Herr Christ, der einge Gottessohn, BWV 96: No. 1, Choral. "Herr Christ, der einge Gottessohn"-Concentus Musicus Wien/Nikolaus Harnoncourt/Tölz Boys' Choir
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时长 : 06:14
As in most cantatas of the second cycle, Bach set the opening chorus on the first stanza of the hymn in its original wording, "Herr Christ, der einge Gottessohn" (Lord Christ, only Son of God), as chorale fantasia. He assigned the cantus firmus to the alto, enforced by a horn (in later performance replaced by trombone). Bach had a used a cantus firmus in the alto already in his chorale cantata Ach Gott, vom Himmel sieh darein, BWV 2, for the second Sunday after Trinity. In Herr Christ, der einge Gottessohn, this leaves the sopranos free, as the musicologist Julian Mincham notes, "to dance their own hymn of joy in the upper register above the chorale tune, thus lightening the texture and mood of the entire chorus". An unusual flauto piccolo or sopranino recorder is used to illustrate the sparkling of the morning star. Hofmann notes that it was the Bach's first use of a sopranino in a cantata, and the first introduction of his Leipzig audience to the instrument which had not been used as a concert instrument. In a later performance (probably 1734) it was replaced by a violino piccolo. The choral setting is polyphonic in the three other voices and embedded in instrumental music based on similar motifs.
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TXT Herr Christ, der einge Gottessohn, BWV 96: No. 1, Choral. "Herr Christ, der einge Gottessohn"-Concentus Musicus Wien/Nikolaus Harnoncourt/Tölz Boys' Choir 文本歌词
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