Sonata XV in C Major ‘The Coronation of the Virgin': Sonata – Aria with 3 doubles – Canzona – Sarabanda and double-Christina Day Martinson/Martin Pearlman/Boston Baroque

歌手 : Christina Day Martinson / Martin Pearlman / Boston Baroque
专辑 : Biber: The Mystery Sonatas
语种 : 纯音乐
时长 : 00:00

TXT Sonata XV in C Major ‘The Coronation of the Virgin': Sonata – Aria with 3 doubles – Canzona – Sarabanda and double-Christina Day Martinson/Martin Pearlman/Boston Baroque 文本歌词

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Sonata XV in C Major ‘The Coronation of the Virgin': Sonata – Aria with 3 doubles – Canzona – Sarabanda and double-Christina Day Martinson/Martin Pearlman/Boston Baroque 推荐歌曲

Sonata II in A Major ‘The Visitation': [Sonata] / Presto – Allamanda – Presto-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata III in B Minor ‘The Nativity': [Sonata] / Presto – Courente and double – Adagio-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata IV in D Minor ‘The Presentation of Jesus in the Temple': Ciacona with 12 variations-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata V in A Major ‘The Finding of Jesus in the Temple': Praeludium – Allamanda – Gigue – Sarabande and double-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata VI in C Minor ‘The Agony in the Garden': Lamento-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata VII in F Major ‘The Scourging of Jesus': Allamanda and variation – Sarabanda and 3 variations-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata VIII in B-Flat Major ‘The Crowning with Thorns': Sonata: Adagio / Presto – Gigue and 2 doubles-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata IX in A Minor ‘The Carrying of the Cross': Sonata – Courente and 2 doubles – Final-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata X in G Minor ‘The Crucifixion': Praeludium – Aria and 5 variations-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata XI in G Major ‘The Resurrection': Sonata – Hymn ‘Surrexit Christus hodie' and variations-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata XII in C Major ‘The Ascension': Intrada – Aria tubicinum – Allemanda – Courante and double-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata XIII in D Minor ‘The Descent of the Holy Ghost': Sonata – Gavotte – Gigue – Sarabanda-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata XIV in D Major ‘The Assumption of the Virgin': [Sonata] – Arias 1 and 2 – Gigue-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata XV in C Major ‘The Coronation of the Virgin': Sonata – Aria with 3 doubles – Canzona – Sarabanda and double-Christina Day Martinson/Martin Pearlman/Boston Baroque
Passacaglia in G Minor for solo violin-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata I in D Minor ‘The Annunciation': Praeludium – Aria and 2 variations – Finale-Christina Day Martinson/Martin Pearlman/Boston Baroque
Messiah: O thou that tellest good tidings to Zion - Alto Air & Chorus-Martin Pearlman/Boston Baroque
Sonata IX in A Minor ‘The Carrying of the Cross': Sonata – Courente and 2 doubles – Final-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata V in A Major ‘The Finding of Jesus in the Temple': Praeludium – Allamanda – Gigue – Sarabande and double-Christina Day Martinson/Martin Pearlman/Boston Baroque
Messiah: Behold, and see if there be any sorrow - Tenor Arioso-Martin Pearlman/Boston Baroque
Messiah: And with His stripes we are healed - Chorus-Martin Pearlman/Boston Baroque
Messiah: His yoke is easy - Chorus-Martin Pearlman/Boston Baroque
Messiah: I know that my Redeemer liveth - Soprano Air-Martin Pearlman/Boston Baroque
Messiah: Behold, I tell you a mystery - Bass Recitative-Martin Pearlman/Boston Baroque
Messiah: The trumpet shall sound - Bass Air-Martin Pearlman/Boston Baroque
Messiah: The people that walked in darkness - Bass Air-Martin Pearlman/Boston Baroque
Messiah: O death, where is thy sting? - Alto & Tenor Duet-Martin Pearlman/Boston Baroque
Messiah: But thanks be to God - Chorus-Martin Pearlman/Boston Baroque
Messiah: Why do the nations? - Bass Air-Martin Pearlman/Boston Baroque
Messiah: Their sound is gone out - Chorus-Martin Pearlman/Boston Baroque
Messiah: He shall feed His flock like a shepherd - Alto & Soprano Air-Martin Pearlman/Boston Baroque
Messiah: For behold, darkness shall cover the earth - Bass Recitative-Martin Pearlman/Boston Baroque
Messiah: Unto which of the angels - Tenor Recitative-Martin Pearlman/Boston Baroque
Messiah: Lift up your heads - Chorus-Martin Pearlman/Boston Baroque
Messiah: And the glory of the Lord - Chorus-Martin Pearlman/Boston Baroque
Messiah: Sinfonia-Martin Pearlman/Boston Baroque
Suite No. 2 in B Minor, Badinerie-Boston Baroque
Messiah: Every valley shall be exhalted - Tenor Air-Martin Pearlman/Boston Baroque
Sonata VIII in B-Flat Major ‘The Crowning with Thorns': Sonata: Adagio / Presto – Gigue and 2 doubles-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata IX in A Minor ‘The Carrying of the Cross': Sonata – Courente and 2 doubles – Final-Christina Day Martinson/Martin Pearlman/Boston Baroque
Passacaglia in G Minor for solo violin-Christina Day Martinson/Martin Pearlman/Boston Baroque
Sonata V in A Major ‘The Finding of Jesus in the Temple': Praeludium – Allamanda – Gigue – Sarabande and double-Christina Day Martinson/Martin Pearlman/Boston Baroque
Messiah: Thus saith the Lord - Bass Recitative-Martin Pearlman/Boston Baroque
Messiah: All we like sheep - Chorus-Martin Pearlman/Boston Baroque
Messiah: For unto us a Child is born - Chorus-Martin Pearlman/Boston Baroque
Messiah: He that dwelleth in heaven - Tenor Recitative-Martin Pearlman/Boston Baroque
Messiah: Why do the nations? - Bass Air-Martin Pearlman/Boston Baroque
Messiah: I know that my Redeemer liveth - Soprano Air-Martin Pearlman/Boston Baroque
Messiah: Then shall be brought to pass - Alto Recitative-Martin Pearlman/Boston Baroque
Messiah: For behold, darkness shall cover the earth - Bass Recitative-Martin Pearlman/Boston Baroque
Messiah: Let all the angels of God worship Him - Chorus-Martin Pearlman/Boston Baroque
Messiah: Glory to God - Chorus-Martin Pearlman/Boston Baroque
Messiah: Behold, a virgin shall conceive - Alto Recitative-Martin Pearlman/Boston Baroque
Messiah: Unto which of the angels - Tenor Recitative-Martin Pearlman/Boston Baroque
Messiah: And suddenly there was with the angel - Soprano Recitative-Martin Pearlman/Boston Baroque
Messiah: Comfort ye, my people - Tenor Recitative-Martin Pearlman/Boston Baroque
Biber: The Mystery Sonatas

Biber: The Mystery Sonatas专辑下载

（2018-04-27）
Sonata I in D Minor ‘The Annunciation': Praeludium – Aria and 2 variations – Finale
Sonata II in A Major ‘The Visitation': [Sonata] / Presto – Allamanda – Presto
Sonata III in B Minor ‘The Nativity': [Sonata] / Presto – Courente and double – Adagio
Sonata IV in D Minor ‘The Presentation of Jesus in the Temple': Ciacona with 12 variations
Sonata V in A Major ‘The Finding of Jesus in the Temple': Praeludium – Allamanda – Gigue – Sarabande and double
Sonata VI in C Minor ‘The Agony in the Garden': Lamento
Sonata VII in F Major ‘The Scourging of Jesus': Allamanda and variation – Sarabanda and 3 variations
Sonata VIII in B-Flat Major ‘The Crowning with Thorns': Sonata: Adagio / Presto – Gigue and 2 doubles
Sonata IX in A Minor ‘The Carrying of the Cross': Sonata – Courente and 2 doubles – Final
Sonata X in G Minor ‘The Crucifixion': Praeludium – Aria and 5 variations
Sonata XI in G Major ‘The Resurrection': Sonata – Hymn ‘Surrexit Christus hodie' and variations
Sonata XII in C Major ‘The Ascension': Intrada – Aria tubicinum – Allemanda – Courante and double
Sonata XIII in D Minor ‘The Descent of the Holy Ghost': Sonata – Gavotte – Gigue – Sarabanda
Sonata XIV in D Major ‘The Assumption of the Virgin': [Sonata] – Arias 1 and 2 – Gigue
Passacaglia in G Minor for solo violin