (La badessa/Suor Angelica/Sei suore)-Anne Collins/Joan Sutherland/The London Opera Chorus/National Philharmonic Orchestra/Richard Bonynge
Janáček: Glagolitic Mass - 2. Gospodi pomiluji (Kyrie) (Glagolitic Mass: Ｊａｎａｃｅｋ：　２．　Ｇｏｓｐｏｄｉ　ｐｏｍｉｌｕｊｉ　（Ｋｙｒｉｅ）　［Ｇｌａｇｏｌｉｔｉｃ　Ｍａｓｓ］|Glagolitic Mass: Janacek: 2. Gospodi pomiluji (Kyrie) [Glagolitic Mass])-Teresa Kubiak/Anne Collins/Brighton Festival Chorus/Royal Philharmonic Orchestra/Rudolf Kempe
Beatus Vir (Psalm 111), R.597 - Vivaldi: Beatus Vir (Psalm 111) , R.597 - 6. Andante molto: In memoria aeterna/ Allegro (Antifonia) : Beatus vir-Anne Collins/Anthony Rolfe Johnson/Robert Holl/John Alldis Choir/English Chamber Orchestra/Vittorio Negri
Sacrum, R.586 - rev. Franz Giegling - Vivaldi: Sacrum, R.586 - rev. Franz Giegling - 5a Agnus Dei: (Adagio - Allegro) Agnus Dei-Anne Collins/John Alldis Choir/English Chamber Orchestra/Vittorio Negri/Adrian Beers/John Constable
Sacrum, R.586 - rev. Franz Giegling - 3a Credo: (Allegro) Credo in unum Deum-Margaret Marshall/Anne Collins/John Alldis Choir/English Chamber Orchestra/Vittorio Negri/Olga Hegedus
Dixit Dominus (Psalm 109), R.594 - Vivaldi: Dixit Dominus (Psalm 109) , R.594 - 4. Andante: Tecum principium-Anne Collins/English Chamber Orchestra/Vittorio Negri/Jeffrey Tate/Alastair Ross
Sullivan: The Yeomen of the Guard / Act 2 - "Well, Sergeant Meryll"-Kurt Streit/Anne Collins/Judith Howarth/Stafford Dean/Academy of St Martin in the Fields/Sir Neville Marriner
The Beggar's Opera - realised by Benjamin Britten - Prologue & Act 1 - "I, Like a Ship In Storms, Was Tossed"-Ann Murray/Anne Collins/Robert Lloyd/The Aldeburgh Festival Orchestra
The Beggar's Opera - Realised Britten, Op. 43 / Act 1 - Gay: The Beggar's Opera - Realised Britten, Op. 43 / Act 1 - "The Girl Shows Such a Readiness...O Polly, You Might Have Toyed and Kissed"-Anne Collins/Ann Murray/Robert Lloyd/The Aldeburgh Festival Choir/The Aldeburgh Festival Orchestra/Steuart Bedford
The Beggar's Opera - Realised Britten, Op. 43 / Act 1 - Gay: The Beggar's Opera - Realised Britten, Op. 43 / Act 1 - "Can Love Be Controll'd By Advice"-Ann Murray/Anne Collins/Robert Lloyd/The Aldeburgh Festival Orchestra/Steuart Bedford
The Beggar's Opera - realised by Benjamin Britten - Prologue & Act 1 - "Women Are Bitter Bad Judges In These Cases...If Any Wench Venus' Girdle Wear"-Anne Collins/Robert Lloyd/The Aldeburgh Festival Orchestra/Steuart Bedford
Janáček: Glagolitic Mass - 2. Gospodi pomiluji (Kyrie) (Glagolitic Mass: Ｊａｎａｃｅｋ：　２．　Ｇｏｓｐｏｄｉ　ｐｏｍｉｌｕｊｉ　（Ｋｙｒｉｅ）　［Ｇｌａｇｏｌｉｔｉｃ　Ｍａｓｓ］|Glagolitic Mass: Janacek: 2. Gospodi pomiluji (Kyrie) [Glagolitic Mass])-Teresa Kubiak/Anne Collins/Robert Tear/Brighton Festival Chorus/Royal Philharmonic Orchestra/Wolfgang Schöne/Rudolf Kempe
Janáček: Sinfonietta - 2. Andante - Allegretto - Maestoso - Tempo I - Allegretto (シンフォニエッタ: ダイ２ガクショウ|シンフォニエッタ: 第2楽章:ANDANTE)-London Symphony Orchestra/Teresa Kubiak/Anne Collins/Claudio Abbado/Robert Tear/Wolfgang Schöne
Janáček: Glagolitic Mass - 4. Veruju (Credo) (Glagolitic Mass: Ｊａｎａｃｅｋ：　４．　Ｖｅｒｕｊｕ　（Ｃｒｅｄｏ）　［Ｇｌａｇｏｌｉｔｉｃ　Ｍａｓｓ］|Glagolitic Mass: Janacek: 4. Veruju (Credo) [Glagolitic Mass])-Teresa Kubiak/Robert Tear/Wolfgang Schöne/Anne Collins/John Birch/Brighton Festival Chorus/Royal Philharmonic Orchestra/Rudolf Kempe
Janáček: Glagolitic Mass - 7. Varhany solo (organ solo) (Glagolitic Mass: Ｊａｎａｃｅｋ：　７．　Ｖａｒｈａｎｙ　ｓｏｌｏ　（ｏｒｇａｎ　ｓｏｌｏ）　［Ｇｌａｇｏｌｉｔｉｃ　Ｍａｓｓ］|Glagolitic Mass: Janacek: 7. Varhany solo (organ solo) [Glagolitic Mass])-John Birch/Teresa Kubiak/Anne Collins/Robert Tear/Wolfgang Schöne
Janáček: Glagolitic Mass - 1. Uvod (Introduction) (Glagolitic Mass: Ｊａｎａｃｅｋ：　１．　Ｕｖｏｄ　（Ｉｎｔｒｏｄｕｃｔｉｏｎ）　［Ｇｌａｇｏｌｉｔｉｃ　Ｍａｓｓ］|Glagolitic Mass: Janacek: 1. Uvod (Introduction) [Glagolitic Mass])-Royal Philharmonic Orchestra/Teresa Kubiak/Rudolf Kempe/Anne Collins/Robert Tear/Wolfgang Schöne
Esther, HWV 50 / Scene 6 - Handel: Esther, HWV 50 / Scene 6 - "Flatt'ring tongue, no more I hear thee!" (以斯帖，作品50 - 场景6：“别说话了，我没听见你说什么！”)-Patrizia Kwella/Anthony Rolfe Johnson/Academy Of Ancient Music/Christopher Hogwood
La clemenza di Tito, K. 621 / Act II - Mozart: La clemenza di Tito, K. 621 / Act II - "Dove s'intese mai più contumace infedeltà?" - "Publio. - Cesare." (狄托的仁慈，作品621 - “我曾经意味着更不自信的不忠？”“普布利乌斯。 - 凯撒。”)-Anthony Rolfe Johnson/Cornelius Hauptmann/English Baroque Soloists
Symphony No. 9 in D Minor, Op. 125 "Choral" - Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral" - IV. Presto - "O Freunde nicht diese Töne" - (D小调第9号交响曲，作品125“合唱” - 第四乐章 急板 - “噢，朋友，何必老调重弹！”)-Luba Orgonasova/Anne Sofie von Otter/Anthony Rolfe Johnson/Gilles Cachemaille/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Idomeneo, re di Creta, K.366 / Act 2 - Mozart: Idomeneo, re di Creta, K.366 / Act 2 - "Qual mi conturba i sensi" (Live)-Anthony Rolfe Johnson/English Baroque Soloists/John Eliot Gardiner
No.19 Recitative (Tenor, Chorus II): O Schmerz! hier zittert das gequälte Herz-Anthony Rolfe Johnson
Act 3 - "Ma se m'è forza perderti"-Luciano Pavarotti/Anthony Rolfe Johnson/Leo Nucci/Chicago Symphony Chorus
St. Matthew Passion, BWV. 244 - No. 66, Evangelist, Chorus I/II, Pilatus: "Und Joseph Nahm Den Leib" - "Herr, Wir Haben Gedacht" - "Pilatus Sprach Zu Ihnen"-English Baroque Soloists/John Eliot Gardiner/Anthony Rolfe Johnson/Michael Chance
Act III: "Stupenda vittoria!" - "Qual risuona" - "Sire, il prence" (Live)-Anthony Rolfe Johnson/Nigel Robson/English Baroque Soloists/John Eliot Gardiner
Padre, mio caro padre-John Eliot Gardiner/Anne Sofie von Otter/Anthony Rolfe Johnson
Gottes Zeit ist die allerbeste Zeit, Cantata BWV 106 - J.S. Bach: Gottes Zeit ist die allerbeste Zeit, Cantata BWV 106 - No. 2 a-d "Gottes Zeit ist die allerbeste Zeit" ... "Es ist der alte Bund" (바흐: 칸타타 '하나님의 세상이 최상이로다': No.2 a-d "Gottes Zeit ist die allerbeste Zeit" ... "Es ist der alte Bund"|カンタータダイ１０６バンカミノトキコソイトヨキトキ: カミノトキコソイトヨキトキ|カンタータ 第106番《神の時こそいと良き時》 BWV106: 第2a曲 合唱、独唱「神の時こそいと良き時」)-Nancy Argenta/Anthony Rolfe Johnson/Stephen Varcoe/English Baroque Soloists/John Eliot Gardiner/Monteverdi Choir/The Monteverdi Choir
Idomeneo, re di Creta, K.366 / Act 2 - Mozart: Idomeneo, re di Creta, K.366 / Act 2 - "Qual mi conturba i sensi" (Live)-Anthony Rolfe Johnson/English Baroque Soloists/John Eliot Gardiner
St. John Passion, BWV 245 / Part Two - J.S. Bach: St. John Passion, BWV 245 / Part Two - No.27 Evangelist, Chorus, Evangelist: " Die Kriegsknechte aber "-Anthony Rolfe Johnson/斯蒂芬·瓦科/Stephen Varcoe/English Baroque Soloists/John Eliot Gardiner/Monteverdi Choir
La clemenza di Tito, K. 621 / Act I - Mozart: La clemenza di Tito, K. 621 / Act I - "Del più sublime soglio" (狄托的仁慈，作品621 - “最崇高的宝座”)-Anthony Rolfe Johnson/English Baroque Soloists/John Eliot Gardiner
Idomeneo, re di Creta, K.366 / Act 3 - Mozart: Idomeneo, re di Creta, K.366 / Act 3 - "Accogli, o rè del mar" (Live)-Anthony Rolfe Johnson/English Baroque Soloists/John Eliot Gardiner/Monteverdi Choir/The Monteverdi Choir
La clemenza di Tito, K. 621 / Act II - Mozart: La clemenza di Tito, K. 621 / Act II - "Se all'impero" (狄托的仁慈，作品621 - “如果是因为当了皇帝”)-Anthony Rolfe Johnson/English Baroque Soloists/John Eliot Gardiner
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner) - Mozart: Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner) - 5. Benedictus-Sylvia McNair/Diana Montague/Anthony Rolfe Johnson/Cornelius Hauptmann/Monteverdi Choir/English Baroque Soloists
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner) - Mozart: Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner) - 2h. Gloria: Cum Sancto Spiritu-Sylvia McNair/Diana Montague/Anthony Rolfe Johnson/Cornelius Hauptmann/Monteverdi Choir/English Baroque Soloists
Aria: "Et misericordia" (咏叹调：“他怜悯敬畏他的人”)-Anthony Rolfe Johnson/Charles Brett/English Baroque Soloists/John Eliot Gardiner
No. 31, Evangelist: "Die Aber Jesum Gegriffen Hatten" (第31首 福音：“但耶稣抓住”)-English Baroque Soloists/John Eliot Gardiner/Anthony Rolfe Johnson
Schwanengesang D. 957 Part 2 - No. 8 of whole cycle, No. 1 of Part 2: Der Atlas-Anthony Rolfe Johnson
Component 1 - Herbstgefühl, Op. 48 No. 7-Robert Holl/Johannes Brahms/Rudolf Jansen
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand" / Pt. 2 - "Wie Felsenabgrund mir zu Füßen"-Robert Holl/Staatskapelle Berlin/Pierre Boulez
Component 1 - Abschied D578-Robert Holl/Franz Schubert/Rudolf Jansen
Winterreise: Die Post-Robert Holl/Naum Grubert
Die liebe Farbe (Die schöne Müllerin, D. 795,Nr.25)-Robert Holl/David Lutz
Sechs Lieder von Gellert, Op. 48 - IV. Die Ehre Gottes aus der Natur-David Lutz/Ludwig van Beethoven/Robert Holl
Einsame Straße-Robert Holl/Midori Ortner
Am Abend-Robert Holl/Konrad Richter
Der Doppelgänger (Schwanengesang, D. 957, 13)-Robert Holl
Ständchen (Schwanengesang, D. 957, 4)-Robert Holl
Heliopolis II (Schubertlied, D. 754)-David Lutz/Robert Holl
Wenn du mich mit den Augen streifst und lachst-David Lutz/Robert Holl/Ellen von Lier/Pro Arte Quartett
Was soll der Zorn, mein Schatz-David Lutz/Robert Holl/Ellen von Lier/Pro Arte Quartett
An den Sonnenschein-Robert Holl/Konrad Richter
Nachthymne-Robert Holl/Oleg Maisenberg
In der Frühe-Robert Holl/Rudolf Jansen
Auf dem Flusse (Winterreise, D. 911,Nr.89)-Robert Holl/Oleg Maisenberg
Dithyrambe (Schubertlied, D. 801)-David Lutz/Robert Holl
Der Flüchtling (Schubertlied, D. 402)-David Lutz/Robert Holl
Mozart : Requiem in D minor K626 : XIV Lux aeterna-Rachel Yakar/Ortrun Wenkel/Kurt Equiluz/Robert Holl
Carmen - Act I: Habanera (卡门 - 第一幕：哈巴涅拉)-Tatiana Troyanos/John Alldis Choir/London Philharmonic Orchestra/Sir Georg Solti
Carmen, WD. 31: Act I - "Mais nous ne voyons pas la Carmencita" (卡门，作品31： 第一幕 - 烟厂女工合唱，钟声敲响)-John Alldis Choir/Georg Solti/London Philharmonic Orchestra
Fantasy in C Minor for Piano, Chorus & Orchestra, Op. 80 (2006 Digital Remaster)-Daniel Barenboim/John Alldis Choir/New Philharmonia Orchestra/Otto Klemperer
XV. Chorus: Glory to God in the highest (第15首 合唱：在至高之处荣耀归与神)-Karl Richter/London Philharmonic Orchestra/John Alldis Choir/John Alldis
Carmen, WD. 31: Act II - "Nous avons en tête une affaire!" (卡门，作品31： 第二幕 - 我们在盘算一桩生意)-Tatiana Troyanos/Georg Solti/London Philharmonic Orchestra/John Alldis Choir
Messiah - Part II: 42. Chorus: "Hallelujah" (弥赛亚 - 第二部分：第42首 合唱：“哈利路亚”)-London Philharmonic Orchestra/Karl Richter/John Alldis Choir
Requiem in D Minor, K. 626 (Compl. by Franz Xaver Süssmayer): III. Sequentia: Lacrimosa (From "Amadeus")-John Alldis Choir/BBC Symphony Orchestra/Alan Harverson/Sir Colin Davis
Requiem in D minor, K.626 - I. Introitus: Requiem aeternam (choir with soprano solo, D minor) (2008 - Remaster)-Daniel Barenboim/English Chamber Orchestra/John Alldis Choir/Sheila Armstrong
3e. Sequentia: Confutatis (第3e首 继抒咏：受判之徒)-John Alldis Choir/BBC Symphony Orchestra/Alan Harverson/Sir Colin Davis
3a. Sequentia: Dies irae (第3a首 继抒咏：末日经)-John Alldis Choir/BBC Symphony Orchestra/Alan Harverson/Sir Colin Davis
Bizet - Carmen / Act 4 - "C'est toi! - C'est moi!" (是你，卡门！)-Tatiana Troyanos/Plácido Domingo/John Alldis Choir/London Philharmonic Orchestra/Georg Solti
2 Lieder, Op. 19 - II. Ziehn die Schafe (2首歌曲，作品19 - 第2首 画羊)-Pierre Boulez/Anton Webern/John Alldis Choir/London Symphony Orchestra
2 Lieder, Op. 19 - I. Weiß wie Lilien (2首歌曲，作品19 - 第1首 洁白如百合)-Pierre Boulez/Anton Webern/John Alldis Choir/London Symphony Orchestra
Six Pieces for Male Chorus, Op.35: IV. Glück (1930)-John Alldis Choir/English Chamber Orchestra/Gary Bertini
Pagliacci - Act II: No, Pagliaccio non son (歌剧《丑角》 - 雷翁卡伐洛：丑角，第二幕：不，利亚奇奥的儿子)-Plácido Domingo/Barry McDaniel/John Alldis Choir/John Alldis/Nello Santi/Ruggero Leoncavallo
Requiem in D minor, K.626 - 4. Recordare (solo quartet, F major) (2008 - Remaster)-Daniel Barenboim/John Alldis Choir/English Chamber Orchestra
Requiem in D minor, K.626 - II. Kyrie (choir, D minor) (2008 - Remaster)-Daniel Barenboim/English Chamber Orchestra/John Alldis Choir
Requiem in D minor, K.626 - VIII. Communio:Lux aeterna (choir with soprano solo, B♭ major-D minor) (2008 - Remaster)-Daniel Barenboim/English Chamber Orchestra/John Alldis Choir/Sheila Armstrong
Requiem in D minor, K.626 - VI. Benedictus (choir with solo quartet, B♭ major) (2008 - Remaster)-Daniel Barenboim/Dietrich Fischer-Dieskau/English Chamber Orchestra/Janet Baker/John Alldis Choir/Nicolai Gedda/Sheila Armstrong
Carmen, WD. 31: Act III - Entr'acte between Acts III & IV (卡门，作品31： 第三幕 - 第三幕与第四幕的幕间剧)-Tatiana Troyanos/Georg Solti/London Philharmonic Orchestra/John Alldis Choir
カタリ カタリ - Cardillo: Core 'ngrato (カタリ　カタリ: カタリ　カタリ|カタリ、カタリ: カタリ、カタリ)-José Carreras/English Chamber Orchestra/Edoardo Müller
Canon & Gigue in D Major, P. 37 - Canon (D大调卡农)-Raymond Leppard/English Chamber Orchestra/Johann Pachelbel
Concerto No. 4 in F Minor, RV. 297 - I. Allegro Non Molto-English Chamber Orchestra/Henryk Szeryng
Piano Concerto No. 1 in F Major, K. 37 - II. Andante (C major, 66 bars)after an unknown composer (F大调第1号钢琴协奏曲，作品037 - 第二乐章 行板)-Murray Perahia/English Chamber Orchestra/Wolfgang Amadeus Mozart
Concierto de Aranjuez - II. Adagio (阿兰胡埃斯协奏曲 - 第二乐章 柔板)-Daniel Barenboim/John Williams/James Brown/English Chamber Orchestra
Piano Concerto No. 20 in D Minor, K. 466 - III. Rondo - Allegro assai (为钢琴和管弦乐队而作的D小调第20号协奏曲，作品466 - 第三乐章 回旋曲 - 很快的快板)-Murray Perahia/Wolfgang Amadeus Mozart/English Chamber Orchestra
Piano Concerto No. 1 in F Major, K. 37 - I. Allegro (F major, 168 bars)after Violin Sonata in F major, Op.1 No.5 by Raupach (ca.1762, 1st mvt.) (F大调第1号钢琴协奏曲，作品037 - 第一乐章 快板)-Murray Perahia/English Chamber Orchestra/Wolfgang Amadeus Mozart
Orchestral Suite No. 2 in B Minor, BWV 1067 - VII. Badinerie-Raymond Leppard/English Chamber Orchestra/Johann Sebastian Bach/William Bennett
The Nutcracker - Dance Of The Sugar Plum Fairy-English Chamber Orchestra
Te Deum, H.146 - Prelude-Wynton Marsalis/Anthony Newman/English Chamber Orchestra/Marc-Antoine Charpentier
Emmanuel-Branford Marsalis/Andrew Litton/English Chamber Orchestra/Michel Colombier
Concerto for Viola d'amore, Lute, Strings and Continuo in D minor, RV 540 - 1. Allegro (Arr. for Guitar) (RV 540: ヴィオラ・ダモーレとギターのための協奏曲ニ短調RV．540 第1楽章 アレグロ)-Eduardo Fernández/Norbert Blume/English Chamber Orchestra/George Malcolm
Piano Concerto No. 23 in A Major, K. 488 - II. Adagio (A大调第23号钢琴与管弦乐协奏曲，作品488-第二乐章：柔板) (1988 Digital Remaster)-Daniel Barenboim/English Chamber Orchestra
Griselda - "Per la gloria d'adorarvi" (歌剧《格里赛尔达》 - 多么幸福能赞美你)-José Carreras/English Chamber Orchestra/Vjekoslav Sutej
Piano Concerto No. 20 in D Minor, K. 466 - II. Romance (为钢琴和管弦乐队而作的D小调第20号协奏曲，作品466 - 第二乐章 浪漫曲)-Murray Perahia/Wolfgang Amadeus Mozart/English Chamber Orchestra
Concerto No. 1 in E major, Op. 8, RV 269, "La primavera" (Spring): III. Danza pastorale-Anne Akiko Meyers/English Chamber Orchestra/David Lockington
String Quartet in E minor - III. Prestissimo (e小调弦乐四重奏 - 第三乐章 最急板) (arranged for string orchestra)-Pinchas Zukerman/English Chamber Orchestra/Giuseppe Verdi
Flute Concerto No. 2 in D Major, K. 314 - III. Rondo. Allegretto-Ana de la Vega/English Chamber Orchestra/Stephanie Gonley
Op. 11 - Moto Perpetuo (帕格尼尼： 常动曲，作品11)-Wynton Marsalis/English Chamber Orchestra/Donald Hunsberger
Piano Concerto No. 6 in B-Flat Major, K. 238 - I. Allegro aperto (为钢琴和管弦乐队而作的降B大调第6号协奏曲，作品238 - 第一乐章 开朗的快板)-Murray Perahia/English Chamber Orchestra/Wolfgang Amadeus Mozart
Vivaldi: Sacred Music

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（1998-08-10）