1. Chorus: "Jesu, nun sei gepreiset" (第1首 合唱：“耶稣，请接受赞美”)-Chorus Viennensis/Concentus Musicus Wien/Nikolaus Harnoncourt/Wiener Sängerknaben
Choir
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时长 : 08:53
In the opening chorus, a chorale fantasia, Bach faced the problem of structuring the unusually long stanza of 14 lines and an additional repeat of the first two lines, as seems to have been customary in Leipzig. The concerto of the orchestra is dominated by a syncop fanfare motif from the trumpets. In the first four lines, repeated in the next four and the final two, the soprano sings the cantus firmus, with the lower voices in free polyphony. Lines 9 and 10, speaking of "in guter Stille" (in good silence)are marked adagio; the choir sings in homophony in triple meter, accompanied by the orchestra without the trumpets. Lines 11 and 12, repeated in 13 and 14, are a presto fugato, with the instruments playing colla parte, expressing "Wir wollen uns dir ergeben" (We want to devote ourselves to you), an "enthusiastic rededication to spiritual values". The fugal subject is derived from the first phrase of the chorale melody. Lines 15 and 16 repeat lines 1 and 2, saying "behüt Leib, Seel und Leben" (Protect our body, soul and life).
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TXT 1. Chorus: "Jesu, nun sei gepreiset" (第1首 合唱：“耶稣，请接受赞美”)-Chorus Viennensis/Concentus Musicus Wien/Nikolaus Harnoncourt/Wiener Sängerknaben 文本歌词
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1. Chorus: "Jesu, nun sei gepreiset" (第1首 合唱：“耶稣，请接受赞美”)-Chorus Viennensis/Concentus Musicus Wien/Nikolaus Harnoncourt/Wiener Sängerknaben 推荐歌曲
Bach: Sacred Cantatas Vol. 3 : BWV 37 - 52, 54 - 60 (巴赫：神圣的康塔塔第3卷：作品37 - 52，54 - 60)专辑下载
（1973-12-31）