Handel - Messiah, K. 572 - Part I: Chorus: For unto us a Child is born-Donna Brown/Cornelia Kallisch/Roberto Saccà/Alastair Miles

歌手 : Donna Brown / Cornelia Kallisch / Roberto Saccà / Alastair Miles
专辑 : MOZART, W.A.: Handel - Messiah, K. 572 (Highlights) (Rilling)
语种 : 其他
时长 : 03:54

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TXT Handel - Messiah, K. 572 - Part I: Chorus: For unto us a Child is born-Donna Brown/Cornelia Kallisch/Roberto Saccà/Alastair Miles 文本歌词

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Handel - Messiah, K. 572 - Part I: Chorus: For unto us a Child is born-Donna Brown/Cornelia Kallisch/Roberto Saccà/Alastair Miles 推荐歌曲

Berlioz: Messe solennelle - Ed. Hugh J.McDonald (1940 O Salutaris)-Donna Brown/Jean-Luc Viala/Gilles Cachemaille/Orchestre Révolutionnaire et Romantique
Mass No. 13 in B-Flat Major, Hob. XXII:13 "Schöpfungsmesse" - IIa. Gloria-Roxana Constantinescu/Lothar Odinius/Donna Brown/Markus Eiche
Mass No. 13 in B-Flat Major, Hob. XXII:13 "Schöpfungsmesse" - V. Benedictus-Roxana Constantinescu/Lothar Odinius/Donna Brown/Markus Eiche
Away in a Manger-Donna Brown/The Golden Gospel Pearls
Bachianas brasileiras No. 5 - II. Dance: Allegretto-Donna Brown/São Paulo Symphony Orchestra/Roberto Minczuk
Mass No. 16 in C Major, K. 317, "Kronungsmesse" (Coronation Mass) - Kyrie-Donna Brown/Claudia Schubert/Marcus Ullmann/Klaus Häger
Saul, HWV 53 / Act 3 - Handel: Saul, HWV 53 / Act 3 - "From this unhappy day" (Live)-Donna Brown/English Baroque Soloists/John Eliot Gardiner
Saul, HWV 53 / Act 1 - Handel: Saul, HWV 53 / Act 1 - "What abject thoughts a Prince can have...Yet think, on whom this honour you bestow" (Live)-Donna Brown/English Baroque Soloists/John Eliot Gardiner
Mass in B Flat - 'Theresienmesse', Hob.XXII:12 - Haydn: Mass in B Flat - 'Theresienmesse', Hob.XXII:12 - Et incarnatus-Donna Brown/Sally Bruce-Payne/The Monteverdi Choir/Peter Butterfield/The English Baroque Soloists/John Eliot Gardiner/Gerald Finley/Monteverdi Choir/English Baroque Soloists
Mass in B Flat - 'Theresienmesse', Hob.XXII:12 - Haydn: Mass in B Flat - 'Theresienmesse', Hob.XXII:12 - Quoniam (你是唯一的神)-Donna Brown/Sally Bruce-Payne/The Monteverdi Choir/The English Baroque Soloists/John Eliot Gardiner/Peter Butterfield/Gerald Finley/Monteverdi Choir/English Baroque Soloists
Mass in D Minor - Missa in angustiis ("Nelson Mass"), Hob. XXII:11 - Haydn: Mass in D Minor - Missa in angustiis ("Nelson Mass"), Hob. XXII:11 - Kyrie-Donna Brown/The Monteverdi Choir/Sally Bruce-Payne/The English Baroque Soloists/John Eliot Gardiner/Peter Butterfield/Gerald Finley/Monteverdi Choir/English Baroque Soloists
Ecco la mia rivale-Donna Brown/The English Baroque Soloists/The English Baroque Soloists/John Eliot Gardiner/John Eliot Gardiner
Pur al fin se ne andA2-Donna Brown/The English Baroque Soloists/The English Baroque Soloists/John Eliot Gardiner/John Eliot Gardiner
Il caro Ottone al precipizio io spinsi-Donna Brown/The English Baroque Soloists/John Eliot Gardiner/The English Baroque Soloists/John Eliot Gardiner
Vaghe fonti...Ottone traditore!-Donna Brown/The English Baroque Soloists/John Eliot Gardiner/The English Baroque Soloists/John Eliot Gardiner
Act I: "Rien encore, mon frère" (Rodrigue, Chimène, Hernan, Iñez) (Arr. Langham Smith & Orch. Denisov)-Kent Nagano/Donna Brown/Laurence Dale/Hélène Jossoud
5 Lieder, Op. 10: No. 4 in G Minor, Im Herbste-Donna Brown/Françoise Tillard
3 Songs: No. 2 in G Major, Italien-Donna Brown/Françoise Tillard
Saul, HWV 53 / Act 1 - Handel: Saul, HWV 53 / Act 1 - "What abject thoughts a Prince can have...Yet think, on whom this honour you bestow" (Live)-Donna Brown/The English Baroque Soloists/John Eliot Gardiner/English Baroque Soloists/John Eliot Gardiner
Saul, HWV 53 / Act 3 - Handel: Saul, HWV 53 / Act 3 - "From this unhappy day" (Live)-Donna Brown/English Baroque Soloists/The English Baroque Soloists/John Eliot Gardiner/John Eliot Gardiner
Zigeunermelodien, Op. 55: IV. Als die alte Mutter-Cornelia Kallisch
Elias, Op. 70, MWV A25, Pt. 2 - No. 42, Alsdann wird euer Licht hervorbrechen-Wolfgang Schöne/Michael Schade/Christine Schäfer/Cornelia Kallisch
Symphony No. 2 in C Minor, "Resurrection" - I. Allegro maestoso-Juliane Banse/Cornelia Kallisch/Joshard Daus/Europe Choir Academy
Songs: II. Im Rhein, im schönen Strome-Cornelia Kallisch
Zigeunermelodien, Op. 55: III. Rings ist der Wald-Cornelia Kallisch
Lieder und Gesänge, Op. 32: IX. Wie bist du, meine Königin-Cornelia Kallisch/Gabriel Dobner
Lieder und Gesänge, Op. 32: V. Wehe, so willst du mich wieder-Cornelia Kallisch/Gabriel Dobner
Meerfahrt, Op. 96, No. 4-Cornelia Kallisch/Gabriel Dobner
Feldeinsamkeit, Op. 86, No. 2-Cornelia Kallisch/Gabriel Dobner
Treue Liebe, Op. 7, No. 1-Cornelia Kallisch/Gabriel Dobner
Die Junge Magd - Six Poems of Georg Trakl for Alto With Flute, Clarinet and String Quartet, Op. 23B: Nr. 5 "Schmächtig hingestreckt im Bette"-Ensemble Villa Musica/Cornelia Kallisch
Die Junge Magd - Six Poems of Georg Trakl for Alto With Flute, Clarinet and String Quartet, Op. 23B: Nr. 1 "Oft am Brunnen ..."-Ensemble Villa Musica/Cornelia Kallisch
Des Todes Tod - Three Songs After Poems of Eduard Reinacher for Voice, 2 Violas and 2 Violoncellos: 2. Gottes Tod-Ensemble Villa Musica/Cornelia Kallisch
Des Todes Tod - Three Songs After Poems of Eduard Reinacher for Voice, 2 Violas and 2 Violoncellos: 1. Gesicht von Tod und Elend-Ensemble Villa Musica/Cornelia Kallisch
Handel - Messiah, K. 572 - Part II: Aria: He was despised-Cornelia Kallisch/Stuttgart Bach Collegium/Helmuth Rilling
Handel - Messiah, K. 572 - Part I: Aria: O thou that tellest good tidings to Zion-Cornelia Kallisch/Stuttgart Bach Collegium/Helmuth Rilling
Elijah, Op. 70, MWV A25 - Quartet: Wirf dein Anliegen auf den Herrn (Soprano, Alto, Tenor, Baritone)-Christine Schäfer/Cornelia Kallisch/Michael Schade/Wolfgang Schöne
Elijah, Op. 70, MWV A25 - Arioso: Weh ihnen, dass sie von mir weichen! (Alto)-Cornelia Kallisch/Stuttgart Bach Collegium/Helmuth Rilling
A Kékszakállú herceg vára (Bluebeard's Castle), Op. 11, BB 62 - Lasd a regi asszonyokat (7. Ajto) (Hearts that I have loved and cherished (Door 7)) (Bluebeard, Judith)-Cornelia Kallisch/Peter Fried/Stuttgart Radio Symphony Orchestra/Peter Eotvos
Wintermärchen - Frischer Atem (冬天的故事 - 新鲜的气息)-Heinz Zednik/Dale Duesing/Cornelia Kallisch/Gerard Lavalle
The Pearl Fishers: "Au Fond Du Temple" (采珠人：“金杜丰寺”)-Symphony Orchestra Baden Baden/Klaus Arp/Roberto Saccà/Peter Edelmann
Au Fond Du Temple, Duet Nadir-Zurga-Roberto Saccà/Peter Edelman
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Handel - Messiah, K. 572 (Sung in German) - Aria: Du zerschlagst sie mit dem Eisenszepter (Tenor)-Roberto Saccà/Stuttgart Bach Collegium/Helmuth Rilling
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Lucio Silla, K. 135 - Act II Scene 4: Se il labbro timido scoprir non osa (Celia)-Roberto Saccà/Annick Massis/Monica Bacelli/Veronica Cangemi
Lucio Silla, K. 135 - Act III Scene 1: Ah si tu solo, amico (Cinna, Celia)-Roberto Saccà/Annick Massis/Monica Bacelli/Veronica Cangemi
Lucio Silla, K. 135 - Act I Scene 7: Se l'empio Silla, o padre (Giunia) - Scene 8: Eccomi, o cara (Cecilio, Guinia)-Roberto Saccà/Annick Massis/Monica Bacelli/Veronica Cangemi
Lucio Silla, K. 135 - Act I Scene 2: Dunque sperar poss'io di pascer gli occhi miei (Cecilio)-Roberto Saccà/Annick Massis/Monica Bacelli/Veronica Cangemi
Lucio Silla, K. 135 - Act I Scene 7: Fuor di queste urne dolenti (Chorus, Giunia)-Roberto Saccà/Annick Massis/Monica Bacelli/Veronica Cangemi
Lucio Silla, K. 135 - Act III Scene 2: De' più superbi il core (Cinna)-Roberto Saccà/Annick Massis/Monica Bacelli/Veronica Cangemi
Lucio Silla, K. 135 - Act II Scene 11: In un istante oh come (Giunia)-Roberto Saccà/Annick Massis/Monica Bacelli/Veronica Cangemi
Lucio Silla, K. 135 - Act II Scene 2: Ad affrettar si vada in Campidoglio (Silla, Celia) - Scene 3: Qual furor ti transporta? (Cinna, Cecilio)-Roberto Saccà/Annick Massis/Monica Bacelli/Veronica Cangemi
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Daphne, Op. 82, TrV 272 - Jeden heiligen Morgen (Apollo, Daphne, Leukippos)-June Anderson/Scott Mac Allister/Roberto Saccà/Teatro la Fenice Orchestra
Die Meistersinger von Nürnberg, WWV 96 / Act 3 - Act III: "Heimlich mir graut" (纽伦堡的名歌手，作品 96) (Live In Chicago / 1995)-Alan Opie/Albert Dohmen/Gary Martin/Roberto Saccà/Kevin Deas/Kelly Anderson
Die Meistersinger von Nürnberg, WWV 96 / Act 1 - Act I: "Verzeiht, Vielleicht Schon Ginget Ihr Zu Weit" (纽伦堡的名歌手，作品 96) (Live In Chicago / 1995)-José Van Dam/Albert Dohmen/Alan Opie/Roberto Saccà/Gary Martin/René Pape
Die Meistersinger von Nürnberg, WWV 96 / Act 1 - Act I: "Das heisst ein Wort, ein Wort ein Mann!" (纽伦堡的名歌手，作品 96) (Live In Chicago / 1995)-Roberto Saccà/José Van Dam/Albert Dohmen/René Pape/Alan Opie/Chicago Symphony Orchestra
Die Meistersinger von Nürnberg, WWV 96 / Act 1 - Act I: "Beliebt's, wir schreiten zum Merkerwahl" (纽伦堡的名歌手，作品 96) (Live In Chicago / 1995)-Albert Dohmen/Roberto Saccà/Alan Opie/René Pape/Chicago Symphony Orchestra/Sir Georg Solti/Georg Solti
Mass in D Major, Op. 123 "Missa Solemnis" - I. Kyrie (D大调弥撒曲，作品123“庄严弥撒曲” - 第1首 慈悲经)-Catherine Robbin/Alastair Miles/Monteverdi Choir/Orchestre Révolutionnaire et Romantique
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Act IV, Scene 1: Le Grand Inquisiteur!-Alastair Miles/Simon Yang/贝尼迪克特·科贝尔/Vienna State Opera Orchestra
Don Carlos (Sung in French) - Act II, Scene 4: Ouvrez-vous, ô portes sacrées!-Alastair Miles/Ramon Vargas/Bo Skovhus/Iano Tamar
Aria: "Orpheus gewann ein wildes Volk" (Arr. Mozart)-Alastair Miles/Handel and Haydn Society Orchestra/Christopher Hogwood
Part II: Aria - da capo: "Gib rach'! heult alles laut" (Arr. Mozart)-Alastair Miles/Handel and Haydn Society Orchestra/Christopher Hogwood
Niobe, regina di Tebe - Act I Scene 19: Recitative: Ecco Tebe (Poliferno, Creonte) - Scene 20: Oh di Lico infelice (Poliferno) - Scene 21: Popoli o voi, ch'un Tempo (Anfione)-Alastair Miles/Iestyn Davies/Jacek Laszczkowski/Balthasar-Neumann Ensemble
La conquista di Granata - Act II Scene 6: Ma di frequenti passi suona il recinto … (First Group, Second Group) - Scene 7: La tomba (Hassem, Gonzalo) - Scene 8: Padre, e Zullema (Zulema, Alamar, Gonzalo, Lara, Hassem)-Alastair Miles/José Bros/Mariola Cantarero/David Menéndez
La conquista di Granata - Act I Scene 11: Ebben! … Rispondi, puoi non amarlo? (Hassem, Zulema)-Mariola Cantarero/Alastair Miles/Madrid Symphony Orchestra/Jesús López-Cobos
Haydn: Mass No.6 in G Missa Sti. Nicolai, HXXII No.6 "Nicolaimesse" - Agnus Dei - Adagio - Allegretto-Nancy Argenta/Catherine Robbin/Michael Schade/Alastair Miles
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Ernani / Part 3 - Ad augusta! (Ernani / Part 3: コウキナコトニ|歌劇《エルナーニ》: 高貴なことに！)-Luciano Pavarotti/Paata Burchuladze/Alastair Miles/Chorus of the Welsh National Opera/Welsh National Opera Orchestra/Richard Bonynge
Rossini : La Cenerentola : Act 1 "Cenerentola, vien qua" [Tisbe, Cenerentola, Clorinda, Alidoro, Chorus]-Adelina Scarabelli/Jennifer Larmore/Laura Polverelli/Alastair Miles
Handel: Messiah - First version of 1752; edited by Donald Burrows - Part 1 - 4. Accompagnato: Thus saith the Lord-Alastair Miles/The Brandenburg Consort/Stephen Cleobury
Mass in D Major, Op. 123 "Missa Solemnis" - V. Agnus Dei (D大调弥撒曲，作品123“庄严弥撒曲” - 第5首 羔羊经)-Catherine Robbin/Alastair Miles/Monteverdi Choir/Orchestre Révolutionnaire et Romantique
Samson - Act III Scene 1: Presuming Slave, To Move Thier Wrath (参孙 - 第三幕 场景1：假设奴隶，转移他们的愤怒)-Alastair Miles
Mendelssohn : Elijah : Part 2 "So Spricht Der Herr...Ich Bin Euer Tröster"-Alastair Miles
Mendelssohn : Elijah : Part 2 "Aber Einer Erwacht Von Mitternacht"-Alastair Miles
Mendelssohn : Elijah : Part 2 "Dann Werden Die Gerechten Leuchten"-Alastair Miles
Mendelssohn : Elijah : Part 2 "Siehe, Er Schläft"-Alastair Miles
MOZART, W.A.: Handel - Messiah, K. 572 (Highlights) (Rilling)

MOZART, W.A.: Handel - Messiah, K. 572 (Highlights) (Rilling)专辑下载

（2009-11-23）
Handel - Messiah, K. 572 - Overture
Handel - Messiah, K. 572 - Part I: Recitative: Comfort ye
Handel - Messiah, K. 572 - Part I: Aria: Every Valley
Handel - Messiah, K. 572 - Part I: Aria: O thou that tellest good tidings to Zion
Handel - Messiah, K. 572 - Part I: Chorus: O thou that tellest good things to Zion
Handel - Messiah, K. 572 - Part I: Chorus: Glory to God
Handel - Messiah, K. 572 - Part I: Aria: He shall feed His flock. Come unto him
Handel - Messiah, K. 572 - Part II: Chorus: Behold the Lamb of God
Handel - Messiah, K. 572 - Part II: Aria: He was despised
Handel - Messiah, K. 572 - Part II: Chorus: Surely, He hath borne our griefs
Handel - Messiah, K. 572 - Part II: Recitative: He was cut off
Handel - Messiah, K. 572 - Part II: Aria: But Thou didst not leave
Handel - Messiah, K. 572 - Part II: Aria: How beautiful are the feet of them
Handel - Messiah, K. 572 - Part II: Aria: Why do the nations
Handel - Messiah, K. 572 - Part II: Chorus: Hallelujah!
Handel - Messiah, K. 572 - Part III: Aria: I know that my Redeemer liveth
Handel - Messiah, K. 572 - Part III: Chorus: Since by man came death
Handel - Messiah, K. 572 - Part III: Aria: The Trumpet shall sound
Handel - Messiah, K. 572 - Part III: Chorus: Worthy is the Lamb
Handel - Messiah, K. 572 - Part III: Chorus: Amen