Rape of Lucretia, Act II, Scene II: Flowers bring to every year-Aldeburgh Festival Ensemble/Oliver Knussen/Hilary Summers/Angelika Kirchschlager

歌手 : Aldeburgh Festival Ensemble / Oliver Knussen / Hilary Summers / Angelika Kirchschlager
专辑 : Britten: The Rape of Lucretia
语种 : 英语
时长 : 03:18

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Rape of Lucretia, Act II, Scene II: Flowers bring to every year-Aldeburgh Festival Ensemble/Oliver Knussen/Hilary Summers/Angelika Kirchschlager 推荐歌曲

Rape of Lucretia, Act I, Scene I: Who reaches heaven first is the best philosopher-Aldeburgh Festival Ensemble/Oliver Knussen/Christopher Purves/Benjamin Russell
Rape of Lucretia, Act I, Scene I: Goodnight!....There goes a happy man!-Aldeburgh Festival Ensemble/Oliver Knussen/Christopher Purves/Benjamin Russell
Rape of Lucretia, Act I, Scene I: Collatinus is politically astute-Aldeburgh Festival Ensemble/Oliver Knussen/Christopher Purves/Benjamin Russell
Rape of Lucretia, Act I, Scene I: Maria was unmasked at a masked ball-Aldeburgh Festival Ensemble/Oliver Knussen/Christopher Purves/Benjamin Russell
Rape of Lucretia, Act I, Scene I: My horse! My horse! - Interlude: Tarquinius does not wait-Aldeburgh Festival Ensemble/Oliver Knussen/Peter Coleman-Wright/Ian Bostridge
Rape of Lucretia, Act II, Scene I: She sleeps as a rose upon the night-Aldeburgh Festival Ensemble/Oliver Knussen/Susan Gritton
Rape of Lucretia, Act I, Scene II: Ah... Time treads upon the hands of women-Aldeburgh Festival Ensemble/Oliver Knussen/Susan Gritton/Angelika Kirchschlager
Rape of Lucretia, Act I, Scene I: Tarquinius does not dare-Aldeburgh Festival Ensemble/Oliver Knussen/Ian Bostridge
Rape of Lucretia, Act II, Scene I: The prosperity of the Etruscans was due-Aldeburgh Festival Ensemble/Oliver Knussen/Susan Gritton/Ian Bostridge
Rape of Lucretia, Act I, Scene II: Lucia runs to the door-Aldeburgh Festival Ensemble/Oliver Knussen/Susan Gritton/Angelika Kirchschlager
Rape of Lucretia, Act I, Scene II: The oatmeal slippers of sleep-Aldeburgh Festival Ensemble/Oliver Knussen/Susan Gritton/Ian Bostridge
Rape of Lucretia, Act I, Scene II: Their spinning wheel unwinds-Aldeburgh Festival Ensemble/Oliver Knussen/Susan Gritton/Angelika Kirchschlager
Rape of Lucretia, Act II, Scene II: Last night Tarquinius ravished me-Aldeburgh Festival Ensemble/Oliver Knussen/Angelika Kirchschlager/Christopher Purves
Rape of Lucretia, Act I, Scene I: It is an axiom among kings-Aldeburgh Festival Ensemble/Oliver Knussen/Ian Bostridge/Susan Gritton
Rape of Lucretia, Act I, Scene I: Rome is now ruled by the Etruscan upstart-Aldeburgh Festival Ensemble/Oliver Knussen/Ian Bostridge
Rape of Lucretia, Act II, Scene II: Epilogue: Is it all?-Aldeburgh Festival Ensemble/Oliver Knussen/Susan Gritton/Ian Bostridge
Rape of Lucretia, Act II, Scene II: This dead hand lets fall-Aldeburgh Festival Ensemble/Oliver Knussen/Claire Booth/Hilary Summers
Rape of Lucretia, Act II, Scene II: Lucretia! O, never again must we two dare to part-Aldeburgh Festival Ensemble/Oliver Knussen/Angelika Kirchschlager/Christopher Purves
Rape of Lucretia, Act II, Scene II: You were right. Tarquinius took one of the horses-Aldeburgh Festival Ensemble/Oliver Knussen/Claire Booth/Hilary Summers
Mary of Egypt: Mary of Egypt, Act III: Bless Duet-Patricia Rozario/斯蒂芬·瓦科/Aldeburgh Festival Ensemble/Lionel Friend
Symphonia: Sum Fluxae Pretium Spei - Carter: Symphonia: Sum Fluxae Pretium Spei - 3. Allegro scorrevole (交响曲 - 浮华人生 - 第三乐章 流畅的快板)-BBC Symphony Orchestra/Oliver Knussen
Rape of Lucretia, Act II, Scene II: Last night Tarquinius ravished me-Aldeburgh Festival Ensemble/Oliver Knussen/Angelika Kirchschlager/Christopher Purves
Day Signal (1987) - Signals from Heaven I - Antiphonal Fanfare for two brass groups (昼间信号（1987） - 来自天堂的信号 I - 两个铜管乐队的对唱)-London Sinfonietta/Oliver Knussen
Fantastico (Winter's Foil)-Oliver Knussen
Henze: Undine - 3.e Coda-Peter Donohoe/London Sinfonietta/Oliver Knussen
VIII. March --Peter Serkin/London Sinfonietta/Oliver Knussen
Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935) - Scene XIII-XIV (The Courtroom; The Waiter Sworn In)-London Sinfonietta/Oliver Knussen
Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935) - Scene VII (First Pas-de-deux)-London Sinfonietta/Oliver Knussen
Stravinsky: Abraham and Isaac (1962-63) - And Abraham lifted up his eyes and looked-David Wilson-Johnson/London Sinfonietta/Oliver Knussen
Crawford Seeger: 2 Ricercare - 2. Chinaman, Laundryman-Lucy Shelton/Reinbert de Leeuw/Oliver Knussen
Crawford Seeger: 2 Ricercare - 1. Sacco, Vanzetti-Lucy Shelton/Reinbert de Leeuw/Oliver Knussen
Drala for Orchestra - Accordance for eight instruments (戏剧乐团 - 为八件乐器而作)-Asko Ensemble/Oliver Knussen
Knussen: Higglety Pigglety Pop!, op.21 - or, There must be more to Life / Scene 8 - Recognition - Hello, as you probably noticed (Jennie) (New Version 1999)-Cynthia Buchan/London Sinfonietta/Oliver Knussen
Clarinet Concerto - IV. Presto (单簧管协奏曲 - 第四乐章 急板)-Michael Collins/London Sinfonietta/Oliver Knussen
Twill by Twilight (1988) - In Memory of Morton Feldman - for large orchestra (黄昏时分（1988） - 纪念莫顿·费尔德曼 - 为大型管弦乐队而作)-London Sinfonietta/Oliver Knussen
Horn Concerto, Op. 28 - 3. Cadenza (圆号协奏曲，作品28 - 第三乐章 华彩乐段)-Barry Tuckwell/London Sinfonietta/Oliver Knussen
Anniversary (3 Occasions Pour Orchestre)-Oliver Knussen
2 Controversies and a Conversation - 3. Conversation-Pierre-Laurent Aimard/Oliver Knussen/Birmingham Contemporary Music Group/Colin Currie
The Soldier's Tale, Part II - III. Little Concert-Royal Academy of Music Manson Ensemble/Dame Harriet Walter/Oliver Knussen
The Soldier's Tale, Part II - VI. Three Dances. Ragtime-Royal Academy of Music Manson Ensemble/Oliver Knussen
Handel: Messiah - First version of 1752; edited by Donald Burrows - Part 2 - 21. Air: He was despised-Hilary Summers/The Brandenburg Consort/Stephen Cleobury
How do I know you know?-Michael Nyman/Winnie Bowe/Marie Angel/Hilary Summers
Leo: Lamentations for Good Friday - Lesson 2: Aleph. Quomodo obscurantum est aurum-Hilary Summers/Les Talens Lyriques/Christophe Rousset
Leonardo says-Michael Nyman/Winnie Bowe/Marie Angel/Hilary Summers
Boulez: Le Marteau sans Maître - Commentaire III de "Bourreaux de solitude"-Hilary Summers/Ensemble Intercontemporain/Pierre Boulez
Boulez: Le Marteau sans Maître - Commentaire II de "Bourreaux de solitude"-Hilary Summers/Ensemble Intercontemporain/Pierre Boulez
Boulez: Le Marteau sans Maître - Commentaire I de "Bourreaux de solitude"-Hilary Summers/Ensemble Intercontemporain/Pierre Boulez
Leo: Mass on Second Sunday in Lent - Tribulationes cordis mei (Gradual)-Sandrine Piau/Hilary Summers
Le Marteau sans Maître - Boulez: Le Marteau sans Maître - Bel édifice et les pressentiments – Double. Tempo libre de récit-Hilary Summers/West-Eastern Divan Orchestra/Pierre Boulez
Le Marteau sans Maître - Boulez: Le Marteau sans Maître - Bel edifice et les pressentiments – Version première. Assez vif-Hilary Summers/West-Eastern Divan Orchestra/Pierre Boulez
The Importance of Being Earnest - Act III: Lady Bracknell (艺术歌曲《认真的重要性》 - 杰拉尔德·巴里：不可儿戏：第三幕：布拉克内尔夫人) (Live)-Birmingham Contemporary Music Group/Thomas Ades/Hilary Summers
Bourreaux de solitude (“孤独的刽子手”)-Hilary Summers/Ensemble Intercontemporain/Pierre Boulez
Commentaire II de "Bourreaux de solitude" (“孤独的刽子手”注释之2)-Hilary Summers/Ensemble Intercontemporain/Pierre Boulez
Take its DNA-Michael Nyman/Winnie Bowe/Marie Angel/Hilary Summers
Leo: Mass on Ash Wednesday - Misereris omnium, Domine (Introit)-Sandrine Piau/Hilary Summers
Leo: Mass on Ash Wednesday - Miserere mei Deus (Gradual)-Sandrine Piau/Hilary Summers
A Midsummer Night's Dream. Opera in Three Acts, Op.64 - Act 3 - "Now, fair Hippolyta"-Paul Whelan/Ruby Philogene/Brian Bannatyne-Scott/Hilary Summers
Handel: Messiah - First version of 1752; edited by Donald Burrows - Part 3 - 47. Recitative: Then shall be brought to pass-Hilary Summers/The Brandenburg Consort/Stephen Cleobury
HMS Pinafore - Act II: Things Are Seldom What They Seem (Live)-Hilary Summers/Andrew Foster-Williams/Scottish Opera Orchestra/Richard Egarr
HMS Pinafore - Act I: The Nightingale Sighed (Live)-Toby Spence/Hilary Summers/Scottish Opera Chorus/Scottish Opera Orchestra
Stay With Me from "Into the Woods"(Vocal)-Angelika Kirchschlager
Not While I'm Around from "Sweeney Todd"(Vocal)-Angelika Kirchschlager
Disc 1 - Das verlassene Mägdlein (No. 7 from "Lieder von Mörike")-Angelika Kirchschlager/Hugo Wolf/Helmut Deutsch
Rape of Lucretia, Act I, Scene II: Their spinning wheel unwinds-Aldeburgh Festival Ensemble/Oliver Knussen/Susan Gritton/Angelika Kirchschlager
Oh patria!...Sol ristoro from Arianna-Angelika Kirchschlager/George Friedrich Handel/Laurence Cummings/Kammerorchester Basel
Canción de cuna para dormir a un negrito(Vocal)-Angelika Kirchschlager
Phantasie (aus "Don Juan") (Vocal)-Angelika Kirchschlager/Gustav Mahler/Helmut Deutsch
Aus! Aus! (Des Knaben Wunderhorn) (Vocal)-Angelika Kirchschlager/Gustav Mahler/Helmut Deutsch
Starke Einbildungskraft (Des Knaben Wunderhorn) (Vocal)-Angelika Kirchschlager/Gustav Mahler/Helmut Deutsch
Come Away, Death (Vocal)-Angelika Kirchschlager/Erich Wolfgang Korngold/Helmut Deutsch
Panis angelicus-Angelika Kirchschlager/Robert Lehrbaumer
Och Moder, ich well en Ding han, WoO33/33-Angelika Kirchschlager/Robert Lehrbaumer
Nimmersatte Liebe-Angelika Kirchschlager/Roger Vignoles
Der Knabe und das Immlein (No. 2 from "Lieder von Mörike")-Angelika Kirchschlager/Hugo Wolf/Helmut Deutsch
Zigeunerliebe: Nur die Liebe macht uns jung-Angelika Kirchschlager
Der Favorit: Du sollst der Kaiser meiner Seele sein-Angelika Kirchschlager
Neun Gesänge, Op. 69: VIII. Salome-Angelika Kirchschlager/Graham Johnson
Sieben Lieder, Op. 48 - IV. Gold überwiegt die Liebe-Angelika Kirchschlager/Graham Johnson
Sechs Lieder, Op. 86 - III. Nachtwandler-Angelika Kirchschlager/Graham Johnson
Vier Gesänge, Op. 43: I. Von ewiger Liebe-Angelika Kirchschlager/Graham Johnson
Britten: The Rape of Lucretia

Britten: The Rape of Lucretia专辑下载

（2012-12-28）
Rape of Lucretia, Act I, Scene I: Rome is now ruled by the Etruscan upstart
Rape of Lucretia, Act I, Scene I: It is an axiom among kings
Rape of Lucretia, Act I, Scene I: Here the thirsty evening has drunk the wine of light
Rape of Lucretia, Act I, Scene I: Who reaches heaven first is the best philosopher
Rape of Lucretia, Act I, Scene I: Maria was unmasked at a masked ball
Rape of Lucretia, Act I, Scene I: Collatinus is politically astute
Rape of Lucretia, Act I, Scene I: Goodnight!....There goes a happy man!
Rape of Lucretia, Act I, Scene I: Tarquinius does not dare
Rape of Lucretia, Act I, Scene I: My horse! My horse! - Interlude: Tarquinius does not wait
Rape of Lucretia, Act I, Scene II: Their spinning wheel unwinds
Rape of Lucretia, Act I, Scene II: Listen! I heard a knock
Rape of Lucretia, Act I, Scene II: Ah... Time treads upon the hands of women
Rape of Lucretia, Act I, Scene II: The oatmeal slippers of sleep
Rape of Lucretia, Act I, Scene II: Lucia runs to the door
Rape of Lucretia, Act II, Scene I: The prosperity of the Etruscans was due
Rape of Lucretia, Act II, Scene I: She sleeps as a rose upon the night
Rape of Lucretia, Act II, Scene I: When Tarquinius desires
Rape of Lucretia, Act II, Scene I: Within this frail crucible of light
Rape of Lucretia, Act II, Scene I: Lucretia!...What do you want?
Rape of Lucretia, Act II, Scene I: Interlude: Here in this scene you see
Rape of Lucretia, Act II, Scene II: Oh! What a lovely day!
Rape of Lucretia, Act II, Scene II: Good morning, my lady
Rape of Lucretia, Act II, Scene II: You were right. Tarquinius took one of the horses
Rape of Lucretia, Act II, Scene II: Lucretia! O, never again must we two dare to part
Rape of Lucretia, Act II, Scene II: Last night Tarquinius ravished me
Rape of Lucretia, Act II, Scene II: This dead hand lets fall
Rape of Lucretia, Act II, Scene II: Epilogue: Is it all?