Credo-Topi Lehtipuu/The English Baroque Soloists/John Eliot Gardiner/Brindley Sherratt/John Eliot Gardiner/The Monteverdi Choir/English Baroque Soloists

歌手 : Topi Lehtipuu / The English Baroque Soloists/John Eliot Gardiner / Brindley Sherratt / John Eliot Gardiner / The Monteverdi Choir / English Baroque Soloists
语种 : 拉丁语
时长 : 02:43

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Credo-Topi Lehtipuu/The English Baroque Soloists/John Eliot Gardiner/Brindley Sherratt/John Eliot Gardiner/The Monteverdi Choir/English Baroque Soloists 推荐歌曲

Mass in B-Flat Major "Missa Sancti Bernardi von Offida", Hob. XXII:10 / Gloria - Haydn: Mass in B-Flat Major "Missa Sancti Bernardi von Offida", Hob. XXII:10 / Gloria - Gratias agimus tibi-Joanne Lunn/Sara Mingardo/Topi Lehtipuu/Brindley Sherratt/English Baroque Soloists/Monteverdi Choir
Part III: Introduction and Recitative: Aus Rosenwolken bricht (Uriel)-Topi Lehtipuu/Mozarteum Orchestra Salzburg/Ivor Bolton
Disc 2 - Bona nox, bist a rechta Ox in A Major, K. 561-Sandrine Piau/Valérie Gabail/Frederic Caton/Topi Lehtipuu
Antonio Vivaldi: Catone in Utica, RV 705, Act III. Scenes IV-IX - Recitativo-Curtis Alan/Il Complesso Barocco/Ann Hallenberg/Topi Lehtipuu
Antonio Vivaldi: Catone in Utica, RV 705, Act II. Scene IX - Aria "Se in campo armato"-Curtis Alan/Il Complesso Barocco/Topi Lehtipuu/Roberta Mameli
Antonio Vivaldi: Catone in Utica, RV 705, Act I. Scenes X & XI - Recitativo-Curtis Alan/Il Complesso Barocco/Sonia Prina/Topi Lehtipuu
Antonio Vivaldi: Catone in Utica, RV 705, Act II. Scenes VIII & IX - Recitativo-Curtis Alan/Il Complesso Barocco/Sonia Prina/Topi Lehtipuu
Antonio Vivaldi: Catone in Utica, RV 705, Act I. Scenes III, IV & V - Recitativo-Curtis Alan/Il Complesso Barocco/Ann Hallenberg/Topi Lehtipuu
Ottone in villa, RV 729, Act II. Scene IV. : II. Su gl'occhi del tuo ben-Roberta Invernizzi/Sonia Prina/Julia Lezhneva/Topi Lehtipuu
Ottone in villa, RV 729, Act II. Scene I. : II. Come l'onda-Roberta Invernizzi/Sonia Prina/Julia Lezhneva/Topi Lehtipuu
Ottone in villa, RV 729, Act I. Scene VIII. : II. Il tuo pensiero è lusinghiero-Roberta Invernizzi/Sonia Prina/Julia Lezhneva/Topi Lehtipuu
Ottone in villa, RV 729, Act I. Scene VII. : II. Frema pur-Roberta Invernizzi/Sonia Prina/Julia Lezhneva/Topi Lehtipuu
Ottone in villa, RV 729, Act I. Scene V. : II. Chi seguir vuol la costanza-Roberta Invernizzi/Sonia Prina/Julia Lezhneva/Topi Lehtipuu
Ottone in villa, RV 729, Act II. Scene VII. : II. Tu vedrai-Roberta Invernizzi/Sonia Prina/Julia Lezhneva/Topi Lehtipuu
Ottone in villa, RV 729, Act I. Scene II. : I. Recitativo-Roberta Invernizzi/Sonia Prina/Julia Lezhneva/Topi Lehtipuu
Bajazet: Andiam Prence seuiamla-Topi Lehtipuu
Antonio Vivaldi: Bajazet - A suoi piedi padre asangue-Topi Lehtipuu/Diego Fasolis/I Barocchisti
Antonio Vivaldi: Mamud - Vinta a pie d'un dolce affetto-Topi Lehtipuu/Diego Fasolis/I Barocchisti
Antonio Vivaldi: Tito Manlio - Il figlio, il reo-Topi Lehtipuu/Diego Fasolis/I Barocchisti
Antonio Vivaldi: Tito Manlio - La fatal sentenza-Topi Lehtipuu/Diego Fasolis/I Barocchisti
Mass in B Minor, BWV 232 / Agnus Dei - J.S. Bach: Mass in B Minor, BWV 232 / Agnus Dei - Agnus Dei-The English Baroque Soloists/John Eliot Gardiner/Michael Chance/English Baroque Soloists/John Eliot Gardiner
Symphony No.29 in A, K.201 - Mozart: Symphony No.29 in A, K.201 - 2. Andante-English Baroque Soloists/John Eliot Gardiner/The English Baroque Soloists/John Eliot Gardiner
Jephtha, HWV 70 / Act 2 - Act 2 - "'Tis well. Haste, haste, ye maidens...Tune the soft melodious lute" (耶弗他，作品70 - 第二幕 - “好的。赶快，赶快，你们的女仆……给这柔软悠扬的鲁特琴调音”) (Live in Göttingen / 1988)-Lynne Dawson/Monteverdi Choir/The English Baroque Soloists/John Eliot Gardiner/The Monteverdi Choir/English Baroque Soloists/John Eliot Gardiner
Die Schöpfung, Hob. XXI:2 / Erster Teil - Haydn: Die Schöpfung, Hob. XXI:2 / Erster Teil - No. 10 Rezitativ: "Und die himmlischen Heerscharen verkündigten" (Uriel)-The English Baroque Soloists/John Eliot Gardiner/Michael Schade/English Baroque Soloists/John Eliot Gardiner
Agnus Dei-The Monteverdi Choir/Joanne Lunn/The English Baroque Soloists/John Eliot Gardiner/Sara Mingardo/John Eliot Gardiner/Topi Lehtipuu/Brindley Sherratt
No.24 Duet: "Thou in thy mercy"-The Monteverdi Choir/The English Baroque Soloists/John Eliot Gardiner/John Eliot Gardiner
Mass in B Flat - 'Theresienmesse', Hob.XXII:12 - Haydn: Mass in B Flat - 'Theresienmesse', Hob.XXII:12 - Quoniam (你是唯一的神)-Donna Brown/The Monteverdi Choir/Sally Bruce-Payne/The English Baroque Soloists/John Eliot Gardiner/Peter Butterfield/Gerald Finley/Monteverdi Choir/English Baroque Soloists
Mass in B Flat - 'Theresienmesse', Hob.XXII:12 - Haydn: Mass in B Flat - 'Theresienmesse', Hob.XXII:12 - Gratias-Donna Brown/The Monteverdi Choir/Sally Bruce-Payne/The English Baroque Soloists/John Eliot Gardiner/Peter Butterfield/Gerald Finley/Monteverdi Choir/English Baroque Soloists
Solomon HWV 67 / Act 3 - Handel: Solomon HWV 67 / Act 3 - "Praise the Lord"-Monteverdi Choir/The Monteverdi Choir/The English Baroque Soloists/John Eliot Gardiner/English Baroque Soloists/John Eliot Gardiner
St. John Passion, BWV 245 / Part One - J.S. Bach: St. John Passion, BWV 245 / Part One - No.11 Choral: "Wer hat dich so geschlagen"-The Monteverdi Choir/English Baroque Soloists/John Eliot Gardiner/The English Baroque Soloists/John Eliot Gardiner/Monteverdi Choir
St. Matthew Passion, BWV 244 / Part Two - No.60 Aria (Alto, Chorus II): "Sehet, Jesus hat die Hand" - "Wohin?"-The Monteverdi Choir/The English Baroque Soloists/John Eliot Gardiner/John Eliot Gardiner
Quanto fa, quanto puote...L'alma mia fra le tempeste-The English Baroque Soloists/John Eliot Gardiner/The English Baroque Soloists/John Eliot Gardiner
Piega pur del mio cor...Bel piacer-Donna Brown/The English Baroque Soloists/John Eliot Gardiner/The English Baroque Soloists/John Eliot Gardiner
Per dar la pace al core-The English Baroque Soloists/John Eliot Gardiner/The English Baroque Soloists/John Eliot Gardiner
Dunque noi siam traditi?-The English Baroque Soloists/John Eliot Gardiner/The English Baroque Soloists/John Eliot Gardiner
Ho un non so nel cor-The English Baroque Soloists/John Eliot Gardiner/The English Baroque Soloists/John Eliot Gardiner
Die Schöpfung, Hob. XXI:2 - Zweiter Teil - No. 17 Rezitativ: "Und Gott schuf große Walfische" (Raphael) (创世纪，作品21之2 - 第二部分 - 第17首 宣叙调：“上帝创造了鲸”（拉斐尔）)-The English Baroque Soloists/John Eliot Gardiner/Gerald Finley/English Baroque Soloists/John Eliot Gardiner
Die Zauberflöte, K.620 / Act 1 - Mozart: Die Zauberflöte, K.620 / Act 1 - Der Vogelfänger bin ich ja (Papageno)-The English Baroque Soloists/John Eliot Gardiner/Gerald Finley/English Baroque Soloists/John Eliot Gardiner
Die Zauberflöte, K.620 / Act 2 - Mozart: Die Zauberflöte, K.620 / Act 2 - "Papagena! Weibchen! Täubchen!" - "Pa-pa-gena!" / "Pa- pa-geno!" (Papageno, Die drei Knaben, Papagena / Papageno, Papagena)-The English Baroque Soloists/John Eliot Gardiner/Andreas Dieterich/Florian Wöller/Jan Andreas Mendel/Gerald Finley/Constanze Backes/English Baroque Soloists
Die Entführung aus dem Serail, K.384 / Act 1 - Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Herr, geschwind auf die Seite" - Marsch-The English Baroque Soloists/John Eliot Gardiner/Uwe Peper/English Baroque Soloists/John Eliot Gardiner
Péchés de vieillesse - La notte del Santo Natale-Brindley Sherratt
Semele, HWV 58: Act III Scene 8: See from above the bellying clouds descend (Cadmus)-Brindley Sherratt
Semele, HWV 58: Act I Scene 1: Why dost thou thus untimely grieve (Cadmus)-Brindley Sherratt
Macbeth (1865 version) (Sung in English): Act I Scene 1, A Wood: A double prophecy comes to fruition (Macbeth, Banquo, Messenger)-Simon Keenlyside/Brindley Sherratt
Macbeth (1865 version) (Sung in English): Act I Scene 2, A Hall in Macbeth's Castle: Scene and Sextet - Finale I: 'I must hurry; he bade me wake him early (Macduff, Banquo)-Gwyn Hughes Jones/Brindley Sherratt
Macbeth (1865 version) (Sung in English): Act I Scene 2, A Hall in Macbeth's Castle: Hell is gaping in horror and terror (All)-Simon Keenlyside/Brindley Sherratt/Latonia Moore/Elizabeth Llewellyn/Gwyn Hughes Jones/Ben Johnson
Part II: The Appearances to the Disciples (Soprano, Alto, Christus, Tenor, Baritone)-Brindley Sherratt/Synergy Vocals/Hebrides Ensemble/William Conway
Part II: The Appearance to Mary of Magdala (Alto, Tenor, Baritone, Soprano, Christus)-Brindley Sherratt/Synergy Vocals/Hebrides Ensemble/William Conway
Macbeth (1865 version) (Sung in English) - Act II Scene 2, A Park: Black is the night, as black as death (Banquo)-Brindley Sherratt/English National Opera Orchestra/Edward Gardner
Macbeth (1865 version) (Sung in English) - Act II Scene 2, A Park: Grand Scene: My son, be wary, be cautious! (Banquo)-Brindley Sherratt/English National Opera Orchestra/Edward Gardner
Macbeth (1865 version) (Sung in English) - Act I Scene 2, A Hall in Macbeth's Castle: Hell is gaping in horror and terror (All)-Simon Keenlyside/Brindley Sherratt/Latonia Moore/Elizabeth Llewellyn
Macbeth (1865 version) (Sung in English) - Act I Scene 1, A Wood: Scene and Duet: Strange that this glorious day is drowned in darkness! (Macbeth, Banquo, Witches)-Simon Keenlyside/Brindley Sherratt/English National Opera Chorus/English National Opera Orchestra
Serse (Xerxes) HWV 40 - Act III Scene 11: Recitative: Se ne viene Ariodate (Serse, Ariodate)-Anna Stéphany/Brindley Sherratt/Early Opera Company Orchestra/Christian Curnyn
Serse (Xerxes) HWV 40 - Act III Scene 5: Aria: Del Ciel d'amore sorte si bella (Ariodate)-Brindley Sherratt/Early Opera Company Orchestra/Christian Curnyn
Serse (Xerxes) HWV 40 - Act III Scene 5: Recitative: Come gia vi accennammo (Serse, Ariodate)-Anna Stéphany/Brindley Sherratt/Early Opera Company Orchestra/Christian Curnyn
Serse (Xerxes) HWV 40 - Act II Scene 8: Recitative: Ariodate! (Serse, Ariodate)-Anna Stéphany/Brindley Sherratt/Early Opera Company Orchestra/Christian Curnyn
Semele, HWV 58 - Act III Scene 1: Leave me, loathsome light (Somnus)-Brindley Sherratt/Early Opera Company Orchestra/Christian Curnyn
Semele, HWV 58 - Act I Scene 1: Why dost thou thus untimely grieve (Cadmus)-Brindley Sherratt/Early Opera Company Orchestra/Christian Curnyn
Semele, HWV 58 - Act I Scene 1: Daughter, obey (Cadmus)-Brindley Sherratt/Early Opera Company Orchestra/Christian Curnyn
Credo-Topi Lehtipuu/The English Baroque Soloists/John Eliot Gardiner/Brindley Sherratt/The Monteverdi Choir/John Eliot Gardiner/English Baroque Soloists
费加罗的婚礼-John Eliot Gardiner
Handel: Water Music Suite No.2 in D, HWV 349 - 12. Alla hornpipe-English Baroque Soloists/John Eliot Gardiner
Gold und Silber, Op. 79 - Walzer (ワルツ)-Wiener Philharmoniker/John Eliot Gardiner
Christmas Oratorio, BWV. 248 - I. Chorus: "Jauchzet, frohlocket" (圣诞清唱剧，作品248 - 第一乐章 合唱：“飘柔，飘柔”)-English Baroque Soloists/John Eliot Gardiner/Monteverdi Choir
Dixit Dominus, HWV 232 - Handel: Dixit Dominus, HWV 232 - Die Torrente in via bibet-Angela Kazimierczuk/Katherine Fuge/Eberhard Wenzel/Monteverdi Choir/English Baroque Soloists/The Monteverdi Choir/John Eliot Gardiner
Le nozze di Figaro, K.492 / Act 1 - Mozart: Le nozze di Figaro, K.492 / Act 1 - "Non più andrai" (Le nozze di Figaro, K.492 / Act 1: フィガロノケッコン|Le nozze di Figaro, K.492 / Act 1: 歌劇 フィガロの結婚 もう飛ぶまいぞこの蝶々) (Live)-Bryn Terfel/English Baroque Soloists/John Eliot Gardiner
温馨八音盒-John Eliot Gardiner
"Erfreut euch, ihr Herzen" Cantata, BWV 66 - J.S. Bach: "Erfreut euch, ihr Herzen" Cantata, BWV 66 - Chorale "Halleluja! Des solln wir alle froh sein"-English Baroque Soloists/John Eliot Gardiner/The Monteverdi Choir/Monteverdi Choir
Es ist nicht Gesundes an meinem Leibe, BWV 25 - Aria: Offne meinen schlechten Liedern-Malin Hartelius/English Baroque Soloists/John Eliot Gardiner
Laudamus te (B小调弥撒曲，作品232号：我们赞美您)-Nancy Argenta/English Baroque Soloists/John Eliot Gardiner/Elizabeth Wilcock
Mass in B Minor, BWV 232 / Gloria - J.S. Bach: Mass in B Minor, BWV 232 / Gloria - Laudamus te-Nancy Argenta/English Baroque Soloists/John Eliot Gardiner/Elizabeth Wilcock
King Arthur Z628 Act 3 What Power Art Thou [Cold Genius]-John Eliot Gardiner
Bleib bei uns, denn es will Abend werden Cantata, BWV 6 - J.S. Bach: Bleib bei uns, denn es will Abend werden Cantata, BWV 6 - 1. Chor: Bleib bei uns, denn es will Abend werden-English Baroque Soloists/John Eliot Gardiner/Monteverdi Choir/The Monteverdi Choir
Gottes Zeit ist die allerbeste Zeit, Cantata BWV 106 - J.S. Bach: Gottes Zeit ist die allerbeste Zeit, Cantata BWV 106 - No. 1 Sonatina-English Baroque Soloists/John Eliot Gardiner
Les Brigands - Opra-Bouffe En 3 Actes. Livret D'Henri Meilhac & Ludovic Halvy - Acte II - Dialogues : Bravo ! C'est Trs Bien (Falsacappa, Fragoletto, Pietro)-John Eliot Gardiner
Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas - J.S. Bach: Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas - No. 8 Aria: "Großer Herr, o starker König"-Olaf Bar/Crispian Steele-Perkins克里斯皮安·斯蒂尔-珀金斯/Crispian Steele-Perkins/English Baroque Soloists/John Eliot Gardiner
Symphony No. 5 in C Minor, Op. 67 - Beethoven: Symphony No. 5 in C Minor, Op. 67 - I. Allegro con brio-Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
The Fairy Queen, Z. 629 / Act 1 - Purcell: The Fairy Queen, Z. 629 / Act 1 - Song In Two Parts: "Come, come, come, let us leave"-Eiddwen Harrhy/Stephen Varcoe/English Baroque Soloists/John Eliot Gardiner
Idomeneo, K.366 - "Il padre adorato" (克里特王依多美尼欧，作品366 - “我亲爱的父亲”)-Anne Sofie von Otter/English Baroque Soloists/John Eliot Gardiner
Le nozze di Figaro, K. 492 - Mozart: Le nozze di Figaro, K. 492 - Overture (序曲) (Live)-English Baroque Soloists/John Eliot Gardiner
3 Gesänge, Op. 42 - III. Darthulas Grabesgesang-John Eliot Gardiner/The Monteverdi Choir/Johannes Brahms
Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas - J.S. Bach: Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas - No. 5 Choral: "Wie soll ich dich empfangen" (바흐: 크리스마스 오라토리오 / 1부: 5번 당신을 어떻게 맞아야 하나이까|クリスマスオラトリオ: イカニシテカワレハナンジヲムカエマツリ|《クリスマス・オラトリオ》BWV 248 / 第1部 降誕節第1祝日用: 5. コラール：いかにしてかわれは汝を迎えまつり)-English Baroque Soloists/John Eliot Gardiner/Monteverdi Choir/The Monteverdi Choir
St. John Passion, BWV 245 / Part One - J.S. Bach: St. John Passion, BWV 245 / Part One - No. 2 Evangelista,Jesus,Chorus: "Jesus ging mit seinen Jüngern" - "Jesum von Nazareth" - "Jesus spricht zu ihnen" - "Jesum von Nazareth" - "Jesus antwortete"-Anthony Rolfe Johnson/Stephen Varcoe/Cornelius Hauptmann/English Baroque Soloists/John Eliot Gardiner/Monteverdi Choir/The Monteverdi Choir
O Maria Vernans Rosa-The Monteverdi Choir
Christum Wir Sollen Loben Schon Bwv 121 - Ii. Aria (Tenor) O Du Von Gott Erhohte Kreatur (Bach)-The Monteverdi Choir
9. Choral: "Wenn soll es doch geschehen"-English Baroque Soloists/John Eliot Gardiner/The Monteverdi Choir
Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas - J.S. Bach: Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas - No. 12 Chorale: "Brich an, o schönes Morgenlicht"-Monteverdi Choir/The Monteverdi Choir/English Baroque Soloists/John Eliot Gardiner
"What mean these doubtful fancies"-John Eliot Gardiner/The Monteverdi Choir/English Baroque Soloists
Requiem für Mignon aus Goethes "Wilhelm Meister", Op.98b For Soloists, Chorus And Orchestra-John Eliot Gardiner/The Monteverdi Choir/Orchestre Révolutionnaire et Romantique
"Why is my brother thus afflicted"-John Eliot Gardiner/The Monteverdi Choir/English Baroque Soloists
Cantata "Sehet, welch eine Liebe", BWV 64 - J.S. Bach: Cantata "Sehet, welch eine Liebe", BWV 64 - Chorale: Gute Nacht, o Wesen (唱诗班：晚安，存在)-English Baroque Soloists/John Eliot Gardiner/Monteverdi Choir/The Monteverdi Choir
Mass in B Minor, BWV 232 / Credo - J.S. Bach: Mass in B Minor, BWV 232 / Credo - Et expecto resurrectionem (复活)-English Baroque Soloists/John Eliot Gardiner/Monteverdi Choir/The Monteverdi Choir
Jephtha, HWV 70 / Act 2 - Act 2 - "How dark, O Lord, are Thy decrees!" (耶弗他，作品70 - 第二幕 - “多么黑暗，噢主，你的命令！”) (Live in Göttingen / 1988)-Monteverdi Choir/The Monteverdi Choir/The English Baroque Soloists/John Eliot Gardiner/English Baroque Soloists/John Eliot Gardiner
Jephtha, HWV 70 / Act 2 - Act 2 - "Welcome as the cheerful light" (耶弗他，作品70 - 第二幕 - “欢迎作为快乐的光芒”) (Live in Göttingen / 1988)-Lynne Dawson/Monteverdi Choir/The English Baroque Soloists/John Eliot Gardiner/The Monteverdi Choir/English Baroque Soloists/John Eliot Gardiner
Jephtha, HWV 70 / Act 1 - Act 1 - "I go. My soul, inspir'd by thy command...These labours past, how happy we!" (耶弗他，作品70 - 第一幕 - “我走了，我的灵魂，灵感来自你的命令……这些工作过去了，我们多么开心！) (Live in Göttingen / 1988)-Michael Chance/The English Baroque Soloists/John Eliot Gardiner/Lynne Dawson/Monteverdi Choir/The Monteverdi Choir/English Baroque Soloists/John Eliot Gardiner
Mass in C Major - Missa in tempore belli ("Paukenmesse"), Hob. XXII:9 - Haydn: Mass in C Major - Missa in tempore belli ("Paukenmesse"), Hob. XXII:9 - Credo: Et incarnatus est-The Monteverdi Choir/Joanne Lunn/The English Baroque Soloists/John Eliot Gardiner/Sara Mingardo/Topi Lehtipuu/Brindley Sherratt/Monteverdi Choir/English Baroque Soloists
Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas - J.S. Bach: Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas - No. 5 Choral: "Wie soll ich dich empfangen"-English Baroque Soloists/John Eliot Gardiner/Monteverdi Choir/The Monteverdi Choir
Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas - J.S. Bach: Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas - No. 12 Chorale: "Brich an, o schönes Morgenlicht"-Monteverdi Choir/The Monteverdi Choir/English Baroque Soloists/John Eliot Gardiner
Matthäus-Passion, BWV 244 / Zweiter Teil - J.S. Bach: Matthäus-Passion, BWV 244 / Zweiter Teil - No. 30 "Ach nun ist mein Jesu hin"-Anne Sofie von Otter/English Baroque Soloists/John Eliot Gardiner/Monteverdi Choir/The Monteverdi Choir/The London Oratory Junior Choir
Unser Mund Sei Voll Lachens Bwv 110 - Ii. Aria (Tenor) Ihr Gedanken Und Ihr Sinnen (Bach)-The Monteverdi Choir
St. John Passion, BWV 245 / Part One - J.S. Bach: St. John Passion, BWV 245 / Part One - No.3 Choral: "O große Lieb, o Lieb ohn' alle Maße"-English Baroque Soloists/John Eliot Gardiner/Monteverdi Choir/The Monteverdi Choir
The Fairy Queen, Z. 629 / Act 1 - Purcell: The Fairy Queen, Z. 629 / Act 1 - Rondeau-English Baroque Soloists/John Eliot Gardiner
Christmas Oratorio, BWV 248 / Part Five - For The 1st Sunday In The New Year - J.S. Bach: Christmas Oratorio, BWV 248 / Part Five - For The 1st Sunday In The New Year - No. 51 Terzetto: "Ach, wann wird die Zeit erscheinen?" (바흐: 크리스마스 오라토리오 / 5부: 51번 아, 그때는 언제 온는가|クリスマスオラトリオ: アア　ソノトキハイツアラワルルヤ|《クリスマス・オラトリオ》BWV 248 / 第5部 新年後の主日用: 51. 三重唱（ソプラノ、アルト、テノール）：ああ、その時はいつ現るるや？)-Nancy Argenta/Anne Sofie von Otter/Hans Peter Blochwitz/English Baroque Soloists/John Eliot Gardiner
No. 3, Choral: "Herzliebster Jesu, Was Hast Du Verbrochen" (第3首 合唱团：“耶稣，你做错了什么”)-English Baroque Soloists/John Eliot Gardiner/Michael Chance
J.S. Bach: Magnificat in D Major, BWV 243 - Aria: "Esurientes implevit bonis" (alto)-Charles Brett/English Baroque Soloists/John Eliot Gardiner
Idomeneo, re di Creta, K. 366 - "Accogli, o rè del mar" (克里特王依多美尼欧，作品366 - “噢，海洋的国王”)-Anthony Rolfe Johnson/English Baroque Soloists/John Eliot Gardiner/Monteverdi Choir
Gloria - Vivaldi: Gloria - Gloria in excelsis Deo-English Baroque Soloists/John Eliot Gardiner/The Monteverdi Choir
Le nozze di Figaro, K.492 / Act 1 - Mozart: Le nozze di Figaro, K.492 / Act 1 - "Ed aspettaste il giorno fissato a le sue nozze" (“你就一直到今天”)-Carlos Feller/Susan McCulloch/English Baroque Soloists/John Eliot Gardiner
Kommt, eilet und laufet, BWV 249, "Easter Oratorio" - Kommt, eilet und laufet, BWV 249, "Easter Oratorio": Sinfonia-English Baroque Soloists
Le nozze di Figaro, K.492 / Act 4 - Mozart: Le nozze di Figaro, K.492 / Act 4 - "Deh vieni, non tardar" (“来吧，我甜美的喜悦”)-Alison Hagley/English Baroque Soloists/John Eliot Gardiner
Christmas Oratorio, BWV. 248 - XVI. Recitative (Bass): "So geht denn hin, ihr Hirten, geht" (圣诞清唱剧，作品248 - 第十六乐章 宣叙调（低音）：“所以的话，你放牧，去”)-English Baroque Soloists/John Eliot Gardiner/Olaf Bar
Symphony No. 40 In G Minor, K.550 - Mozart: Symphony No. 40 In G Minor, K.550 - 4. Finale (Allegro assai) (G小调第40号交响曲，作品550 - 第四乐章 终曲 - 很快的快板)-English Baroque Soloists/John Eliot Gardiner
St. Matthew Passion, BWV. 244 - No. 64, Recitative (Bass): "Am Abend, Da Es Kühle War" (第64首 宣叙调（低音）：“在晚上，因为它是酷”)-English Baroque Soloists/John Eliot Gardiner/Cornelius Hauptmann
St. Matthew Passion, BWV. 244 - No. 8, Aria (Soprano): "Blute Nur, Du Liebes Herz" (第8首 咏叹调（女高音）：“只有血液，你爱的心”)-English Baroque Soloists/John Eliot Gardiner/Ann Monoyios
St. John Passion, BWV 245 / Part Two - J.S. Bach: St. John Passion, BWV 245 / Part Two - No.18 Evangelist, Pilatus, Jesus, Chorus, Evangelist: "Da sprach Pilatus zu ihnen"-Anthony Rolfe Johnson/Stephen Varcoe/Cornelius Hauptmann/English Baroque Soloists/John Eliot Gardiner/Monteverdi Choir/The Monteverdi Choir
10. Choral: "Jesus bleibet meine Freude"-Crispian Steele-Perkins/The Monteverdi Choir/English Baroque Soloists/John Eliot Gardiner
L'incoronazione di Poppea, SV 308 / Act II - Monteverdi: L'incoronazione di Poppea, SV 308 / Act II - Dorme, l'incauta dorme (波碧阿的加冕 - 他睡着了，不经意的睡着了)-Marinella Pennicchi/English Baroque Soloists/John Eliot Gardiner
No. 24, Evangelist, Jesus: "Und Er Kam Zu Seinen Jüngern" (第24首 福音，耶稣：“他们来到门徒那里”)-English Baroque Soloists/John Eliot Gardiner/Anthony Rolfe Johnson/Andreas Schmidt
Mass in B Minor, BWV 232 / Credo - J.S. Bach: Mass in B Minor, BWV 232 / Credo - Confiteor unum baptisma (忏悔祈祷)-English Baroque Soloists/John Eliot Gardiner/Monteverdi Choir/The Monteverdi Choir
Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2 - Mozart: Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2 - "Vedrai, carino" (唐·乔望尼，浪子终受罚，作品527 - “你会看到，可爱”) (Live)-Eirian James/English Baroque Soloists/John Eliot Gardiner