The Importance of Being Earnest, Act I - Did You Hear What I Was Playing? (Live) (杰拉尔德·巴里：不可儿戏：第一幕：你听到我被打？) (Live)-Joshua Bloom/Benjamin Bevan/Peter Tantsits/Hilary Summers/Alan Ewing/Matt Durkan

歌手 : Joshua Bloom / Benjamin Bevan / Peter Tantsits / Hilary Summers / Alan Ewing / Matt Durkan
专辑 : Gerald Barry: The Importance of Being Earnest (Live) (杰拉尔德·巴里：不可儿戏)
语种 : 英语
时长 : 04:36

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The Importance of Being Earnest, Act I - Did You Hear What I Was Playing? (Live) (杰拉尔德·巴里：不可儿戏：第一幕：你听到我被打？) (Live)-Joshua Bloom/Benjamin Bevan/Peter Tantsits/Hilary Summers/Alan Ewing/Matt Durkan 推荐歌曲

The Importance of Being Earnest, Act I - Did You Hear What I Was Playing? (Live) (杰拉尔德·巴里：不可儿戏：第一幕：你听到我被打？) (Live)-Joshua Bloom/Benjamin Bevan/Peter Tantsits/Hilary Summers/Alan Ewing/Matt Durkan
The Importance of Being Earnest, Act II - Cecily, Ever Since I Looked (Live) (杰拉尔德·巴里：不可儿戏：第二幕：塞西莉，自从我看了) (Live)-Joshua Bloom/Barbara Hannigan/Benjamin Bevan/Birmingham Contemporary Music Group/Thomas Adès/Gerald Barry
The Importance of Being Earnest, Act II - You Must Not Laugh at Me (Live) (杰拉尔德·巴里：不可儿戏：第二幕：你千万不要笑我) (Live)-Barbara Hannigan/Joshua Bloom/Birmingham Contemporary Music Group/Thomas Adès/Gerald Barry/Oscar Wilde
The Importance of Being Earnest, Act III - Pretty Child! (Live) (杰拉尔德·巴里：不可儿戏：第三幕：可人儿！) (Live)-Alan Ewing/Joshua Bloom/Barbara Hannigan/Birmingham Contemporary Music Group/Thomas Adès/Gerald Barry
The Importance of Being Earnest, Act II - And This Is What You Call Bunburying!? (Live) (杰拉尔德·巴里：不可儿戏：第二幕：这就是你所谓的观光旅行！？) (Live)-Peter Tantsits/Joshua Bloom/Birmingham Contemporary Music Group/Thomas Adès/Gerald Barry/Oscar Wilde
The Importance of Being Earnest, Act I - Will You Stop!! (Live) (杰拉尔德·巴里：不可儿戏：第一幕：您将停止！) (Live)-Peter Tantsits/Joshua Bloom/Benjamin Bevan/Katalin Karolyi/Birmingham Contemporary Music Group/Thomas Adès
Missa solemnis, Op. 123 - IVa. Sanctus. Sanctus - Pleni sunt cœli - Osanna-James Gilchrist/Ann-Helen Moen/Benjamin Bevan/Roxana Constantinescu
The Importance of Being Earnest, Act I - Did You Hear What I Was Playing? (Live) (杰拉尔德·巴里：不可儿戏：第一幕：你听到我被打？) (Live)-Joshua Bloom/Benjamin Bevan/Peter Tantsits/Hilary Summers/Alan Ewing/Matt Durkan
Missa solemnis, Op. 123 - IIc. Gloria. Quoniam-James Gilchrist/Ann-Helen Moen/Benjamin Bevan/Roxana Constantinescu
Missa solemnis, Op. 123 - I. Kyrie-James Gilchrist/Ann-Helen Moen/Benjamin Bevan/Roxana Constantinescu
Missa solemnis, Op. 123 - Va. Agnus Dei. Agnus Dei-James Gilchrist/Ann-Helen Moen/Benjamin Bevan/Roxana Constantinescu
Music for Comus, HWV 44 - Air: There sweetest flowers of mingled hue-Benjamin Bevan/London Early Opera/Eleanor Dennis/Claire Bessent
Music for Comus, HWV 44 - Chorus: Happy, happy, happy plains!-Benjamin Bevan/London Early Opera/Eleanor Dennis/Claire Bessent
Music for Comus, HWV 44 - Air: There youthful Cupid, high advanc'd-Benjamin Bevan/London Early Opera/Eleanor Dennis/Claire Bessent
A Loyal Song, "God save great George Ye king"-Bridget Cunningham/London Early Opera/Charles MacDougall/Benjamin Bevan
The Farewel to Vaux Hall-Benjamin Bevan/London Early Opera/Greg Tassell/Claire Bessent
Music for Comus, HWV 44 - Air: There in blissful shades and bow'rs-Benjamin Bevan/London Early Opera/Eleanor Dennis/Claire Bessent
Se tu non lasci amore, HWV 201a: Se tu non lasci amore-Mary Bevan/Benjamin Bevan/George Friedrich Handel/Bridget Cunningham
Quel fior che all'alba ride in B-Flat Major, HWV 192: È'un fior la vita-Mary Bevan/Benjamin Bevan/George Friedrich Handel/Bridget Cunningham
Aci, Galatea e Polifemo, HWV 72: Precipitoso nel mar che freme-Benjamin Bevan/Bridget Cunningham/London Early Opera/George Friedrich Handel
Dalla guerra amorosa in B-Flat Major, HWV 102a: Fuggite, sì fuggite, a che serve d'amor-Benjamin Bevan/Bridget Cunningham/London Early Opera/George Friedrich Handel
Dalla guerra amorosa in B-Flat Major, HWV 102a: La belezza è come un fiore-Benjamin Bevan/Bridget Cunningham/London Early Opera/George Friedrich Handel
Dalla guerra amorosa in B-Flat Major, HWV 102a: Non v'alletti un occhio nero-Benjamin Bevan/Bridget Cunningham/London Early Opera/George Friedrich Handel
Quel fior che all'alba ride in B-Flat Major, HWV 192: Quel fior che all' alba ride-Mary Bevan/Benjamin Bevan/George Friedrich Handel/Bridget Cunningham
Dalla guerra amorosa in B-Flat Major, HWV 102a: Dalla guerra amorosa-Benjamin Bevan/Bridget Cunningham/London Early Opera/George Friedrich Handel
The Importance of Being Earnest, Act I - Freude, schöner Götterfunken (Live) (杰拉尔德·巴里：不可儿戏：第一幕：欢乐，诸神的美丽火花) (Live)-Benjamin Bevan/Alan Ewing/Joshua Bloom/Katalin Karolyi/Peter Tantsits/Birmingham Contemporary Music Group
The Importance of Being Earnest, Act III - I Am Miss Cardew's Guardian (Live) (杰拉尔德·巴里：不可儿戏：第三幕：我是卡杜小姐的守护者) (Live)-Peter Tantsits/Alan Ewing/Joseph Hart/Birmingham Contemporary Music Group/Thomas Adès/Gerald Barry
The Importance of Being Earnest, Act I - Miss Fairfax, Ever Since I Met You (Live) (杰拉尔德·巴里：不可儿戏：第一幕：费尔法克斯小姐，自从我遇见了你) (Live)-Peter Tantsits/Katalin Karolyi/Birmingham Contemporary Music Group/Thomas Adès/Gerald Barry/Oscar Wilde
The Importance of Being Earnest, Act I - Will You Stop!! (Live) (杰拉尔德·巴里：不可儿戏：第一幕：您将停止！) (Live)-Peter Tantsits/Joshua Bloom/Benjamin Bevan/Katalin Karolyi/Birmingham Contemporary Music Group/Thomas Adès
The Importance of Being Earnest, Act II - Mister Worthing! (Live) (杰拉尔德·巴里：不可儿戏：第二幕：沃辛先生！) (Live)-Joseph Hart/Peter Tantsits/Barbara Hannigan/Joshua Bloom/Birmingham Contemporary Music Group/Thomas Adès
The Importance of Being Earnest, Act III - But Where Did You Deposit the Handbag? (Live) (杰拉尔德·巴里：不可儿戏：第三幕：但是，你在哪里存款手袋？) (Live)-Peter Tantsits/Hilary Summers/Katalin Karolyi/Birmingham Contemporary Music Group/Thomas Adès/Gerald Barry
The Importance of Being Earnest, Act III - Lady Bracknell, Who Am I? (Live) (杰拉尔德·巴里：不可儿戏：第三幕：布拉克内尔夫人，我是谁？) (Live)-Peter Tantsits/Alan Ewing/Joshua Bloom/Katalin Karolyi/Barbara Hannigan/Birmingham Contemporary Music Group
The Importance of Being Earnest, Act II - And This Is What You Call Bunburying!? (Live) (杰拉尔德·巴里：不可儿戏：第二幕：这就是你所谓的观光旅行！？) (Live)-Peter Tantsits/Joshua Bloom/Birmingham Contemporary Music Group/Thomas Adès/Gerald Barry/Oscar Wilde
The Importance of Being Earnest, Act III - Mister Worthing, Is Miss Cardew (Live) (杰拉尔德·巴里：不可儿戏：第三幕：沃辛先生，是卡杜小姐) (Live)-Alan Ewing/Peter Tantsits/Birmingham Contemporary Music Group/Thomas Adès/Gerald Barry/Oscar Wilde
The Importance of Being Earnest, Act I - Are Your Parents Living? (Live) (杰拉尔德·巴里：不可儿戏：第一幕：是你的父母还健在？) (Live)-Alan Ewing/Peter Tantsits/Birmingham Contemporary Music Group/Thomas Adès/Gerald Barry/Oscar Wilde
The Importance of Being Earnest, Act I - I Feel Bound to Tell You (Live) (杰拉尔德·巴里：不可儿戏：第一幕：我认为必须告诉你) (Live)-Alan Ewing/Peter Tantsits/Birmingham Contemporary Music Group/Thomas Adès/Gerald Barry/Oscar Wilde
The Importance of Being Earnest, Act I - Lady Bracknell and Miss Fairfax (Live) (杰拉尔德·巴里：不可儿戏：第一幕：布拉克内尔夫人和小姐费尔法克斯) (Live)-Benjamin Bevan/Alan Ewing/Joshua Bloom/Katalin Karolyi/Peter Tantsits/Birmingham Contemporary Music Group
The Importance of Being Earnest, Act I - What Should I Do? (Reprise) [Live] (杰拉尔德·巴里：不可儿戏：第一幕：我该怎么办？) (Reprise|Live)-Peter Tantsits/Alan Ewing/Birmingham Contemporary Music Group/Thomas Adès/Gerald Barry/Oscar Wilde
Boulez: Le Marteau sans Maître - "Bel édifice et les pressentiments", double-Hilary Summers/Ensemble Intercontemporain/Pierre Boulez
Handel: Messiah - First version of 1752; edited by Donald Burrows - Part 1 - 5. Air: But who may abide the day of his coming-Hilary Summers/The Brandenburg Consort/Stephen Cleobury
How do I know you know?-Michael Nyman/Winnie Bowe/Marie Angel/Hilary Summers
Rape of Lucretia, Act I, Scene II: Listen! I heard a knock-Aldeburgh Festival Ensemble/Oliver Knussen/Angelika Kirchschlager/Hilary Summers
Boulez: Le Marteau sans Maître - Commentaire III de "Bourreaux de solitude"-Hilary Summers/Ensemble Intercontemporain/Pierre Boulez
Forgive me (原谅我)-Michael Nyman/Winnie Bowe/Marie Angel/Hilary Summers
How can you be so stupid?-Michael Nyman/Winnie Bowe/Marie Angel/Hilary Summers
Le Marteau sans Maître - Boulez: Le Marteau sans Maître - Bourreaux de solitude. Assez lent-Hilary Summers/West-Eastern Divan Orchestra/Pierre Boulez
Rape of Lucretia, Act II, Scene II: This dead hand lets fall-Aldeburgh Festival Ensemble/Oliver Knussen/Claire Booth/Hilary Summers
Commentaire III de "Bourreaux de solitude" (孤独的刽子手注释之3)-Hilary Summers/Ensemble Intercontemporain/Pierre Boulez
Avant - l'Artisanat furieux (疯狂的手艺人之前)-Hilary Summers/Ensemble Intercontemporain/Pierre Boulez
The sequence of the gene-Michael Nyman/Winnie Bowe/Marie Angel/Hilary Summers
And Goya cried-Michael Nyman/Winnie Bowe/Marie Angel/Hilary Summers
Tortured prisoner-Michael Nyman/Winnie Bowe/Marie Angel/Hilary Summers
Leo: Mass on Second Sunday in Lent - Intellige clamorem meum (Communion)-Sandrine Piau/Hilary Summers
Leo: Mass on Ash Wednesday - Misereris omnium, Domine (Introit)-Sandrine Piau/Hilary Summers
Leo: Mass on Ash Wednesday - Miserere mei Deus (Gradual)-Sandrine Piau/Hilary Summers
A Midsummer Night's Dream. Opera in Three Acts, Op.64 - Act 3 - "Now, fair Hippolyta"-Paul Whelan/Ruby Philogene/Brian Bannatyne-Scott/Hilary Summers
Handel: Messiah - First version of 1752; edited by Donald Burrows - Part 2 - 34a. Air: Thou art gone up on high-Hilary Summers/The Brandenburg Consort/Stephen Cleobury
Handel: Messiah - First version of 1752; edited by Donald Burrows - Part 1 - 7. Recitative: Behold, a virgin shall conceive-Hilary Summers/The Brandenburg Consort/Stephen Cleobury
Cor mio, deh, non languire(Adriano Banchieri)-Alan Ewing/Emma Kirkby/Anthony Rooley
Recitativo "In tal modi si premia" (Live)-Alan Ewing/Guido Larisch/Michel Maldonado/Pascal Monteilhet/Jory Vinikour/Mirella Giardelli
Giulio Cesare in Egitto HWV 17 / Atto primo - No.15 Aria "Tu sei il cor di questo core"(Live) (Live)-Alan Ewing/Les Musiciens du Louvre/Marc Minkowski
Recitativo "Cesare, alla tua destra" (Live)-Marijana Mijanovic/Bejun Mehta/Alan Ewing/Guido Larisch/Michel Maldonado/Pascal Monteilhet
Recitativo "Bella, placa lo sdegno!" (Live)-Charlotte Hellekant/Bejun Mehta/Alan Ewing/Guido Larisch/Michel Maldonado/Pascal Monteilhet
Giulio Cesare in Egitto HWV 17 / Atto terzo - No.30 Aria "Dal fulgor di questa spada"(Live) (Live)-Alan Ewing/Les Musiciens du Louvre/Marc Minkowski
Les Noces (The Wedding) - Scene 1: The Tresses (At the Bride's House)-Susan Bickley/Martyn Hill/Alan Ewing/Alison Wells
Voyna I Mir, Op. 91 - Scene 8: There is no people greater than ours-Alan Ewing/Richard Hickox
Voyna I Mir, Op. 91 - Scene 10: When, oh when was this dreadful business decided?-Alan Ewing/Richard Hickox
Voyna I Mir, Op. 91 - Scene 13: The enemy has been put to rout-Alan Ewing/Richard Hickox
The Importance of Being Earnest, Act III - Pretty Child! (Live) (杰拉尔德·巴里：不可儿戏：第三幕：可人儿！) (Live)-Alan Ewing/Joshua Bloom/Barbara Hannigan/Birmingham Contemporary Music Group/Thomas Adès/Gerald Barry
The Importance of Being Earnest, Act I - I Feel Bound to Tell You (Live) (杰拉尔德·巴里：不可儿戏：第一幕：我认为必须告诉你) (Live)-Alan Ewing/Peter Tantsits/Birmingham Contemporary Music Group/Thomas Adès/Gerald Barry/Oscar Wilde
The Importance of Being Earnest, Act III - Mister Worthing, Is Miss Cardew (Live) (杰拉尔德·巴里：不可儿戏：第三幕：沃辛先生，是卡杜小姐) (Live)-Alan Ewing/Peter Tantsits/Birmingham Contemporary Music Group/Thomas Adès/Gerald Barry/Oscar Wilde
The Importance of Being Earnest, Act I - Freude, schöner Götterfunken (Live) (杰拉尔德·巴里：不可儿戏：第一幕：欢乐，诸神的美丽火花) (Live)-Benjamin Bevan/Alan Ewing/Joshua Bloom/Katalin Karolyi/Peter Tantsits/Birmingham Contemporary Music Group
The Importance of Being Earnest, Act I - Are Your Parents Living? (Live) (杰拉尔德·巴里：不可儿戏：第一幕：是你的父母还健在？) (Live)-Alan Ewing/Peter Tantsits/Birmingham Contemporary Music Group/Thomas Adès/Gerald Barry/Oscar Wilde
The Importance of Being Earnest, Act III - Miss Prism! (Live) (杰拉尔德·巴里：不可儿戏：第三幕：大劳小姐) (Live)-Alan Ewing/Joseph Hart/Birmingham Contemporary Music Group/Thomas Adès/Gerald Barry/Oscar Wilde
The Importance of Being Earnest, Act III - Twenty-Eight Years Ago (Live) (杰拉尔德·巴里：不可儿戏：第三幕：二十八年前) (Live)-Alan Ewing/Birmingham Contemporary Music Group/Thomas Adès/Gerald Barry/Oscar Wilde
The Importance of Being Earnest, Act III - Lady Bracknell, Who Am I? (Live) (杰拉尔德·巴里：不可儿戏：第三幕：布拉克内尔夫人，我是谁？) (Live)-Peter Tantsits/Alan Ewing/Joshua Bloom/Katalin Karolyi/Barbara Hannigan/Birmingham Contemporary Music Group
The Importance of Being Earnest, Act I - What Should I Do? (Reprise) [Live] (杰拉尔德·巴里：不可儿戏：第一幕：我该怎么办？) (Reprise|Live)-Peter Tantsits/Alan Ewing/Birmingham Contemporary Music Group/Thomas Adès/Gerald Barry/Oscar Wilde
The Importance of Being Earnest, Act I - Mister Worthing! (Live) (杰拉尔德·巴里：不可儿戏：第一幕：沃辛先生！) (Live)-Alan Ewing/Katalin Karolyi/Peter Tantsits/Birmingham Contemporary Music Group/Thomas Adès/Gerald Barry
The Importance of Being Earnest, Act I - Did You Hear What I Was Playing? (Live)-Joshua Bloom/Benjamin Bevan/Peter Tantsits/Hilary Summers/Alan Ewing/Matt Durkan
The Importance of Being Earnest, Act III - The Importance of Being Earnest, Act III: Explosion! (Live)-Barbara Hannigan/Katalin Karolyi/Hilary Summers/Peter Tantsits/Joshua Bloom/Alan Ewing
Gerald Barry: The Importance of Being Earnest (Live) (杰拉尔德·巴里：不可儿戏)

Gerald Barry: The Importance of Being Earnest (Live) (杰拉尔德·巴里：不可儿戏)专辑下载

（2014-11-04）