Part II: The Appearances to the Disciples (Soprano, Alto, Christus, Tenor, Baritone)-Brindley Sherratt/Synergy Vocals/Hebrides Ensemble/William Conway

歌手 : Brindley Sherratt / Synergy Vocals / Hebrides Ensemble / William Conway
专辑 : MACMILLAN, J.: Since It Was the Day of Preparation … (Sherratt, Synergy Vocals, Hebrides Ensemble, W. Conway)
语种 : 英语
时长 : 07:44

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Part II: The Appearances to the Disciples (Soprano, Alto, Christus, Tenor, Baritone)-Brindley Sherratt/Synergy Vocals/Hebrides Ensemble/William Conway 推荐歌曲

Semele, HWV 58: Act III Scene 1: Leave me, loathsome light (Somnus)-Brindley Sherratt
Semele, HWV 58: Act I Scene 3: Ah, wretched Prince, doom'd to disastrous love! - Scene 4: See, see, Jove's Priests and holy Augurs come (Cadmus)-Brindley Sherratt
Serse (Xerxes) HWV 40: Act III Scene 11: Recitative: Se ne viene Ariodate (Serse, Ariodate)-Anna Stéphany/Brindley Sherratt
Serse (Xerxes) HWV 40: Act III Scene 10: Recitative: Ecco lo sposo! (Ariodate, Arsamene, Romilda)-Brindley Sherratt/David Daniels/Rosemary Joshua
Serse (Xerxes) HWV 40: Act III Finale: Recitative: Pefidi! e ancor osate (Serse, Ariodate, Arsamene, Romilda, Amastre, Elviro, Atalanta)-Anna Stéphany/Brindley Sherratt/David Daniels/Rosemary Joshua/Hilary Summers/Andreas Wolf
Serse (Xerxes) HWV 40: Act III Scene 5: Recitative: Come gia vi accennammo (Serse, Ariodate)-Anna Stéphany/Brindley Sherratt
Serse (Xerxes) HWV 40: Act III Scene 5: Aria: Del Ciel d'amore sorte si bella (Ariodate)-Brindley Sherratt
Serse (Xerxes) HWV 40: Act I Scene 10: Recitative: Ecco Serse, o che volto (Amastre, Serse, Ariodate)-Hilary Summers/Anna Stéphany/Brindley Sherratt
Macbeth (1865 version) (Sung in English): Act I Scene 1, A Wood: A double prophecy comes to fruition (Macbeth, Banquo, Messenger)-Simon Keenlyside/Brindley Sherratt
Macbeth (1865 version) (Sung in English): Act I Scene 2, A Hall in Macbeth's Castle: Scene and Sextet - Finale I: 'I must hurry; he bade me wake him early (Macduff, Banquo)-Gwyn Hughes Jones/Brindley Sherratt
Macbeth (1865 version) (Sung in English): Act I Scene 2, A Hall in Macbeth's Castle: Hell is gaping in horror and terror (All)-Simon Keenlyside/Brindley Sherratt/Latonia Moore/Elizabeth Llewellyn/Gwyn Hughes Jones/Ben Johnson
Macbeth (1865 version) (Sung in English): Act II Scene 2, A Park: Black is the night, as black as death (Banquo)-Brindley Sherratt
Macbeth (1865 version) (Sung in English): Act I Scene 2, A Hall in Macbeth's Castle: Hear our prayer, merciful father in Heaven (All)-Simon Keenlyside/Brindley Sherratt/Latonia Moore/Elizabeth Llewellyn/Gwyn Hughes Jones/Ben Johnson
Erforsche mich, Gott, und erfahre mein Herz, BWV 136 - Recitative: Die Himmel selber sind nicht rein (Bass)-Brindley Sherratt/English Baroque Soloists/John Eliot Gardiner
Serse (Xerxes) HWV 40 - Act III Finale: Recitative: Pefidi! e ancor osate (Serse, Ariodate, Arsamene, Romilda, Amastre, Elviro, Atalanta)-Anna Stéphany/Brindley Sherratt/David Daniels/Rosemary Joshua
Semele, HWV 58 - Act I Scene 1: Again auspicious flashes rise (Cadmus)-Brindley Sherratt/Early Opera Company Orchestra/Christian Curnyn
Semele, HWV 58 - Act I Scene 1: Behold! Auspicious flashes rise! (Cadmus)-Brindley Sherratt/Early Opera Company Orchestra/Christian Curnyn
Et incarnatus-The Monteverdi Choir/Joanne Lunn/Sara Mingardo/The English Baroque Soloists/John Eliot Gardiner/John Eliot Gardiner/Topi Lehtipuu/Brindley Sherratt
Credo-Topi Lehtipuu/The English Baroque Soloists/John Eliot Gardiner/Brindley Sherratt/The Monteverdi Choir/John Eliot Gardiner/English Baroque Soloists
Gratias-The Monteverdi Choir/Joanne Lunn/The English Baroque Soloists/John Eliot Gardiner/Sara Mingardo/Topi Lehtipuu/John Eliot Gardiner/Brindley Sherratt
Siren-Samuel Sim/London Concert Orchestra/Synergy Vocals
When I'm Gone-Samuel Sim/London Concert Orchestra/Synergy Vocals
Horizon-Samuel Sim/London Concert Orchestra/Synergy Vocals
All I Have-Samuel Sim/London Concert Orchestra/Synergy Vocals
The Arrival-Synergy Vocals
Recollections (回忆)-Synergy Vocals
Blindfold-Synergy Vocals
Innocence-Synergy Vocals
The River Escape-Synergy Vocals
Reunion-Synergy Vocals
Drumming: IV. —-Synergy Vocals/Colin Currie Group
Drumming: III. —-Synergy Vocals/Colin Currie Group
The World Turns-Samuel Sim/London Concert Orchestra/Synergy Vocals
Pat's Loss-Samuel Sim/London Concert Orchestra/Synergy Vocals
The Bells-Samuel Sim/London Concert Orchestra/Synergy Vocals
Drumming: III. Part 3-Georges-Élie Octors/Ictus/Synergy Vocals/Miquel Bernat/Heather Cirncross/Gery Cambier
Drumming: IV. Part 4-Georges-Élie Octors/Ictus/Synergy Vocals/Miquel Bernat/Heather Cirncross/Gery Cambier
Drumming - IV. —-Colin Currie Group/Synergy Vocals
Drumming - III. —-Colin Currie Group/Synergy Vocals
Drumming - I. —-Colin Currie Group/Synergy Vocals
Preludio y Canción - I. Preludio-Hebrides Ensemble
The Piano Tuner (Version with Soundscapes) - II. Fugue I. Tetrachord, Hexachord-Hebrides Ensemble
Preludio y Canción - II. Canción-Hebrides Ensemble
The Piano Tuner (Version with Soundscapes) - VII. Prelude III. Song of Loss-Sarvar Sabri/Hebrides Ensemble
The Piano Tuner (Version with Soundscapes) - IV. Fugue II. Sea Bird-Sarvar Sabri/Hebrides Ensemble
The Piano Tuner (Version with Soundscapes) - III. Prelude II. Sensations of Travel-Sarvar Sabri/Hebrides Ensemble
My Beloved, Where Are You Going - Adagio for Vedran Smailovic-Nigel Osborne/Ruaraidh Osborne/Hebrides Ensemble
The Piano Tuner (Version with Soundscapes) - I. Prelude I. Tuning-Hebrides Ensemble
Oboe Quartet-Hebrides Ensemble
2 Nocturnes - No. 2.-Hebrides Ensemble
2 Nocturnes - No. 1.-Hebrides Ensemble
String Trio-Hebrides Ensemble
Since it was the day of Preparation … - Part II: Interlude-Hebrides Ensemble/William Conway
Since it was the day of Preparation … - Part I: Interlude-Hebrides Ensemble/William Conway
Part II: The Appearance to Mary of Magdala (Alto, Tenor, Baritone, Soprano, Christus)-Brindley Sherratt/Synergy Vocals/Hebrides Ensemble/William Conway
Since it was the day of Preparation … - Part III: Conclusion - Postlude (Soprano, Alto, Tenor, Baritone)-Synergy Vocals/Hebrides Ensemble/William Conway
Part III: The Appearance on the Shore of Tiberias (Baritone, Tenor, Soprano, Alto, Christus)-Brindley Sherratt/Synergy Vocals/Hebrides Ensemble/William Conway
Since it was the day of Preparation … - Part II: The Empty Tomb (Tenor, Baritone, Alto, Soprano)-Synergy Vocals/Hebrides Ensemble/William Conway
Since it was the day of Preparation … - Part I: The Burial (Baritone)-Tom Bullard/Hebrides Ensemble/William Conway
Part I: The Pierced Christ (Tenor)-Benedict Hymas/Hebrides Ensemble/William Conway
La clemenza di Tito, K. 621 / Act 2 - Mozart: La clemenza di Tito, K. 621 / Act 2: "Già de' pubblici giuochi" (Live)-Adam Plachetka/Rolando Villazón/Jory Vinikour/William Conway/Yannick Nézet-Séguin
La clemenza di Tito, K. 621 / Act 2 - Mozart: La clemenza di Tito, K. 621 / Act 2: "Sesto, come tu credi" (Live)-Joyce DiDonato/Tara Erraught/Jory Vinikour/William Conway/Yannick Nézet-Séguin
La clemenza di Tito, K. 621 / Act 2 - Mozart: La clemenza di Tito, K. 621 / Act 2: "Publio, ascolta!" (Live)-Marina Rebeka/Adam Plachetka/Jory Vinikour/William Conway/Yannick Nézet-Séguin
La clemenza di Tito, K. 621 / Act 2 - Mozart: La clemenza di Tito, K. 621 / Act 2: "Eppur mi fa pietà" (Live)-Joyce DiDonato/Rolando Villazón/Jory Vinikour/William Conway/Yannick Nézet-Séguin
La clemenza di Tito, K. 621 / Act 2 - Mozart: La clemenza di Tito, K. 621 / Act 2: "Ove s'intese mai" (Live)-Rolando Villazón/Adam Plachetka/Jory Vinikour/William Conway/Yannick Nézet-Séguin
La clemenza di Tito, K. 621 / Act 2 - Mozart: La clemenza di Tito, K. 621 / Act 2: "Partir deggio, o restar?" (Live)-Joyce DiDonato/Marina Rebeka/Jory Vinikour/William Conway/Yannick Nézet-Séguin
La clemenza di Tito, K. 621 / Act 1 - Mozart: La clemenza di Tito, K. 621 / Act 1: "Ma che? sempre l'istesso" (Live)-Marina Rebeka/Joyce DiDonato/Jory Vinikour/William Conway/Yannick Nézet-Séguin
La clemenza di Tito, K. 621 / Act 1 - Mozart: La clemenza di Tito, K. 621 / Act 1: "Amico, ecco il momento" (Live)-Tara Erraught/Joyce DiDonato/Jory Vinikour/William Conway/Yannick Nézet-Séguin
La clemenza di Tito, K. 621 / Act 1 - Mozart: La clemenza di Tito, K. 621 / Act 1: "Non ci pentiam" (Live)-Tara Erraught/Regula Mühlemann/Jory Vinikour/William Conway/Yannick Nézet-Séguin
La clemenza di Tito, K. 621 / Act 1 - Mozart: La clemenza di Tito, K. 621 / Act 1: "Che mi rechi in quel foglio?" (Live)-Rolando Villazón/Adam Plachetka/Jory Vinikour/William Conway/Yannick Nézet-Séguin
La clemenza di Tito, K. 621 / Act 1 - Mozart: La clemenza di Tito, K. 621 / Act 1: "Di Tito al piè" (Live)-Regula Mühlemann/Rolando Villazón/Jory Vinikour/William Conway/Yannick Nézet-Séguin
Lullaby-Zoë Beyers/William Conway
Sinfonia concertante In B Flat, Hob.I:105 - III. Allegro con spirito (B♭ major, 361 bars)-Marieke Blankestijn/William Conway/Douglas Boyd/Matthew Wilkie/Chamber Orchestra of Europe/Claudio Abbado
Sinfonia concertante In B Flat, Hob.I:105 - II. Andante (F major, 60 bars)-Marieke Blankestijn/William Conway/Douglas Boyd/Matthew Wilkie/Chamber Orchestra of Europe/Claudio Abbado
Sinfonia concertante In B Flat, Hob.I:105 - I. Allegro (B♭ major, 273 bars)-Marieke Blankestijn/William Conway/Douglas Boyd/Matthew Wilkie/Chamber Orchestra of Europe/Claudio Abbado
Sinfonia concertante In B Flat, Hob.I:105 - Haydn: Sinfonia concertante In B Flat, Hob.I:105 - 3. Allegro con spirito (第三乐章 精神饱满的快板)-Marieke Blankestijn/William Conway/Douglas Boyd/Matthew Wilkie/Chamber Orchestra of Europe/Claudio Abbado
Sinfonia concertante In B Flat, Hob.I:105 - Haydn: Sinfonia concertante In B Flat, Hob.I:105 - 2. Andante-Marieke Blankestijn/William Conway/Douglas Boyd/Matthew Wilkie/Chamber Orchestra of Europe/Claudio Abbado
Sinfonia concertante In B Flat, Hob.I:105 - Haydn: Sinfonia concertante In B Flat, Hob.I:105 - 1. Allegro-Marieke Blankestijn/William Conway/Douglas Boyd/Matthew Wilkie/Chamber Orchestra of Europe/Claudio Abbado
MACMILLAN, J.: Since It Was the Day of Preparation … (Sherratt, Synergy Vocals, Hebrides Ensemble, W. Conway)

MACMILLAN, J.: Since It Was the Day of Preparation … (Sherratt, Synergy Vocals, Hebrides Ensemble, W. Conway)专辑下载

（2016-06-24）
Since it was the day of Preparation … - Part I: Introduction
Part I: The Pierced Christ (Tenor)
Since it was the day of Preparation … - Part I: Interlude
Since it was the day of Preparation … - Part I: The Burial (Baritone)
Since it was the day of Preparation … - Part I: Interlude
Since it was the day of Preparation … - Part II: The Empty Tomb (Tenor, Baritone, Alto, Soprano)
Part II: Interlude
Part II: The Appearance to Mary of Magdala (Alto, Tenor, Baritone, Soprano, Christus)
Since it was the day of Preparation … - Part II: Interlude
Since it was the day of Preparation … - Part II: Interlude
Part III: The Appearance on the Shore of Tiberias (Baritone, Tenor, Soprano, Alto, Christus)
Since it was the day of Preparation … - Part III: Interlude
Since it was the day of Preparation … - Part III: Conclusion - Postlude (Soprano, Alto, Tenor, Baritone)