Requiem in D minor, K.626 - III. Sequenz:1. Dies irae (choir, D minor)2. Tuba mirum (solo quartet, B♭ major)3. Rex tremendae (choir, G minor-D minor)4. Recordare (solo quartet, F major)5. Confutatis (choir, A minor-D minor)6. Lacrymosa (choir, D minor)-Nancy Argenta/Catherine Robbin/John Mark Ainsley/Alastair Miles/London Classical Players/Sir Roger Norrington

歌手 : Nancy Argenta / Catherine Robbin / John Mark Ainsley / Alastair Miles / London Classical Players / Sir Roger Norrington

专辑 : Brahms Mozart Requiem

语种 : 拉丁语

时长 : 01:51

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Requiem in D minor, K.626 - III. Sequenz:1. Dies irae (choir, D minor)2. Tuba mirum (solo quartet, B♭ major)3. Rex tremendae (choir, G minor-D minor)4. Recordare (solo quartet, F major)5. Confutatis (choir, A minor-D minor)6. Lacrymosa (choir, D minor)-Nancy Argenta/Catherine Robbin/John Mark Ainsley/Alastair Miles/London Classical Players/Sir Roger Norrington 推荐歌曲

How Excellent Thy Name, O Lord. Hallelujah (Chorus Of Israelites)-Nancy Argenta/Michael Chance

St. John Passion, BWV 245 / Part Two - J.S. Bach: St. John Passion, BWV 245 / Part Two - No.35 Aria (soprano): " Zerfließe, mein Herz "-Nancy Argenta/English Baroque Soloists/John Eliot Gardiner

Magnificat In D Major, BWV 243 - J.S. Bach: Magnificat In D Major, BWV 243 - 3. Quia respexit humilitatem-Nancy Argenta/English Baroque Soloists/John Eliot Gardiner

Haydn: Mass No.6 in G Missa Sti. Nicolai, HXXII No.6 "Nicolaimesse" - Agnus Dei - Adagio - Allegretto-Nancy Argenta/Catherine Robbin/Michael Schade/Alastair Miles

Oh, Fatal Consequence Of Rage (Chorus)-Nancy Argenta/Michael Chance

Symphony (Allegro)-Nancy Argenta/Michael Chance

3 Motets pour soprano solo, cheour à 4 voix mixtes et orgue: Regina coeli laetare-David Hill/Nancy Argenta/Simon Keenlyside/Kenan Burrows

J.S. Bach: Magnificat in D Major, BWV 243 - Aria: "Quia respexit humilitatem" (soprano I)-Nancy Argenta/English Baroque Soloists/John Eliot Gardiner

Cantata "Gott fähret auf mit Jauchzen" BWV 43 / Part 1 - J.S. Bach: Cantata "Gott fähret auf mit Jauchzen" BWV 43 / Part 1 - No. 5 Aria: "Mein Jesus hat nunmehr das Heilandwerk vollendet" (Aria: "Mein Jesus hat nunmehr das Heilandwerk vollendet")-Nancy Argenta/English Baroque Soloists/John Eliot Gardiner

Gottes Zeit ist die allerbeste Zeit, Cantata BWV 106 - J.S. Bach: Gottes Zeit ist die allerbeste Zeit, Cantata BWV 106 - No. 2 a-d "Gottes Zeit ist die allerbeste Zeit" ... "Es ist der alte Bund" (바흐: 칸타타 '하나님의 세상이 최상이로다': No.2 a-d "Gottes Zeit ist die allerbeste Zeit" ... "Es ist der alte Bund"|カンタータダイ１０６バンカミノトキコソイトヨキトキ: カミノトキコソイトヨキトキ|カンタータ第106番《神の時こそいと良き時》 BWV106: 第2a曲合唱、独唱「神の時こそいと良き時」)-Nancy Argenta/Anthony Rolfe Johnson/Stephen Varcoe/斯蒂芬·瓦科/English Baroque Soloists/John Eliot Gardiner/Monteverdi Choir

L'Orfeo / Act I - Monteverdi: L'Orfeo / Act I - "In questo lieto e fortunato giorno" - "Vieni, Imeneo" - "Muse, onor di Parnasso"-Mark Tucker/Nancy Argenta/English Baroque Soloists/John Eliot Gardiner/Monteverdi Choir

Christmas Oratorio, BWV 248 / Part Six - For The Feast Of Epiphany - J.S. Bach: Christmas Oratorio, BWV 248 / Part Six - For The Feast Of Epiphany - No. 57 Aria: "Nur ein Wink von seinen Händen" (바흐: 크리스마스 오라토리오 / 6부: 57번 다만 그의 손짓은|クリスマスオラトリオ: ソノオンテノヒトフリハムリョクナルヒトノコラノセイリョクヲタオス|《クリスマス・オラトリオ》BWV 248 / 第6部主顕節用: 57. アリア（ソプラノ）：その御手のひとふりは無力なる人の子らの勢力を倒す)-Nancy Argenta/English Baroque Soloists/John Eliot Gardiner

Christmas Oratorio, BWV 248 / Part Three - For The Third Day Of Christmas - J.S. Bach: Christmas Oratorio, BWV 248 / Part Three - For The Third Day Of Christmas - No. 29 Duett: "Herr, dein Mitleid, dein Erbarmen" (바흐: 크리스마스 오라토리오 / 3부: 29번 주님, 당신의 동정과 자비는|クリスマスオラトリオ: シュヨナンジノオモイヤリ　ナンジノアワレミハ|《クリスマス・オラトリオ》BWV 248 / 第3部降誕節第3祝日用: 29. 二重唱（ソプラノ、バス）：主よ、汝の思いやり、汝の憐れみは)-Nancy Argenta/Olaf Bar/Anthony Robson/Valerie Darke/English Baroque Soloists/John Eliot Gardiner

Iphigénie en Tauride / Act 1 - Gluck: Iphigénie en Tauride / Act 1 - Récitatif. "Iphigénie, ô ciel!" - Choeur. "O songe affreux!" - Récitatif. "O race de Pélops!"-Diana Montague/Nancy Argenta/Sophie Boulin/Lucinda Houghton/Jane Armstrong/Suzanne Flowers

F. Couperin: Les Vieux Galants (from 13th Ordre "Les Folies Françoises")-Trio Sonnerie/Nancy Argenta

F. Couperin: La Fidelité (from 13th Ordre "Les Folies Françoises")-Trio Sonnerie/Nancy Argenta

Clérambault: L'Amoure charmé (from Cantata "L'Amour piqué par une Abeille")-Trio Sonnerie/Nancy Argenta

Stumme Seufzer, Stille Klagen-Nancy Argenta

Drum Sucht Auch Amor Sein Vergnugen-Nancy Argenta

Auf Die Schmerzens-Reu-Nancy Argenta

Mass in C Major, Op. 86 - Beethoven: Mass in C Major, Op. 86 - Kyrie (ミサキョクハチョウチョウサクヒンハチジュウロク: キリエ|ミサ曲ハ長調作品86: Kyrie)-Charlotte Margiono/Catherine Robbin/William Kendall/Alastair Miles/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner

Handel: Belshazzar, HWV 61 / Act 1 - "My friends, be confident" (“朋友们，要有信心”)-Catherine Robbin/The English Concert/Trevor Pinnock

Orlando, HWV 31 / Act 1 - Spera, mio ben...Chi possessore-Arleen Augér/Catherine Robbin/The Academy of Ancient Music/Christopher Hogwood

Orlando, HWV 31 / Act 1 - Angelica, deh lascia-Arleen Augér/Catherine Robbin/The Academy of Ancient Music/Christopher Hogwood

Orlando, HWV 31 / Act 1 - Ritornava al suo bel viso-Arleen Augér/Catherine Robbin/The Academy of Ancient Music/Christopher Hogwood

La clemenza di Tito, K. 621 / Act I - Mozart: La clemenza di Tito, K. 621 / Act I - "Amico, il passo affretta" (“朋友，加快步伐”)-Anne Sofie von Otter/Julia Varady/Catherine Robbin/English Baroque Soloists/John Eliot Gardiner

La clemenza di Tito, K. 621 / Act I - Mozart: La clemenza di Tito, K. 621 / Act I - "Ah perdona al primo affetto" (狄托的仁慈，作品621“原谅第一次爱”) (Live at Queen Elizabeth Hall, London / 1990)-Catherine Robbin/Sylvia McNair/English Baroque Soloists/John Eliot Gardiner

Haydn: Mass No.12 - 'Theresienmesse' in B flat HobXXII/12 (1799) - Kyrie-Nancy Argenta/Catherine Robbin/Michael Schade/Alastair Miles

Haydn: Mass No.12 - 'Theresienmesse' in B flat HobXXII/12 (1799) - Sanctus - Benedictus-Nancy Argenta/Catherine Robbin/Michael Schade/Alastair Miles

Berlioz Roméo et Juliette, Op.17 Part 2 - Roméo seul-Catherine Robbin/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner/Monteverdi Choir

Berlioz Roméo et Juliette, Op.17 Part 1 - Introduction Combats-Tumulte-Intervention du Prince-Catherine Robbin/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner/Monteverdi Choir

Berlioz Roméo et Juliette, Op.17 Part 1 - Prologue Pousée par un désir... (Version with original parts)-Catherine Robbin/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner/Monteverdi Choir

Berlioz Roméo et Juliette, Op.17 Part 1 - Prologue La fête est terminée...-Catherine Robbin/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner/Monteverdi Choir

Roméo et Juliette, Op.17 / Version with original parts / Part 1 - Berlioz: Roméo et Juliette, Op.17 / Version with original parts / Part 1 - Prologue: "D'anciennes haines endormies"-Catherine Robbin/Jean-Paul Fouchécourt/The Monteverdi Choir/Monteverdi Choir/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner

Roméo et Juliette, Op.17 - Version with original parts. - Part 1 - Berlioz: Roméo et Juliette, Op.17 - Version with original parts. - Part 1 - Strophes "Premiers transports que nul n'oblie..."-Catherine Robbin/Jean-Paul Fouchécourt/Monteverdi Choir/The Monteverdi Choir/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner

Orlando, HWV 31 / Act 2 - Handel: Orlando, HWV 31 / Act 2 - A qual rischio vi espone-Arleen Augér/Catherine Robbin/David Thomas/Academy Of Ancient Music/Christopher Hogwood

Orlando, HWV 31 / Act 1 - Handel: Orlando, HWV 31 / Act 1 - Angelica, deh lascia-Arleen Augér/Catherine Robbin/Academy Of Ancient Music/Christopher Hogwood

Ihr jungen Leute (Listen, boys)-Daniel Lichti/Catherine Robbin/Leslie De'Ath

Gesegnet sei das Grün (Blessed be the green)-Daniel Lichti/Catherine Robbin/Leslie De'Ath

Auch kleine Dinge können uns entzücken (Even little things can delight us)-Daniel Lichti/Catherine Robbin/Leslie De'Ath

L'Enfance du Christ, Op.25 - Partie 3: L'arrivée à Sais - Berlioz: L'Enfance du Christ, Op.25 - Partie 3: L'arrivée à Sais - O mon âme, pour toi que reste-t-il à faire (基督的童年，作品25 - 第三部分：抵达扎伊尔斯：我的灵魂啊，你还要做什么啊)-John Mark Ainsley/Choeur de l'Orchestre Symphonique de Montréal/Orchestre Symphonique de Montréal/Charles Dutoit

Mass in C Major, Op. 86 - Benedictus-Sara Mingardo/Sally Matthews/John Mark Ainsley/Alastair Miles

Rameau: Dardanus / Act 2 - "Elle fuit! ... Mais j'ai vu sa tendresse" (达耳达诺斯 / 第2幕 - “她逃出...但是我看到他的爱！”)-John Mark Ainsley/Marc Minkowski

La fraîcheur et le feu: vii. La grande rivière qui va-John Mark Ainsley/Malcolm Martineau

Die Jahreszeiten (The Seasons), Hob.XXI:3 - Der Sommer (Summer): Trio: Die dustren Wolken trennen sich (Lukas, Hanne, Simon, Chorus)-John Mark Ainsley/Miah Persson/David Wilson-Johnson/Salzburg Bach Choir

Die Jahreszeiten (The Seasons), Hob.XXI:3 - Der Winter (Winter): Trio and Double Chorus: Dann bricht der grosse Morgen an (Simon, Lukas, Hanne, Chorus)-David Wilson-Johnson/John Mark Ainsley/Miah Persson/Salzburg Bach Choir

Oh Fair to See, Op. 13b - No. 2. Oh fair to see-Iain Burnside/John Mark Ainsley

Ravel: L'heure espagnole, Comédie en un acte, M.52 - Adieu, cellule, adieu, donjon! (スペインノトキ: サラバドクボウヨサラバジョウロウヨ|喜歌劇《スペインの時》: さらば独房よ、さらば城楼よ!)-John Mark Ainsley/David Wilson-Johnson/London Symphony Orchestra/André Previn

J.S. Bach: St. Matthew Passion, BWV 244 - Part One - No.11 Evangelist, Jesus, Judas: "Er antwortete und sprach" (マタイ受難曲 BWV 244 （第1部）: 第11曲福音書記者:イエスは答えて言った|マタイジュナンキョク: １１．イエスハコタエテイッタ)-John Mark Ainsley/Thomas Quasthoff/Katsunori Kono/Saito Kinen Orchestra/小澤征爾

Ravel: L'heure espagnole, Comédie en un acte, M.52 - "En dépit de cette inhumaine" (Scène XV) (スパインノトキ: アンナニムジョウナヒトデモ|喜歌劇《スペインの時》: あんなに無情な人でも（第15場）)-John Mark Ainsley/London Symphony Orchestra/André Previn

Elijah, Op. 70, MWV A25 / Part 1 - 3. Recitative (Obadiah): Ye people, rend your hearts (10 bars) (清唱剧《以利亚》Op. 70, MWV A25，第一部分)-John Mark Ainsley/Stephen Doughty/Orchestra of the Age of Enlightenment/Paul Daniel

Recitativo: "O Cleofe, o Maddalena" (S. Giovanni, Maddalena)-Les Musiciens Du Louvre-Grenoble/Marc Minkowski/John Mark Ainsley

Die Schöpfung Hob. XXI:2 / Part 3 - Haydn: Die Schöpfung Hob. XXI:2 / Part 3 - 33. Rezitativ: O glücklich Paar (第33首宣叙调：哦，幸福的情侣)-John Mark Ainsley/Frans Brüggen/Orchestra Of The 18th Century

Where'er You Walk-The King's Consort/Jaime Laredo/John Mark Ainsley

Geheimes D. 719-John Mark Ainsley

Geist der Liebe D. 747-John Mark Ainsley/Jamie MacDougall/Simon Keenlyside/Michael George

Glaude, Hoffnung und Liebe D. 955-John Mark Ainsley/Anthony Rolfe Johnson/Michael Schade

The Heart's Assurance Remember Your Lovers-John Mark Ainsley

III. Up! Quit Thy Bower-Elizabeth Layton/Felicity Lott/John Mark Ainsley/Malcolm Martineau

No. 8 Norah Of Balamagairy-Christopher Maltman/John Mark Ainsley/Malcolm Martineau/Marieke Blankestijn

Mass in C Major, Op. 86 - Sanctus-Sara Mingardo/Sally Matthews/John Mark Ainsley/Alastair Miles

Act II, Scene 2: Sire! Sire! - Plus un mot!-Alastair Miles/Bo Skovhus/Vienna State Opera Orchestra/Bertrand De Billy

Part I: Aria: "Bacchus ewig jung und schön" (Arr. Mozart)-Alastair Miles/Handel and Haydn Society Orchestra/Christopher Hogwood

Niobe, regina di Tebe - Act I Scene 11: Aria: Dove sciolti a volo i vanni (Creonte, Poliferno)-Iestyn Davies/Alastair Miles/Balthasar-Neumann Ensemble/Thomas Hengelbrock

La conquista di Granata - Act I Scene 11: Padre? … Un sol figlio avea (Hassem, Zulema)-Alastair Miles/Mariola Cantarero/Madrid Symphony Orchestra/Jesús López-Cobos

La conquista di Granata - Act I Scene 9: Che avvenne? … Ove son io? (Zulema, Almeraya) - Scene 10: Vieni, Zulema … (Almeraya, Zulema, Hassem)-Mariola Cantarero/Maria Jose Suarez/Alastair Miles/Madrid Symphony Orchestra

Oedipus Rex, Act I: "Gloria, gloria, gloria!" (Chorus)-Anthony Rolfe Johnson/Franz Welser-Möst/Marjana Lipovsek/London Philharmonic Choir/Sir John Tomlinson/Alastair Miles/John Mark Ainsley/Peter Coleman-Wright

Oedipus Rex, Act I: "Dicere non possum, dicere non licet" (Tirésias, Œdipe)-Franz Welser-Möst/Alastair Miles/Marjana Lipovsek/Anthony Rolfe Johnson/Sir John Tomlinson/John Mark Ainsley/Peter Coleman-Wright

Handel - Messiah, K. 572 - Part III: Aria: The Trumpet shall sound-Alastair Miles/Stuttgart Bach Collegium/Helmuth Rilling

Haydn: Mass No.12 - 'Theresienmesse' in B flat HobXXII/12 (1799) - Credo-Nancy Argenta/Catherine Robbin/Michael Schade/Alastair Miles

Mass in D Major, Op. 123, "Missa Solemnis" - Credo-Amanda Halgrimson/Cornelia Kallisch/John Aler/Alastair Miles

Saul, HWV 53 / Act 2 - Handel: Saul, HWV 53 / Act 2 - "As great Jehovah lives" (Live)-Alastair Miles/English Baroque Soloists/John Eliot Gardiner

Saul, HWV 53 / Act 3 - Handel: Saul, HWV 53 / Act 3 - "Why hast thou forc'd me from the realms of peace" (Live)-Richard Savage/Alastair Miles/English Baroque Soloists/John Eliot Gardiner

Ernani / Part 3 - Ad augusta! (Ernani / Part 3: コウキナコトニ|歌劇《エルナーニ》: 高貴なことに！)-Luciano Pavarotti/Paata Burchuladze/Alastair Miles/Chorus of the Welsh National Opera/Welsh National Opera Orchestra/Richard Bonynge

Leonore, Op. 72 / Act 3 - Beethoven: Leonore, Op. 72 / Act 3 - "Zur Rache! Zur Rache!" (カゲキレオノーレ: "Zur Rache! Zur Rache!"|歌劇《レオノーレ》: "Zur Rache! Zur Rache!")-Hillevi Martinpelto/Kim Begley/Franz Hawlata/Alastair Miles/Michael Schade/Christiane Oelze

Mendelssohn : Elijah : Part 2 "Alsdann Wird Euer Licht Hervorbrechen"-Alastair Miles

Richard Strauss: Im Sonnenschein Op 87 No 4 Noch eine Stunde laßt mich hier verweilen im Sonnenschein-Alastair Miles/Roger Vignoles

Mendelssohn : Elijah : Part 2 "Seraphim Standen Über Ihm"-Alastair Miles

Mendelssohn : Elijah : Part 2 "Siehe, Er Schläft"-Alastair Miles

Le nozze di Figaro, K. 492 - No. 3 Cavatina: "Se Vuol Ballare"-Sir Charles Mackerras/Timothy Byram-Wigfield/Alastair Miles

Mendelssohn: Symphony No. 3 in A Minor, Op. 56, MWV N18 "Scottish" - I. Introduction. Andante con moto (a小调第三号交响曲，Op.56，MWV N18 “苏格兰”)-London Classical Players/Sir Roger Norrington/Sir Roger Norrington

Die Zauberflöte, K. 620, Act 2 Scene 8: No. 14, Arie, "Der Hölle Rache kocht in meinem Herzen" (Königin)-Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey

Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo-London Classical Players/Sir Roger Norrington/Sir Roger Norrington

Symphony No. 5 in C Minor, Op. 67: III. Allegro --London Classical Players/Sir Roger Norrington/Sir Roger Norrington

Music For The Royal Fireworks La Rejouissance-London Classical Players

Les Francs-Juges, Op. 3, H 23d-London Classical Players/Roger Norrington/Sir Roger Norrington

Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto-Melvyn Tan/London Classical Players/Sir Roger Norrington

Die Zauberflöte, K. 620: Ouverture. Adagio - Allegro-Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey

Die Zauberflöte, K. 620, Act 1 Scene 5: Dialog, "Rüste dich mit Mut und Standhaftigkeit … Sie kommt!" (Drei Damen, Tamino)-Sir Roger Norrington/Richard Wistreich/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey

Symphonie fantastique, Op. 14, H 48: I. Rêveries - Passions. Largo - Allegro agitato e appassionato assai-London Classical Players/Roger Norrington/Sir Roger Norrington

The Fairy Queen, Z. 629, Act III: Dialogue Between Coridon and Mopsa. "Now the Maids and the Men"-Lorraine Hunt/Catherine Pierard/Susan Bickley/Howard Crook/Mark Padmore/David Wilson-Johnson

Die Zauberflöte, K. 620, Act 2 Scene 1: No. 9, Marsch der Priester (Andante)-Sir Roger Norrington/Richard Wistreich/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey

Die Zauberflöte, K. 620, Act 1 Scene 11: Dialog, "Mutter - Mutter - Mutter! … Bin ich nicht ein Narr" (Pamina, Papageno)-Sir Roger Norrington/Richard Wistreich/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey

Mendelssohn: Symphony No. 3 in A Minor, Op. 56, MWV N18 "Scottish" - IV. Finale guerriero. Allegro vivacissimo (A minor) (a小调第三号交响曲，Op.56，MWV N18 “苏格兰”)-London Classical Players/Sir Roger Norrington/Sir Roger Norrington

Symphony No. 104 in D, 'London' - Menuet-Roger Norrington/London Classical Players/Sir Roger Norrington

Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso-Melvyn Tan/London Classical Players/Sir Roger Norrington

Die Zauberflöte, K. 620, Act 2 Scene 18: No. 17, Arie, "Ach, ich fühl's, es ist verschwunden!" (Pamina)-Richard Wistreich/Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey

Die Zauberflöte, K. 620, Act 1 Scene 13: Arie, "Wie stark ist nicht dein Zauberton!" (Tamino)-Sir Roger Norrington/Richard Wistreich/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey

Die Zauberflöte, K. 620, Act 2 Scene 28: "Tamino mein! O welch ein Glück!" (Pamina, Tamino, Zwei Geharnischten)-Richard Wistreich/Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey

Symphony No. 4 in D minor op. 120 - 1. Ziemlich langsam - Lebhaft-Sir Roger Norrington/London Classical Players

Water Music Suite No. 1, HWV 348: Bourrée-London Classical Players/Sir Roger Norrington

Walton: Crown Imperial: A Coronation March (沃尔顿：帝国皇冠：加冕进行曲)-London Philharmonic Orchestra/Sir Roger Norrington/Roger Norrington

Vaughan Williams: Fantasia on a Theme by Thomas Tallis-London Philharmonic Orchestra/Sir Roger Norrington/Roger Norrington

Don Giovanni, K. 527, Act 1: Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina)-Sir Roger Norrington/Andreas Schmidt/London Classical Players/Nancy Argenta

Symphony No. 4 In F Minor - Vaughan Williams: Symphony No. 4 In F Minor - 4. Finale con epilogo fugato (Allegro molto)-London Philharmonic Orchestra/Sir Roger Norrington

Cantata "Ich habe genug" BWV 82 - J.S. Bach: Cantata "Ich habe genug" BWV 82 - 1. Aria: Ich habe genug, ich habe den Heiland (第1首咏叹调：来吧，异教徒的救世主)-Matthias Goerne/Albrecht Mayer/Camerata Salzburg/Camerata Academica Salzburg/Sir Roger Norrington/Roger Norrington

Symphony No. 7 in A Major, Op. 92 - Symphony No. 7 in A Major, Op. 92: II. Allegretto (Excerpt)-Roger Norrington/Sir Roger Norrington

Symphony No. 2: A London Symphony - Vaughan Williams: Symphony No. 2: A London Symphony - 1. Lento - Allegro risoluto (Symphony No.2: A London Symphony: Ｖａｕｇｈａｎ　Ｗｉｌｌｉａｍｓ：　１．　Ｌｅｎｔｏ　‐　Ａｌｌｅｇｒｏ　ｒｉｓｏｌｕｔｏ　［Ｓｙｍｐｈｏｎｙ　Ｎｏ．２：　Ａ　Ｌｏｎｄｏｎ　Ｓｙｍｐｈｏｎｙ］|Symphony No.2: A London Symphony: Vaughan Williams: 1. Lento - Allegro risoluto [Symphony No.2: A London Symphony])-London Philharmonic Orchestra/Sir Roger Norrington/Roger Norrington

Der Friede sei mit dir: Cantata, BWV 158 - J.S. Bach: Der Friede sei mit dir: Cantata, BWV 158 - 3. Recit: Nun Herr, regiere meinen Sinn-Matthias Goerne/Camerata Academica Salzburg/Camerata Salzburg/Roger Norrington/Sir Roger Norrington

Ich will den Kreuzstab gerne tragen Cantata, BWV 56 - J.S. Bach: Ich will den Kreuzstab gerne tragen Cantata, BWV 56 - 5. Choral: "Komm, o Tod, du Schlafes Bruder"-Salzburger Bachchor/Camerata Academica Salzburg/Camerata Salzburg/Sir Roger Norrington/Roger Norrington

Cantata "Ich habe genug" BWV 82 - J.S. Bach: Cantata "Ich habe genug" BWV 82 - 3. Aria: Schlummert ein, ihr matten Augen (第3首咏叹调：安睡吧！疲惫的眼睛)-Matthias Goerne/Camerata Academica Salzburg/Camerata Salzburg/Roger Norrington/Sir Roger Norrington

Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio-London Classical Players/Sir Roger Norrington/Sir Roger Norrington

Symphony No. 104 in D, 'London' - Adagio_Allegro-London Classical Players/Roger Norrington/Sir Roger Norrington

Die Zauberflöte, K. 620, Act 1 Scene 14: "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Die Sklaven)-Richard Wistreich/Sir Roger Norrington

Cantata "Ich habe genug" BWV 82 - J.S. Bach: Cantata "Ich habe genug" BWV 82 - 5. Aria: Ich freue mich auf meinen Tod (第5首咏叹调：我欢欣地等待死亡)-Matthias Goerne/Albrecht Mayer/Camerata Academica Salzburg/Camerata Salzburg/Sir Roger Norrington/Roger Norrington

Piano Concerto No. 23 in A Major, K. 488: I. Allegro-Melvyn Tan/London Classical Players/Sir Roger Norrington

Die Zauberflöte, K. 620, Act 1 Scene 12: No. 7, Duett, "Bei Männern, welche Liebe fühlen" (Pamina, Papageno)-Sir Roger Norrington/London Classical Players/Andreas Schmidt/Dawn Upshaw

Symphony No. 3 in A Minor, Op. 56, MWV N18 "Scottish": I. Andante con moto - Allegro un poco agitato-London Classical Players/Roger Norrington/Sir Roger Norrington

Brahms Mozart Requiem专辑下载

（2013-04-01）

Maurerische Trauermusik, K.477/479a - Maurerische Trauermusik, K. 477 (共济会葬礼进行曲, K.477/479a)

Requiem in D minor, K.626 - I. Introitus: Requiem aeternam (choir with soprano solo, D minor)

Requiem in D minor, K.626 - II. Kyrie (choir, D minor)

Requiem in D minor, K.626 - 2. Tuba mirum (solo quartet, B♭ major)

Requiem in D minor, K.626 - 3. Rex tremendae (choir, G minor-D minor)

Requiem in D minor, K.626 - 4. Recordare (solo quartet, F major)

Requiem in D minor, K.626 - 5. Confutatis (choir, A minor-D minor)

Requiem in D minor, K.626 - 6. Lacrymosa (choir, D minor)

Requiem in D minor, K.626 - IV. Offertorium:1. Domine Jesu (choir with solo quartet, G minor)2. Hostias (choir, E♭ major-G minor)

Requiem in D minor, K.626 - 1. Domine Jesu (choir with solo quartet, G minor)

Requiem in D minor, K.626 - 2. Hostias (choir, E♭ major-G minor)

Requiem in D minor, K.626 - V. Sanctus (choir, D major)

Requiem in D minor, K.626 - VI. Benedictus (choir with solo quartet, B♭ major)

Requiem in D minor, K.626 - VII. Agnus Dei (choir, D minor-B♭ major)

Requiem in D minor, K.626 - VIII. Communio:Lux aeterna (choir with soprano solo, B♭ major-D minor)

Ave verum corpus, K.618 - I. Adagio (46 bars)

Begräbnisgesang Op. 13 - Tempo di Marcia funebre (106 bars)

Ein deutsches Requiem (A German Requiem) op. 45 - I. Selig sind die da Leid tragen

Ein deutsches Requiem (A German Requiem) op. 45 - II. Denn alles Fleisch es ist wie Gras

Ein deutsches Requiem (A German Requiem) op. 45 - III. Herr, lehre doch mich

Ein deutsches Requiem (A German Requiem) op. 45 - IV. Wie lieblich sind deine Wohnungen

Ein deutsches Requiem (A German Requiem) op. 45 - V. Ihr habt nun Traurigkeit

Ein deutsches Requiem (A German Requiem) op. 45 - VI. Denn wir haben hier keine bleibende Statt

Ein deutsches Requiem (A German Requiem) op. 45 - VII. Selig sind die Toten

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