Miriways, TWV 21:24, Act II Scene 3 - Miriways, TWV 21:24, Act II Scene 3: Kennst du die Nisibis? (Live)-André Morsch/Anett Fritsch/Akademie fur Alte Musik Berlin/Bernard Labadie

歌手 : André Morsch / Anett Fritsch / Akademie fur Alte Musik Berlin / Bernard Labadie
专辑 : Telemann: Miriways, TWV 21:24 (Live)
语种 : 纯音乐
时长 : 00:32

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Miriways, TWV 21:24, Act II Scene 3 - Miriways, TWV 21:24, Act II Scene 3: Kennst du die Nisibis? (Live)-André Morsch/Anett Fritsch/Akademie fur Alte Musik Berlin/Bernard Labadie 推荐歌曲

Ecce Nunc Benedicite, S.8: Ecce nunc benedicite Dominum-Ensemble Aedes/Sean Clayton/Le Poème Harmonique/André Morsch
Ein deutsches Requiem, Op. 45 - Ein deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt (Live)-André Morsch
Ein deutsches Requiem, Op. 45 - Ein deutsches Requiem, Op. 45: III. Herr, lehre doch mich (Live)-André Morsch
O Dearer Than My Life, Forbear-Mark le Brocq/André Morsch/Hanoverian Court Orchestra/Jürgen Budday
Te Deum, S.32: Tibi omnes angeli-Sean Clayton/Le Poème Harmonique/André Morsch/Vincent Dumestre
Te Deum, S.32: Tu, devicto mortis aculeo-Vincent Dumestre/Le Poème Harmonique/André Morsch
Deitatis Majestatem: O bonitatis prodigium-Ensemble Aedes/Sean Clayton/Le Poème Harmonique/André Morsch
Ecce Nunc Benedicite, S.8: In noctibus extollite-Sean Clayton/Le Poème Harmonique/André Morsch/Emmanuelle De Negri
Te Deum, S.32: Miserere nostri-Sean Clayton/Le Poème Harmonique/André Morsch/Cyril Auvity
Deitatis Majestatem: Hic enim misericors-Sean Clayton/Le Poème Harmonique/André Morsch/Emmanuelle De Negri
Belshazzar, HWV 61 - Act I Scene 4: Duet: O dearer than my life, forbear-André Morsch/Mark le Brocq/Hanoverian Court Orchestra/Jürgen Budday
Belshazzar, HWV 61 - Act I Scene 4: Recitative: They tell you true-André Morsch/Mark le Brocq/Hanoverian Court Orchestra/Jürgen Budday
Belshazzar, HWV 61 - Act III Scene 1: Recitative: My hopes revive, here Arioch comes!-Miriam Allan/Mark le Brocq/André Morsch/Hanoverian Court Orchestra
Belshazzar, HWV 61 - Act I Scene 2: Aria: Behold the monstrous human beast-André Morsch/Hanoverian Court Orchestra/Jürgen Budday
Belshazzar, HWV 61 - Act III Scene 3: Aria: To pow'r immortal my first thanks are due-André Morsch/Hanoverian Court Orchestra/Jürgen Budday
Belshazzar, HWV 61 - Act I Scene 2: Aria: Oppress'd with never-ceasing grief-André Morsch/Hanoverian Court Orchestra/Jürgen Budday
Belshazzar, HWV 61 - Act I Scene 2: Recitative: Well may they laugh, from meagre famine safe-André Morsch/Patrick Van Goethem/Hanoverian Court Orchestra/Jürgen Budday
Mass in B minor, BWV 232, Part II, Symbolum Nicenum: Et in Spiritum sanctum Dominum(Live) (Live)-William Christie/André Morsch/Les Arts Florissants
Mass in B minor, BWV 232, Part II, Symbolum Nicenum: Et in unum Dominum(Live) (Live)-André Morsch/William Christie/Tim Mead/Les Arts Florissants
Mass in B minor, BWV 232, Part I, Kyrie, Gloria: Quoniam tu solus sanctus(Live) (Live)-William Christie/André Morsch/Les Arts Florissants
Act II Scene 2: Arietta: Voi, che sapete che cosa e amor-Anett Fritsch/Munich Radio Orchestra/Alessandro de Marchi
Act IV Scene 10: Recitativo: Giunse al fin il momento … Deh, vieni, non tardar-Anett Fritsch/Munich Radio Orchestra/Alessandro de Marchi
Act I Scene 2: Recitative: Temerari! Sortite fuori di questo loco! - Come scoglio immoto resta-Anett Fritsch/Munich Radio Orchestra/Alessandro de Marchi
Miriways, TWV 21:24, Act III Scene 12: Die Sonne des Glückes (Live)-André Morsch/Robin Johannsen/Sophie Karthäuser/Lydia Teuscher/Michael Nagy/Marie-Claude Chappuis
Miriways, TWV 21:24, Act III Scene 7: Kann's möglich sein (Live)-Anett Fritsch/Akademie fur Alte Musik Berlin/Bernard Labadie
Miriways, TWV 21:24, Act III Scene 7: Sie ist vor Schrecken tot (Live)-Lydia Teuscher/Michael Nagy/Anett Fritsch/Akademie fur Alte Musik Berlin/Bernard Labadie
Miriways, TWV 21:24, Act III Scene 6: Feuer! Feuer! (2) (Live)-André Morsch/Robin Johannsen/Sophie Karthäuser/Lydia Teuscher/Michael Nagy/Marie-Claude Chappuis
Miriways, TWV 21:24, Act III Scene 6: Feuer! Feuer! (1) (Live)-André Morsch/Robin Johannsen/Sophie Karthäuser/Lydia Teuscher/Michael Nagy/Marie-Claude Chappuis
Miriways, TWV 21:24, Act II Scene 11: Des Murzah Liebe (Live)-Anett Fritsch/Akademie fur Alte Musik Berlin/Bernard Labadie
Miriways, TWV 21:24, Act I Scene 7 - Miriways, TWV 21:24, Act I Scene 7: Wie ist mir? (Live)-Lydia Teuscher/Anett Fritsch/Akademie fur Alte Musik Berlin/Bernard Labadie
Miriways, TWV 21:24, Act II Scene 11: Unwürd'ger, deine Liebeskerze (Live)-Anett Fritsch/Akademie fur Alte Musik Berlin/Bernard Labadie
Miriways, TWV 21:24, Act II Scene 6 - Miriways, TWV 21:24, Act II Scene 6: Die Dankbarkeit wird dich verpflichten (Live)-Anett Fritsch/Akademie fur Alte Musik Berlin/Bernard Labadie
Miriways, TWV 21:24, Act II Scene 5 - Miriways, TWV 21:24, Act II Scene 5: Da ich das Deine (Live)-Lydia Teuscher/Anett Fritsch/Akademie fur Alte Musik Berlin/Bernard Labadie
Miriways, TWV 21:24, Act I Scene 7 - Miriways, TWV 21:24, Act I Scene 7: Ja, ja, es muss mir glücken (Live)-Anett Fritsch/Akademie fur Alte Musik Berlin/Bernard Labadie
Miriways, TWV 21:24, Act I Scene 7 - Miriways, TWV 21:24, Act I Scene 7: Wo ist die Nisibis geblieben? (Live)-Anett Fritsch/Akademie fur Alte Musik Berlin/Bernard Labadie
Misera, dove son!, K. 369-Anett Fritsch/Munich Radio Orchestra/Alessandro de Marchi
Act II Scene 1: Aria: Una donna a quindici anni-Anett Fritsch/Munich Radio Orchestra/Alessandro de Marchi
Act II Scene 2: Recitative: Ei parte … senti … ah no! - Per pieta, ben mio, perdona-Anett Fritsch/Munich Radio Orchestra/Alessandro de Marchi
Act I Scene 10: Aria: Ah! Fuggi il traditor!-Anett Fritsch/Munich Radio Orchestra/Alessandro de Marchi
Act I Scene 5: Aria: Non so più cosa son, cosa faccio-Anett Fritsch/Munich Radio Orchestra/Alessandro de Marchi
Die Entführung aus dem Serail, K. 384: Ouvertüre-René Jacobs/Akademie fur Alte Musik Berlin
Gluck: La Clemenza di Tito - Ah! taci barbaro...Come potesti, oh Dio-Cecilia Bartoli/Akademie fur Alte Musik Berlin/Bernhard Forck
Was ist Aufklärung?-Unknown Artist/Chor des Bayerischen Rundfunks/Akademie fur Alte Musik Berlin/Howard Arman
Weihnachts-Oratorium, BWV 248, Pt. 6 - No. 64, Nun seid ihr wohl gerochen (Highlights)-Max Hanft/Chor des Bayerischen Rundfunks/Akademie fur Alte Musik Berlin/Peter Dijkstra
Pianti, sospiri e dimandar mercede, RV 676 - II. Lusinga è del nocchier-Bejun Mehta/Akademie fur Alte Musik Berlin
Schlage doch, gewünschte Stunde, BC V 99-Bejun Mehta/Akademie fur Alte Musik Berlin
Christmas Oratorio, BWV 248, Pt. 5 - Christmas Oratorio, BWV 248, Pt. 5: Dein Glanz all Finsternis verzehrt-Chor des Bayerischen Rundfunks/Akademie fur Alte Musik Berlin/Peter Dijkstra
Suite No. 2 en si mineur, BWV 1067: III. Sarabande-Akademie fur Alte Musik Berlin
Matthäus-Passion: Erster Teil, 29. Choral O Mensch, bewein' dein Sünde groß-René Jacobs/Akademie fur Alte Musik Berlin/Staats- und Domchor Berlin/RIAS-Kammerchor
Agrippina: ATTO I, Scena XXIV, Recit. Poppea "Se Ottone m'ingannò" Aria Poppea "Se giunge un dispetto"-René Jacobs/Akademie fur Alte Musik Berlin
Orfeo, cantata for soprano, strings and basso continuo: Nel chiuso centro (Recitativo) - Euridice, e dove sei? (Aria)-Akademie fur Alte Musik Berlin/Sunhae Im
Johannes Passion, BWV 245, Pt. 2: 16a. Rezitativ and Chorus "Da führeten sie Jesum von Kaiphas vor das Richthaus" (Evangelist, Pilatus) -16e "Auf daß erfüllet würde das Wort Jesu" (Evangelist, Pilatus, Jesus)-René Jacobs/Akademie fur Alte Musik Berlin/Johannes Schendel/Werner Güra
Die Kunst der Fuge, BWV 1080: Contrapunctus 12a. Spiegelfuge über Varianten des Themas, a 4-Akademie fur Alte Musik Berlin/Bernhard Forck
Agrippina: ATTO III, Sc. XIV: Aria Agrippina "Se vuoi pace, oh volto amato"-René Jacobs/Akademie fur Alte Musik Berlin
Concerto for 3 Horns and Violin in D Major, TWV 54:D2: I. Vivace-Akademie fur Alte Musik Berlin
Concerto for 3 Horns and Violin in D Major, TWV 54:D2: III. Presto-Akademie fur Alte Musik Berlin
Brockes-Passion, I. Teil: 47a. Rezitativ (Evangelist) "Die Nacht war kaum vorbei" / ... / 48. Arie (Tochter Zion) "Meine Laster sind die Stricke"-Brigitte Christensen/René Jacobs/Akademie fur Alte Musik Berlin/Daniel Behle
L'Orfeo, cantata a voce sola con violini: Ah, voi m'abbandonate (Recitativo) - Il vanto del canto (Aria)-Akademie fur Alte Musik Berlin/Sunhae Im
Die Kunst der Fuge, BWV 1080: Contrapunctus 11. Tripelfuge über zwei neue Themen und das variierte Hauptthema a 4-Stephan Mai/Akademie fur Alte Musik Berlin
Fugue in B minor BWV 849 ohne KV-Akademie fur Alte Musik Berlin
Arsilda: La tiranna e avversa sorte-Bernard Labadie
Bach, JS: Piano Concerto in F Minor, BWV 1056: II. Largo-Alexandre Tharaud/Les Violons du Roy/Bernard Labadie
Fauré: Ecce fidelis servus, Op.54-Richard Duguay/Yolande Parent/Jean-François Lapointe/Bernard Labadie
Hercules: Where congeal'd the nothern streams-Bernard Labadie
Paradise Lost: Man so favour'd-Bernard Labadie
Viola Concerto No. 2 in E-Flat Major, LorB 315 - III. Allegro-Jean-Eric Soucy/SWR Sinfonieorchester Baden-Baden und Freiburg/Bernard Labadie
Il Bajazet: Forte e lieto a morte andrei-Bernard Labadie
Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto" - II. Allegro-Les Violons du Roy/Bernard Labadie
Mer hahn en neue Oberkeet, BWV 212, "Peasant Cantata" - Sinfonia-Les Violons du Roy/Bernard Labadie
Mer hahn en neue Oberkeet, BWV 212, "Peasant Cantata" - Aria: Mer hahn en neue Oberkeet-Dorothea Roschmann/Kevin McMillan/Les Violons du Roy/Bernard Labadie
Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto" - V. Allegro - VI. Pastorale ad libitum-Les Violons du Roy/Bernard Labadie
Fauré: Ave Maria, Op.posth.-Richard Duguay/Jean-François Lapointe/Bernard Labadie/Ensemble La Chapelle Du Quebec
Fauré: Maria, Mater gratiae, Op.47, No.2-Richard Duguay/Jean-François Lapointe/Bernard Labadie/Ensemble La Chapelle Du Quebec
Flute Concerto No. 7 in E Minor - III. Rondo-Marc Grauwels/Walloon Chamber Orchestra/Bernard Labadie
Flute Concerto No. 7 in E Minor - I. Allegro-Marc Grauwels/Walloon Chamber Orchestra/Bernard Labadie
Flute Concerto No. 2 in D Major - II. Adagio-Marc Grauwels/Walloon Chamber Orchestra/Bernard Labadie
Flute Concerto No. 2 in D Major - I. Allegro-Marc Grauwels/Walloon Chamber Orchestra/Bernard Labadie
Alcina HWV 34: Aria: "Sta nell'Ircana pietrosa tana"-Vivica Genaux/Les Violins du Roy/Bernard Labadie
La Scusa: Aria: Torna in quel onda chiara-Vivica Genaux/Les Violins du Roy/Bernard Labadie
La Scusa: Recitativo: Placati o pastorella-Vivica Genaux/Les Violins du Roy/Bernard Labadie
Telemann: Miriways, TWV 21:24 (Live)

Telemann: Miriways, TWV 21:24 (Live)专辑下载

（2020-05-08）