Anything Goes, Act I: You're the top (Billy, Reno)-Kim Criswell
歌手 : Kim Criswell
语种 : 英语
时长 : 02:28
Act I Billy Crocker, a young Wall Street broker, has fallen in love at first sight with a beautiful girl he met in a taxi. His boss, Elisha J. Whitney, is preparing to make a business deal and is going to travel to London aboard the SS American. Evangelist turned nightclub singer Reno Sweeney will be traveling aboard the same ship. Billy sees Reno as a friend, but she obviously has feelings for him ("I Get A Kick Out of You"). Billy goes to the dock to say farewell to his boss and Reno ("Bon Voyage"), and glimpses the mysterious girl again. He learns that she is heiress Hope Harcourt and, escorted by her mother, Mrs. Harcourt, is on her way to England with her fiancé Lord Evelyn Oakleigh, a handsome but stuffy and hapless British nobleman. Billy stows away on the ship in hopes of winning Hope's heart. "Moonface" Martin, a second-rate gangster labeled "Public Enemy 13," and his girlfriend, Bonnie, have disguised themselves as a minister and a missionary and, innocently aided by Billy, board the ship under their assumed identities, stranding the ship's real chaplain back at the port. Moonface and Bonnie mistakenly leave behind their leader, "Snake Eyes" Johnson, Public Enemy 1.To thank Billy, Bonnie and Moonface let him have Snake Eyes Johnson's passport and ticket without telling him to whom they belong. Billy cons Evelyn into leaving him alone with Hope, by convincing him he is very ill. When he goes to get some air, Billy and Hope meet again, and it turns out she has been unable to stop thinking about him as well ("All Through The Night"). Though Hope prefers Billy, she insists she must marry Evelyn, though she gives no reason. Unbeknownst to Billy, her family's company is in financial trouble and a marriage to Evelyn would promote a merger and save it. The ship's crew gets a cable from New York saying that Public Enemy 1 is on board. Moonface admits his true identity to Billy and he and Bonnie conspire to disguise Billy as a crew member since he is now presumed to be Snake Eyes Johnson.A quartet of lovelorn sailors comfort themselves with the thought of romance when they reach shore ("There'll Always Be a Lady Fair"). On deck, Bonnie lures the sailors to her ("Where Are The Men?"), then steals the clothes of one of the men for Billy.Hope discusses her impending marriage with Evelyn and discovers that he is not particularly pleased with the engagement either. Billy asks Reno to help separate Evelyn and Hope, and she agrees. Billy and Reno reaffirm their friendship, ("You're the Top"). Reno tries to charm Evelyn, she succeeds, and he invites her for a drink in his cabin. She and Moon plot that Moon should burst into the cabin and discover Reno half-naked in Evelyn's arms, providing sufficient reason for breaking off the engagement. However, when Moon breaks into the room, machine gun in tow, he instead sees Reno fully dressed and Evelyn nearly undressed. Moon tries to invent some indecent explanation for the situation, but Evelyn insists that he would be quite pleased by any rumor depicting him as a passionate lover, especially if Hope heard it. Moon admits that the plot has failed.The crew discover that Billy is not a sailor, and Moon and Reno create a new disguise for him from a stolen pair of trousers, a jacket taken from a drunken passenger, and hair cut from Mrs. Harcourt's Pomeranian and made into a beard. Reno tells Billy that Evelyn has kissed her, and she is sure she will be Lady Oakleigh soon, since love moves so quickly these days ("Anything Goes"). Mrs. Harcourt, recognizing her dog's hair, angrily pulls off Billy's beard and the crew and passengers realize he must be the wanted man. As Snake Eyes Johnson, Billy is an instant celebrity.
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TXT Anything Goes, Act I: You're the top (Billy, Reno)-Kim Criswell 文本歌词
At words poetic, I'm so pathetic
That I always have found it best
Instead of getting them off my chest
To let 'em rest unexpressed
I hate parading my serenading
As I probably miss the bar
But if this ditty is not so pretty
At least it'll tell you how great you are
You're the top, you're the Coliseum
You're the top, you're the Louver Museum
You're a melody from a symphony by Strauss
You're a Bendel bonnet, a Shakespeare's sonnet
You're Mickey Mouse
You're the Nile, you're the Tower of Pisa
You're the smile on the Mona Lisa
I'm a worthless check, a total wreck, a flop
But if baby, I'm the bottom, you're the top
You're the top, you're Mahatma Gandhi
You're the top, you're Napoleon Brandy
You're the purple light of a summer night in Spain
You're the National Gallery, you're Garbo's salary
You're cellophane
You're sublime, you're the turkey dinner
You're the time of the Derby winner
I'm a toy balloon that's fated soon to pop
But if baby, I'm the bottom, you're the top
You're the top, you're an arrow collar
You're the top, you're a Coolidge dollar
You're the nimble tread of the feet of Fred Astaire
You're an O'Neill drama, you're Whistler's mama
You're Camembert
You're , you're Inferno's Dante
You're the nose on the great Durante
I'm just in the way as the French would say, "De trop"
But if baby, I'm the bottom, you're the top
You're the top, you're the Waldorf salad
You're the top, you're a Berlin ballad
You're the basic grand of a lady and the gents
You're an old Dutch master, you're Mrs. Astor
You're Pepsodent
You're romance, you're the steps of Russia
You're the pants on a Roxy usher
I'm a lazy lout with just about to stop
But if baby, I'm the bottom, you're the top