Stabat Mater (1832 version, with sections by T. Tadolini arr. A. Fogliani for vocal soloists, choir and orchestra) - Quartetto: Sancta Mater, istud agas (Soloists)-Majella Cullagh/Marianna Pizzolato/José Luis Sola/Mirco Palazzi

歌手 : Majella Cullagh / Marianna Pizzolato / José Luis Sola / Mirco Palazzi
专辑 : ROSSINI, G.: Stabat Mater (1832 version) / Giovanna d'Arco (arr. M. Taralli) (Cullagh, Pizzolato, Sola, Palazzi, Württemberg Philharmonic, Fogliani)
语种 : 纯音乐
时长 : 06:03

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TXT Stabat Mater (1832 version, with sections by T. Tadolini arr. A. Fogliani for vocal soloists, choir and orchestra) - Quartetto: Sancta Mater, istud agas (Soloists)-Majella Cullagh/Marianna Pizzolato/José Luis Sola/Mirco Palazzi 文本歌词

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Stabat Mater (1832 version, with sections by T. Tadolini arr. A. Fogliani for vocal soloists, choir and orchestra) - Quartetto: Sancta Mater, istud agas (Soloists)-Majella Cullagh/Marianna Pizzolato/José Luis Sola/Mirco Palazzi 推荐歌曲

Stabat Mater (1832 version, with sections by T. Tadolini arr. A. Fogliani for vocal soloists, choir and orchestra) - Introduction: Stabat Mater dolorosa (Soloists, Chorus)-Majella Cullagh/Marianna Pizzolato/José Luis Sola/Mirco Palazzi
Act II: Hymne: Divin prophete (Chorus) - Recitatif: Quel bruit se fait entendre? (Mahomet, Pamyra, Neocles, Omar, Chorus)-Lorenzo Regazzo/Majella Cullagh/Michael Spyres/Marco Filippo Romano
Act I: Scene et Finale: Nous avons triomphe - Ah! l'amant qui m'enchaine (Omar, Mahomet, Cleomene, Pamyra, Chorus, Ismene)-Marco Filippo Romano/Lorenzo Regazzo/Marc Sala/Majella Cullagh
Act III: Recitatif et Priere: L'heure fatale approche - Juste ciel! (Pamyra, Chorus)-Majella Cullagh/Poznań Camerata Bach Choir/Virtuosi Brunensis/Jean-Luc Tingaud
Maritana - Act III: Introduction - Recitative: How dreary to my heart is this gay chamber! (Maritana)-Majella Cullagh/RTÉ Concert Orchestra/Proinnsías Ó Duinn
Maritana - Act II, Scene 2: Finale: That voice! 'Tis hers I swear (Don Caesar, Maritana, Don Jose, Chorus)-Paul Charles Clarke/Majella Cullagh/Ian Caddy/RTÉ Philharmonic Choir
Maritana - Act I: Chorus: Pretty Gitana, tell us (Chorus) - Song: Yes, the language of the skies (Maritana)-Majella Cullagh/RTÉ Philharmonic Choir/RTÉ Concert Orchestra/Proinnsías Ó Duinn
Maritana - Act I: Duet: Of fairy wand had I the power (Maritana, Don Jose)-Majella Cullagh/Ian Caddy/RTÉ Concert Orchestra/Proinnsías Ó Duinn
Maritana - Act I: Romance: It was a knight of princely mien (Maritana) - Chorus: Sing, Maritana! No delay! (Chorus)-Majella Cullagh/RTÉ Philharmonic Choir/RTÉ Concert Orchestra/Proinnsías Ó Duinn
Act I: Ah! tardai troppo (Linda)-Majella Cullagh/Bergamo Musica Festival Orchestra/Vito Clemente
Act II: No, non e ver (Linda)-Majella Cullagh/Bergamo Musica Festival Orchestra/Vito Clemente
Act II: Come calma e conforta (Linda)-Majella Cullagh/Bergamo Musica Festival Orchestra/Vito Clemente
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18, "Lobgesang" (Hymn of Praise) - II. Allegro moderato maestoso - Allegro di molto-Majella Cullagh/RTÉ Philharmonic Choir/Ireland National Symphony Orchestra/Reinhard Seifried
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18, "Lobgesang" (Hymn of Praise) - IX. Andante sostenuto assai-Majella Cullagh/Adrian Thompson/Ireland National Symphony Orchestra/Reinhard Seifried
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18, "Lobgesang" (Hymn of Praise) - VI. Allegro un poco agitato-Majella Cullagh/Adrian Thompson/Ireland National Symphony Orchestra/Reinhard Seifried
Ten Thousand Tears-The Celtic Tenors/Majella Cullagh
Maritana - Act II, Scene 1: Quartett and Chorus (Maritana, Lazarillo, Don Caesar, and Don Jose)-Paul Charles Clarke/Majella Cullagh/Ian Caddy/Lynda Lee
Maritana - Act I: Chorus-Majella Cullagh/RTÉ Philharmonic Choir/RTÉ Concert Orchestra/Proinnsías Ó Duinn
Maritana - Act III: Prayer (Maritana and Lazarillo)-Majella Cullagh/Lynda Lee/RTÉ Concert Orchestra/Proinnsías Ó Duinn
Maritana - Act I: Romance (Maritana)-Majella Cullagh/RTÉ Philharmonic Choir/RTÉ Concert Orchestra/Proinnsías Ó Duinn
Péchés de vieillesse, Vol. 11: Miscellanée de musique vocale: No. 10. Giovanna d'Arco (arr. M. Taralli for voice and orchestra) - Aria: Ah, la fi amma che t’esce dal guardo già m'ha tocca-Marianna Pizzolato/Wurttemberg Philharmonic Orchestra/Antonino Fogliani
L'Italiana in Algeri (The Italian Girl in Algiers) - Act I Scene 4: Cruda sorte! Amor tiranno! (Isabella, Chorus)-Marianna Pizzolato/Prague Chamber Chorus/Bologna Teatro Comunale Orchestra/Donato Renzetti
L'Italiana in Algeri (The Italian Girl in Algiers) - Act II Scene 6: Siete servita (Lindoro, Isabella, Mustafa, Taddeo, Elvira)-Marianna Pizzolato/Maxim Mironov/Bruno de Simone/Marco Vinco
Semiramide - Act I Scene 7: Bella immago degli Dei (Arsace, Assur)-Marianna Pizzolato/Lorenzo Regazzo/Virtuosi Brunensis/Antonino Fogliani
Semiramide - Act II Scene 7: Ebbene… a te: ferisci (Semiramide, Arsace)-Alex Penda/Marianna Pizzolato/Virtuosi Brunensis/Antonino Fogliani
Act II Scene 11: Un traditor, con empio ardir (Chorus, Arsace, Oroe, Semiramide)-Marianna Pizzolato/Andrea Mastroni/Alex Penda/Poznań Camerata Bach Choir
Semiramide - Act I Scene 11: Alle più care immagini (Semiramide, Arsace)-Alex Penda/Marianna Pizzolato/Virtuosi Brunensis/Antonino Fogliani
L'Italiana in Algeri (The Italian Girl in Algiers) - Act II Scene 6: Quintetto: Ti presento di mia man (Mustafa, Isabella, Taddeo, Lindoro, Elvira)-Lorenzo Regazzo/Marianna Pizzolato/Bruno de Simone/Lawrence Brownlee
L'Italiana in Algeri (The Italian Girl in Algiers) - Act II Scene 5: Cavatina: Per lui che adoro (Isabella, Mustafa, Taddeo, Lindoro)-Marianna Pizzolato/Lorenzo Regazzo/Bruno de Simone/Lawrence Brownlee
L'Italiana in Algeri (The Italian Girl in Algiers) - Act II Scene 5: Recitativo: Dunque a momenti (Isabella, Lindoro, Elvira, Zulma)-Marianna Pizzolato/Lawrence Brownlee/Ruth Gonzalez/Elsa Giannoulidou
Act II: Quante sciagure in un sol giorno (Albina, Malcolm, Serano)-Olga Peretyatko/Marianna Pizzolato/Stefan Cifolelli/South West German Radio Kaiserslautern Orchestra
Act II: Douglas! Douglas! Ti salva! (Guerrieri, Albina, Serano, Malcolm)-Prague Chamber Chorus/Olga Peretyatko/Stefan Cifolelli/Marianna Pizzolato
La donna del lago (The Lady of the Lake) - Act I: Figlia, e cosi (Douglas, Malcolm, Elena)-Wojtek Gierlach/Marianna Pizzolato/Sonia Ganassi/South West German Radio Kaiserslautern Orchestra
Orlando Finto Pazzo, Opera in 3 Acts, RV. 727 - Act II, scene 10: II. Aria "Quelle stille lagrimose" (Brandimarte)-Alessandro de Marchi/Academia Montis Regalis/Marianna Pizzolato
Rosmira, RV 731, "Rosmira Fedele" - Act I Scene 5: Ah, ingannator! (Rosmira, Arsace)-Marianna Pizzolato/Salomé Haller/Gilbert Bezzina
Rosmira, RV 731, "Rosmira Fedele" - Act II Scene 2: Ti bramo amico, e teco (Arsace, Emilio, Ersilla, Rosmira, Ormonte)-Philippe Cantor/Marianna Pizzolato/Rossana Bertini/Salomé Haller
Rosmira, RV 731, "Rosmira Fedele" - Act II Scene 10: Rosmira, a me deh riedi (Arsace, Armindo, Partenope) - Scene 11: Partenope, Eurimene (Rosmira, Partenope, Arsace, Armindo)-Salomé Haller/Jacek Laszczkowski/Claire Brua/Marianna Pizzolato
Rosmira, RV 731, "Rosmira Fedele" - Act I Scene 16: Renditi, o pure estinto (Emilio, Arsace, Rosmira, Partenope)-Claire Brua/Marianna Pizzolato/Salomé Haller/Philippe Cantor
Rosmira, RV 731, "Rosmira Fedele" - Act III Scene 1: Rosmira, ove ti guida (Arsace, Rosmira)-Marianna Pizzolato/Salomé Haller/Gilbert Bezzina
Questo è il piano-Marianna Pizzolato/Orchestra dell'Accademia Nazionale di Santa Cecilia/Antonio Pappano
Stabat Mater (1832 version, with sections by T. Tadolini arr. A. Fogliani for vocal soloists, choir and orchestra) - Aria: Cujus animam gementem (Tenor)-José Luis Sola/Wurttemberg Philharmonic Orchestra/Antonino Fogliani
Stabat Mater (1832 version, with sections by T. Tadolini arr. A. Fogliani for vocal soloists, choir and orchestra) - Terzetto: Quis est homo qui non fl eret (Soprano, Tenor, Bass)-Majella Cullagh/José Luis Sola/Mirco Palazzi/Wurttemberg Philharmonic Orchestra
Stabat Mater (1832 version, with sections by T. Tadolini arr. A. Fogliani for vocal soloists, choir and orchestra) - Duettino: Eia, Mater, fons amoris (Tenor, Bass)-José Luis Sola/Mirco Palazzi/Wurttemberg Philharmonic Orchestra/Antonino Fogliani
Stabat Mater (1832 version, with sections by T. Tadolini arr. A. Fogliani for vocal soloists, choir and orchestra) - Quartetto: Sancta Mater, istud agas (Soloists)-Majella Cullagh/Marianna Pizzolato/José Luis Sola/Mirco Palazzi
Stabat Mater (1832 version, with sections by T. Tadolini arr. A. Fogliani for vocal soloists, choir and orchestra) - Quartetto: Quando corpus morietur (Soloists a cappella)-Majella Cullagh/Marianna Pizzolato/José Luis Sola/Mirco Palazzi
Stabat Mater (1832 version, with sections by T. Tadolini arr. A. Fogliani for vocal soloists, choir and orchestra) - Introduction: Stabat Mater dolorosa (Soloists, Chorus)-Majella Cullagh/Marianna Pizzolato/José Luis Sola/Mirco Palazzi
Act I: "Io tremar? di te? m'avvio" (Arsace, Assur)-Sir Mark Elder/Daniela Barcellona/Mirco Palazzi
Act II Scene 6: Finale: Già tra le tombe?…-Mirco Palazzi/Elisa Balbo/Poznań Camerata Bach Choir/Virtuosi Brunensis
Act II Scene 2: Duet: Anna… tu piangi?-Mirco Palazzi/Elisa Balbo/Virtuosi Brunensis/Antonino Fogliani
Act II Scene 2: Aria: All'invito generoso-Mirco Palazzi/Elisa Balbo/Poznań Camerata Bach Choir/Virtuosi Brunensis
Act II: "Deh! ti ferma, ti placa, perdona" (Assur, Chorus)-Sir Mark Elder/Mirco Palazzi
Act II: "Ah! la sorte ci tradì" (Assur, Chorus)-Sir Mark Elder/Mirco Palazzi
Act II: "Ah! signore ... Assur!" (Assur, Chorus)-Sir Mark Elder/Mirco Palazzi
Act II: "Quei numi furenti" (Assur, Chorus)-Sir Mark Elder/Mirco Palazzi
Act II: "Se la vita ancor t'è cara" (Semiramide, Assur)-Sir Mark Elder/Albina Shagimuratova/Mirco Palazzi
Act II: "Alla reggia d'intorno cauto" (Mitrane, Semiramide, Assur)-Sir Mark Elder/David Butt Philip/Albina Shagimuratova/Mirco Palazzi
Act I: "Oroe dal tempio nella reggia" (Assur, Oroe)-Sir Mark Elder/Gianluca Buratto/Mirco Palazzi
Act II: "Il dì già cade" (Assur, Chorus)-Sir Mark Elder/Mirco Palazzi
Act I: "Bella imago degli Dei" (Arsace, Assur)-Sir Mark Elder/Daniela Barcellona/Mirco Palazzi
Stabat Mater (1832 version, with sections by T. Tadolini arr. A. Fogliani for vocal soloists, choir and orchestra) - Quartetto: Quando corpus morietur (Soloists a cappella)-Majella Cullagh/Marianna Pizzolato/José Luis Sola/Mirco Palazzi
Stabat Mater (1832 version, with sections by T. Tadolini arr. A. Fogliani for vocal soloists, choir and orchestra) - Terzetto: Quis est homo qui non fl eret (Soprano, Tenor, Bass)-Majella Cullagh/José Luis Sola/Mirco Palazzi/Wurttemberg Philharmonic Orchestra
Stabat Mater (1832 version, with sections by T. Tadolini arr. A. Fogliani for vocal soloists, choir and orchestra) - Quartetto: Sancta Mater, istud agas (Soloists)-Majella Cullagh/Marianna Pizzolato/José Luis Sola/Mirco Palazzi
Scene 13: Recitativo: Milord, una parola - Scene 14: Buon giorno, illustre amica! (Profondo, Sidney, Corinna, Delia)-Bruno de Simone/Mirco Palazzi/Laura Giordano/Guiomar Cantó
Scene 12: Dell'alma diva (Sidney, Chorus)-Mirco Palazzi/Poznań Camerata Bach Choir/Virtuosi Brunensis/Antonino Fogliani
Scene 12: Scena ed Aria: Invan strappar dal core (Sidney, Chorus)-Mirco Palazzi/Poznań Camerata Bach Choir/Virtuosi Brunensis/Antonino Fogliani
Scene 12: Scena ed Aria: Ah! perché la conobbi? (Sidney)-Mirco Palazzi/Virtuosi Brunensis/Antonino Fogliani
ROSSINI, G.: Stabat Mater (1832 version) / Giovanna d'Arco (arr. M. Taralli) (Cullagh, Pizzolato, Sola, Palazzi, Württemberg Philharmonic, Fogliani)

ROSSINI, G.: Stabat Mater (1832 version) / Giovanna d'Arco (arr. M. Taralli) (Cullagh, Pizzolato, Sola, Palazzi, Württemberg Philharmonic, Fogliani)专辑下载

（2016-07-01）
Stabat Mater (1832 version, with sections by T. Tadolini arr. A. Fogliani for vocal soloists, choir and orchestra) - Introduction: Stabat Mater dolorosa (Soloists, Chorus)
Stabat Mater (1832 version, with sections by T. Tadolini arr. A. Fogliani for vocal soloists, choir and orchestra) - Aria: Cujus animam gementem (Tenor)
Stabat Mater (1832 version, with sections by T. Tadolini arr. A. Fogliani for vocal soloists, choir and orchestra) - Duettino: O quam tristis et affl icta (Soprano, Mezzo-soprano)
Stabat Mater (1832 version, with sections by T. Tadolini arr. A. Fogliani for vocal soloists, choir and orchestra) - Aria: Quae moerebat et dolebat (Bass)
Stabat Mater (1832 version, with sections by T. Tadolini arr. A. Fogliani for vocal soloists, choir and orchestra) - Terzetto: Quis est homo qui non fl eret (Soprano, Tenor, Bass)
Stabat Mater (1832 version, with sections by T. Tadolini arr. A. Fogliani for vocal soloists, choir and orchestra) - Aria: Vidit suum dulcem natum (Soprano)
Stabat Mater (1832 version, with sections by T. Tadolini arr. A. Fogliani for vocal soloists, choir and orchestra) - Duettino: Eia, Mater, fons amoris (Tenor, Bass)
Chorus and Recitative: Fac ut ardeat cor meum (Bass, Chorus)
Stabat Mater (1832 version, with sections by T. Tadolini arr. A. Fogliani for vocal soloists, choir and orchestra) - Cavatina: Fac ut portem Christi mortem (Mezzo-soprano)
Aria with Chorus: Infl ammatus et accensus (Soprano, Chorus)
Stabat Mater (1832 version, with sections by T. Tadolini arr. A. Fogliani for vocal soloists, choir and orchestra) - Quartetto: Quando corpus morietur (Soloists a cappella)
Chorus: Amen (Chorus)
Péchés de vieillesse, Vol. 11: Miscellanée de musique vocale: No. 10. Giovanna d'Arco (arr. M. Taralli for voice and orchestra) - Recitativo: È notte, e tutto addormentato è il mondo
Péchés de vieillesse, Vol. 11: Miscellanée de musique vocale: No. 10. Giovanna d'Arco (arr. M. Taralli for voice and orchestra) - Aria: O mia madre, e tu frattanto la tua fi glia cercherai
Péchés de vieillesse, Vol. 11: Miscellanée de musique vocale: No. 10. Giovanna d'Arco (arr. M. Taralli for voice and orchestra) - Recitativo: Eppur piange. Ah! repente qual luce balenò
Péchés de vieillesse, Vol. 11: Miscellanée de musique vocale: No. 10. Giovanna d'Arco (arr. M. Taralli for voice and orchestra) - Aria: Ah, la fi amma che t’esce dal guardo già m'ha tocca