1. Chorus: "Preise, Jerusalem, den Herrn" (第1首 合唱:“赞美耶路撒冷,赞美主”)-Concentus Musicus Wien/Nikolaus Harnoncourt/Tölz Boys' Choir
Choir
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时长 : 05:09
The cantata opens with a French overture, unusual in featuring the chorus in the faster middle section. At the time of Louis XIV an overture in this style was played when the king and his entourage entered a performance. Bach's music expresses a similar respect for the authority of the town councils. The mostly homophonic slow opening is in the typical dotted rhythms, and shows a remarkable concerto of the trumpets versus the rest of the orchestra. The chorus appears only in the middle section, proclaiming verses from Psalm 147, "Preise, Jerusalem, den Herrn" (Praise the Lord, Jerusalem). It uses both fugal techniques and paired entries. The codais a recapitulation of the first section. Analysis of corrections show that Bach probably used an instrumental piece composed earlier, and that the characteristic upward run on the first word "Preise" was added later. The text from psalm 147,12 - 14a addresses Jerusalem, but the Leipzig congregation understood it as their city.
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TXT 1. Chorus: "Preise, Jerusalem, den Herrn" (第1首 合唱:“赞美耶路撒冷,赞美主”)-Concentus Musicus Wien/Nikolaus Harnoncourt/Tölz Boys' Choir 文本歌词
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1. Chorus: "Preise, Jerusalem, den Herrn" (第1首 合唱:“赞美耶路撒冷,赞美主”)-Concentus Musicus Wien/Nikolaus Harnoncourt/Tölz Boys' Choir 推荐歌曲
Bach, JS : Sacred Cantatas Vol.7 : BWV 119-137 (巴赫:神圣的康塔塔第7卷,作品119 - 137)专辑下载
(2005-11-15)