Requiem in D minor, K.626 - 1. Domine Jesu (choir with solo quartet, G minor)-Nancy Argenta/Catherine Robbin/John Mark Ainsley/Alastair Miles/London Classical Players/Sir Roger Norrington

歌手 : Nancy Argenta / Catherine Robbin / John Mark Ainsley / Alastair Miles / London Classical Players / Sir Roger Norrington
专辑 : Brahms Mozart Requiem
语种 : 拉丁语
时长 : 03:18

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Requiem in D minor, K.626 - 1. Domine Jesu (choir with solo quartet, G minor)-Nancy Argenta/Catherine Robbin/John Mark Ainsley/Alastair Miles/London Classical Players/Sir Roger Norrington 推荐歌曲

How Excellent Thy Name, O Lord (Chorus Of Israelites)-Nancy Argenta/Michael Chance
An Infant Rais'd By Thy Command (Air Soprano)-Nancy Argenta/Michael Chance
Ich Habe Genug Ich Habe Genug Aria Bwv82a-Nancy Argenta
The Time At Length Is Come (Accomp. Saul)-Nancy Argenta/Michael Chance
Le nozze di Figaro, K.492 / Act 3 - "Ricevete, o padroncina...Queste sono, Madama"-Nancy Argenta/Arleen Augér/Barbara Bonney/Enzo Florimo/Håkan Hagegård/Petteri Salomaa
Introduction et choeur. "Grands Dieux ! soyez-nous secouables"-Nancy Argenta
8. Chorale "Lob sei Gott, dem Vater" (Choir)-Nancy Argenta/Petra Lang/Olaf Bar/English Baroque Soloists/John Eliot Gardiner/The Monteverdi Choir
Haydn: Mass No.6 in G Missa Sti. Nicolai, HXXII No.6 "Nicolaimesse" - Kyrie - Allegretto-Nancy Argenta/Catherine Robbin/Michael Schade/Alastair Miles
Haydn: Mass No.12 - 'Theresienmesse' in B flat HobXXII/12 (1799) - Sanctus - Benedictus-Nancy Argenta/Catherine Robbin/Michael Schade/Alastair Miles
Haydn: Mass No.12 - 'Theresienmesse' in B flat HobXXII/12 (1799) - Gloria-Nancy Argenta/Catherine Robbin/Michael Schade/Alastair Miles
O magnum mysterium: motet pour 4 voix mixtes a cappella-David Hill/Nancy Argenta/Simon Keenlyside/Kenan Burrows
Psalm 51 from Pergolesi's Stabat Mater Tilge Hochster meine Sunden BWV 1083: "Ist mein Herz in Misse-Diego Fasolis/I Barocchisti/Nancy Argenta
Ich Freue Mich Auf Meinen Tod-Nancy Argenta
Il duello amoroso, HWV 82 (Amarilli vezzosa) - Dunque tanto s'avanza (Recitativo Amarilli)-Nancy Argenta/Freiburger Barockorchester
Iphigénie en Tauride / Act 1 - Gluck: Iphigénie en Tauride / Act 1 - Récitatif. "Iphigénie, ô ciel!" - Choeur. "O songe affreux!" - Récitatif. "O race de Pélops!"-Diana Montague/Nancy Argenta/Sophie Boulin/Lucinda Houghton/Jane Armstrong/Suzanne Flowers
Don Gayseros I D. 93 No. 1-Nancy Argenta/John Mark Ainsley/Adrian Thompson
Récitatif. "Iphigénie, ô ciel!" - Choeur. "O songe affreux!" - Récitatif. "O race de Pélops!"-Nancy Argenta
Montéclair: "Je ne verrai donc plus Énée!" (from Cantata "La Mort de Didon")-Trio Sonnerie/Nancy Argenta
Weichet Nur, Betrübte Schatten-Nancy Argenta
Cantata No. 199, 'Mein Herze Schwimmt Im Blut' Bwv199 Recitativo Mein Herze Schwimmt Im Blut-Nancy Argenta
Mass in D Major, Op. 123 "Missa Solemnis" - I. Kyrie (D大调弥撒曲，作品123“庄严弥撒曲” - 第1首 慈悲经)-Catherine Robbin/Alastair Miles/Monteverdi Choir/Orchestre Révolutionnaire et Romantique
Handel: Belshazzar / Act 1 - "By slow degrees the wrath of God" (“让神的愤怒降低”)-The English Concert/Catherine Robbin/Trevor Pinnock/The English Concert Choir
La clemenza di Tito, K. 621 / Act I - Mozart: La clemenza di Tito, K. 621 / Act I - "Ah perdona al primo affetto" (狄托的仁慈，作品621“原谅第一次爱”) (Live at Queen Elizabeth Hall, London / 1990)-Catherine Robbin/Sylvia McNair/English Baroque Soloists/John Eliot Gardiner
La clemenza di Tito, K.621 / Act 1 - Mozart: La clemenza di Tito, K.621 / Act 1 - "Amico, ecco il momento"-Anne Sofie von Otter/Catherine Robbin/English Baroque Soloists/John Eliot Gardiner
La clemenza di Tito, K. 621 / Act II - Mozart: La clemenza di Tito, K. 621 / Act II - "No, così scellerato" - "Cesare, nol diss'io"-Anthony Rolfe Johnson/Catherine Robbin/Cornelius Hauptmann/English Baroque Soloists/John Eliot Gardiner
Stabat Mater: Stabat mater dolorosa (佩尔戈莱西：圣母悼歌：圣母悼歌苦难之路)-Dorothea Roschmann/Catherine Robbin/Les Violons du Roy/Bernard Labadie
Berlioz Roméo et Juliet, Op.17 Part 4 - Scherzo La reine Mab ou la fée des songes-Catherine Robbin/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner/Monteverdi Choir
Berlioz Roméo et Juliette, Op.17 Part 7 - Mais notre sang rougit leur glaive (Version with original parts)-Catherine Robbin/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner/Monteverdi Choir
Berlioz Roméo et Juliette, Op.17 Part 5 - Requiem aeternam (Version with original parts)-Catherine Robbin/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner/Monteverdi Choir
Roméo et Juliette, Op.17 - Version with original parts. - Part 1 - Berlioz: Roméo et Juliette, Op.17 - Version with original parts. - Part 1 - Strophes "Premiers transports que nul n'oblie..."-Catherine Robbin/Jean-Paul Fouchécourt/Monteverdi Choir/The Monteverdi Choir/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner
Orlando, HWV 31 / Act 2 - Handel: Orlando, HWV 31 / Act 2 - A qual rischio vi espone-Arleen Augér/Catherine Robbin/David Thomas/Academy Of Ancient Music/Christopher Hogwood
Orlando, HWV 31 / Act 2 - Handel: Orlando, HWV 31 / Act 2 - Ah perfida, qui sei!-Arleen Augér/James Bowman/Catherine Robbin/Academy Of Ancient Music/Christopher Hogwood
Mass in D Major, Op. 123 "Missa Solemnis" - Kyrie-Charlotte Margiono/Orchestre Révolutionnaire et Romantique/John Eliot Gardiner/Catherine Robbin
Wie lange schon war immer mein Verlangen (How long has it been my desire)-Daniel Lichti/Catherine Robbin/Leslie De'Ath
Ihr seid die Allerschönste (You are the most beautiful)-Daniel Lichti/Catherine Robbin/Leslie De'Ath
Ihr jungen Leute (Listen, boys)-Daniel Lichti/Catherine Robbin/Leslie De'Ath
Wenn du mich mit den Augen streifst (When you glance at me with your laughing eyes)-Daniel Lichti/Catherine Robbin/Leslie De'Ath
Daß doch gemalt all deine Reize wären (Oh, had all your loveliness been painted)-Daniel Lichti/Catherine Robbin/Leslie De'Ath
Ich esse nun mein Brot nicht trocken mehr (I do not eat my bread unmoistened anymore)-Daniel Lichti/Catherine Robbin/Leslie De'Ath
Auch kleine Dinge können uns entzücken (Even little things can delight us)-Daniel Lichti/Catherine Robbin/Leslie De'Ath
Schubert: Die Forelle, D.550 (Op.32)-John Mark Ainsley/Steven Lubin
Les Troyens / Act 5 - No.38 Chanson d'Hylas: "Vallon sonore"-John Mark Ainsley/Orchestre Symphonique de Montréal/Charles Dutoit
Rameau: Dardanus / Act 2 - "On vient ... c'est Dardanus" (达耳达诺斯 / 第2幕 - “我们从...这是达耳达诺斯”)-John Mark Ainsley/Les Musiciens du Louvre
Schubert: Am Strome, D 539-John Mark Ainsley/Steven Lubin
Ravel: L'heure espagnole, Comédie en un acte, M.52 - "Ah! vous, n'est-ce pas, preste! leste!" (Scène XIV) (スペインノトキ: サア　イソイデソコカラデエイキナサイ|喜歌劇《スペインの時》: さあ！急いでそこから出ていきなさい！)-Kimberly Barber/John Mark Ainsley/André Previn/London Symphony Orchestra
Acc. Recit: "Doch Du, Caecilia" (Arr. Mozart)-John Mark Ainsley/Handel and Haydn Society Orchestra/Christopher Hogwood
Part I: Aria: "Selig, selig, selig, Paar!" (Arr. Mozart)-John Mark Ainsley/Handel and Haydn Society Orchestra/Christopher Hogwood
Till Earth Outwears, Op. 19a - No. 7. Life laughs onwards-Iain Burnside/John Mark Ainsley
Messiah, HWV 56 / Part 2 - 25. Accompagnato: All they that see Him-Les Musiciens Du Louvre-Grenoble/Marc Minkowski/John Mark Ainsley
Elijah, Op. 70, MWV A25 / Part 2 - 42. Chorus (SATB): And then shall your light break forth (127 bars) (清唱剧《以利亚》Op. 70, MWV A25，第二部分)-Renée Fleming/Patricia Bardon/John Mark Ainsley/Neal Davies/Stephen Doughty/Orchestra of the Age of Enlightenment
Elijah, Op. 70, MWV A25 / Part 2 - 25. Recitative (Tenor): Man of God, now let my words (28 bars) (清唱剧《以利亚》Op. 70, MWV A25，第二部分)-John Mark Ainsley/Bryn Terfel/Stephen Doughty/Orchestra of the Age of Enlightenment/Paul Daniel
Aria: "Caro Figlio!" (S. Giovanni)-Les Musiciens Du Louvre-Grenoble/Marc Minkowski/John Mark Ainsley
Requiem in F minor, IHB 17 - 6. Agnus Dei-Catherine Bott/Tessa Bonner/Christopher Robson/John Mark Ainsley
Mass in C, K.317 "Coronation" - 6. Agnus Dei-Emma Kirkby/Catherine Robbin/John Mark Ainsley/Michael George
Acis and Galatea, HWV 49 - Arr. Mozart as Acis und Galatea, K.566 / Act 1 - Ach, Schäferin-John Mark Ainsley/Handel and Haydn Society/Christopher Hogwood
Acis and Galatea, HWV 49 - Arr. Mozart as Acis und Galatea, K.566 / Act 2 - Hilf, Galatea!-John Mark Ainsley/Handel and Haydn Society/Christopher Hogwood
No. 20 Farewell Bliss And Farewell Nancy-Christopher Maltman/John Mark Ainsley/Malcolm Martineau/Marieke Blankestijn
An Die Ferne Geliebte-John Mark Ainsley
Der Morgenstern D. 172 ed. Hoorickx-John Mark Ainsley
No. 13 Come Fill, Fill, My Good Fellow-Catrin Wyn Davies/Elizabeth Layton/John Mark Ainsley/Malcolm Martineau
Part I: Aria: "Bacchus ewig jung und schön" (Arr. Mozart)-Alastair Miles/Handel and Haydn Society Orchestra/Christopher Hogwood
Part II: Recit: "Timotheus, entsag' dem Preis!" (Arr. Mozart)-John Mark Ainsley/Alastair Miles/Handel and Haydn Society Orchestra/Christopher Hogwood
Niobe, regina di Tebe - Act I Scene 11: Aria: Nuovo soglio, e nuova bella (Poliferno) - Scene 12: A voi di Tracia, e Gnido (Creonte)-Alastair Miles/Iestyn Davies/Balthasar-Neumann Ensemble/Thomas Hengelbrock
La conquista di Granata - Act III Scene 8: Rumor di spade di' non e questo? (Hassem, Zulema, Gonzalo) - Scene 9: Gonzal! … (Zulema, Gonzalo)-Alastair Miles/Mariola Cantarero/José Bros/Madrid Symphony Orchestra
Oedipus Rex, Act II: "Ego senem cecedi" (Œdipe, Jocasta)-Franz Welser-Möst/Anthony Rolfe Johnson/Marjana Lipovsek/Sir John Tomlinson/Alastair Miles/John Mark Ainsley/Peter Coleman-Wright
Oedipus Rex, Act II: "Divum Jocastae caput mortuum" (Le Messager, Chorus)-Anthony Rolfe Johnson/Franz Welser-Möst/London Philharmonic Choir/Marjana Lipovsek/Peter Coleman-Wright/Sir John Tomlinson/Alastair Miles/John Mark Ainsley
Handel - Messiah, K. 572 - Part I: Chorus: For unto us a Child is born-Donna Brown/Cornelia Kallisch/Roberto Saccà/Alastair Miles
Haydn: Mass No.6 in G Missa Sti. Nicolai, HXXII No.6 "Nicolaimesse" - Kyrie - Allegretto-Nancy Argenta/Catherine Robbin/Michael Schade/Alastair Miles
Handel - Messiah, K. 572 (Sung in German) - Recitative: Dann wird erfullt (Bass)-Alastair Miles/Stuttgart Bach Collegium/Helmuth Rilling
Handel - Messiah, K. 572 (Sung in German) - Solo Quartet and Chorus: Uns ist zum Heil ein Kind geboren (Quartet, Chorus)-Donna Brown/Cornelia Kallisch/Roberto Saccà/Alastair Miles
Saul, HWV 53 / Act 1 - Handel: Saul, HWV 53 / Act 1 - "With rage I shall burst his praises to hear!" (Live)-Alastair Miles/English Baroque Soloists/John Eliot Gardiner
Saul, HWV 53 / Act 1 - Handel: Saul, HWV 53 / Act 1 - "'Tis all in vain...A serpent in my bosom warm'd...Has he escaped my rage?" (Live)-John Mark Ainsley/Alastair Miles/English Baroque Soloists/John Eliot Gardiner
Berlioz: Roméo et Juliette, Op.17 / Part 7 - Jurez donc par l'auguste symbole (因此，通过威严的象征发誓)-Alastair Miles/Chor des Bayerischen Rundfunks/Wiener Philharmoniker/Sir Colin Davis
Mendelssohn : Elijah : Part 2 "Ja, Es Sollen Wohl Berge Weichen"-Alastair Miles
Mendelssohn : Elijah : Part 1 "Denn Er Hat Seinen Engeln Befohlen"-Alastair Miles
Mendelssohn : Elijah : Part 1 "Wirf Dein Anliegen Auf Den Herrn"-Alastair Miles
Mendelssohn : Elijah : Part 1 "Was Hast Du An Mir Getan"-Alastair Miles
Richard Strauss: Im Sonnenschein Op 87 No 4 Noch eine Stunde laßt mich hier verweilen im Sonnenschein-Alastair Miles/Roger Vignoles
Mendelssohn : Elijah : Part 2 "Aber Einer Erwacht Von Mitternacht"-Alastair Miles
Mendelssohn : Elijah : Part 2 "Wer Bis An Das Ende Beharrt"-Alastair Miles
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio-London Classical Players/Sir Roger Norrington/Sir Roger Norrington
Symphony No. 5 in C Minor, Op. 67: III. Allegro --London Classical Players/Sir Roger Norrington/Sir Roger Norrington
Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro --London Classical Players/Sir Roger Norrington/Sir Roger Norrington
Symphony No. 40 in G Minor, K. 550: I. Molto allegro-Roger Norrington/London Classical Players/Sir Roger Norrington
Symphony No. 104 in D, 'London' - Adagio_Allegro-Roger Norrington/London Classical Players/Sir Roger Norrington
Die Zauberflöte, K. 620, Act 2 Scene 28: Marsch - "Wir wandelten durch Feuergluten … Triumph! Triumph! Du edles Paar!" (Pamina, Tamino, Die Priester, Die Gefolge)-Richard Wistreich/Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey
Die Zauberflöte, K. 620, Act 1 Scene 3: Dialog, "Papageno! … Wer sind diese Damen?" (Drei Damen, Papageno, Tamino)-Sir Roger Norrington/Richard Wistreich/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey
The Fairy Queen, Z. 629, Act III: Dance for the Green Men-Roger Norrington/Lorraine Hunt/Catherine Pierard/Susan Bickley/Howard Crook/Mark Padmore/David Wilson-Johnson
Die Zauberflöte, K. 620, Act 1 Scene 1: "Ich sollte fort! Ei ei! wie fein!" (Drei Damen)-Richard Wistreich/Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey
Piano Concerto No. 1 in C Major, Op. 15: III. Rondo. Allegro scherzando-Melvyn Tan/London Classical Players/Sir Roger Norrington
Symphony No. 3 in A Minor, Op. 56, MWV N18 "Scottish": I. Andante con moto - Allegro un poco agitato-Roger Norrington/London Classical Players/Sir Roger Norrington
Die Zauberflöte, K. 620, Act 2 Scene 29: "Papagena! Papagena! Papagena!" (Papageno, Drei Knaben)-Sir Roger Norrington/Richard Wistreich/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey
The Fairy Queen, Z. 629, Act III: Dialogue Between Coridon and Mopsa. "Now the Maids and the Men"-Lorraine Hunt/Catherine Pierard/Susan Bickley/Howard Crook/Mark Padmore/David Wilson-Johnson
Die Zauberflöte, K. 620, Act 1 Scene 13: No. 8, Finale, "Zum Ziele führt dich diese Bahn" (Drei Knaben, Tamino)-Sir Roger Norrington/Richard Wistreich/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey
Die Zauberflöte, K. 620, Act 1 Scene 7: No. 5, Quintett, "Hm! hm! hm! hm!" (Papageno, Tamino, Drei Damen)-Richard Wistreich/Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey
Mendelssohn: Symphony No. 3 in A Minor, Op. 56, MWV N18 "Scottish" - IV. Finale guerriero. Allegro vivacissimo (A minor) (a小调第三号交响曲，Op.56，MWV N18 “苏格兰”)-London Classical Players/Sir Roger Norrington/Sir Roger Norrington
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso-Melvyn Tan/London Classical Players/Sir Roger Norrington
The Fairy Queen, Z. 629: Overture-Lorraine Hunt/Roger Norrington/Catherine Pierard/Susan Bickley/Howard Crook/Mark Padmore/David Wilson-Johnson
Die Zauberflöte, K. 620, Act 1 Scene 16: "Herr! Ich bin zwar Verbrecherin!" (Pamina, Sarastro)-Sir Roger Norrington/Richard Wistreich/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey
Water Music Suite No. 1, HWV 348: Air-London Classical Players/Sir Roger Norrington
Die Zauberflöte, K. 620, Act 2 Scene 8: No. 14, Arie, "Der Hölle Rache kocht in meinem Herzen" (Königin)-Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey
Vaughan Williams: Fantasia on a Theme by Thomas Tallis-London Philharmonic Orchestra/Sir Roger Norrington/Roger Norrington
Elgar: "Pomp and Circumstance," Op. 39: March, No. 1 in D - With "Land of Hope and Glory"-London Philharmonic Choir/London Philharmonic Orchestra/Roger Norrington/Sir Roger Norrington
Serse, HWV 40 / Act 1 - Handel: Serse, HWV 40 / Act 1 - "Ombra mai fu" (헨델: 세르세 / 1막: '그리운 나무 그늘이여'|Serse, HWV 40 / Act 1: オンブラ・マイ・フ|歌劇《セルセ》HWV40 から: オンブラ・マイ・フ（なつかしい木陰）)-Andreas Scholl/Orchestra Of The Age Of Enlightenment/Orchestra of the Age of Enlightenment/Roger Norrington/Sir Roger Norrington
Symphony No. 2: A London Symphony - Vaughan Williams: Symphony No. 2: A London Symphony - 3. Scherzo (Nocturne, Allegro vivace) (Symphony No.2: A London Symphony: Ｖａｕｇｈａｎ　Ｗｉｌｌｉａｍｓ：　３．　Ｓｃｈｅｒｚｏ　（Ｎｏｃｔｕｒｎｅ，　Ａｌｌｅｇｒｏ　ｖｉｖａｃｅ）　［Ｓｙｍｐｈｏｎｙ　Ｎｏ．２：　Ａ　Ｌｏｎｄｏｎ　Ｓｙｍｐｈｏｎｙ］|Symphony No.2: A London Symphony: Vaughan Williams: 3. Scherzo (Nocturne, Allegro vivace) [Symphony No.2: A London Symphony])-London Philharmonic Orchestra/Sir Roger Norrington/Roger Norrington
Don Giovanni, K. 527, Act 1: Aria. "Fin ch'han dal vino" (Don Giovanni)-Sir Roger Norrington/Andreas Schmidt/London Classical Players
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": I. Allegro con brio-London Classical Players/Sir Roger Norrington/Sir Roger Norrington
‎Symphonie Fantastique, Op. 14 - Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo-London Classical Players/Roger Norrington/Sir Roger Norrington
Cantata No. 35 "Geist und Seele wird verwirret", BWV 35 - J.S. Bach: Cantata No. 35 "Geist und Seele wird verwirret", BWV 35 - 5. Sinfonia (第5首 序曲)-Johannes Strobl/Johannes Bogner/Camerata Academica Salzburg/Camerata Salzburg/Sir Roger Norrington/Roger Norrington
Symphonie fantastique, Op. 14, H 48: III. Scène aux champs. Adagio-London Classical Players/Roger Norrington/Sir Roger Norrington
Symphony No. 7 in A Major, Op. 92 - Symphony No. 7 in A Major, Op. 92: II. Allegretto (Excerpt)-Roger Norrington/Sir Roger Norrington
Symphony No. 40 in G Minor, K. 550: I. Molto allegro-London Classical Players/Roger Norrington/Sir Roger Norrington
Saul, HWV 53 / Act 1 - Handel: Saul, HWV 53 / Act 1 - Air: "O Lord, whose Mercies numberless" (Saul, HWV 53 / Act 1: オオシュヨ|オラトリオ《サウル》HWV53 から: おお、主よ、その限りない慈悲は)-Andreas Scholl/Francis Kelly/Orchestra of the Age of Enlightenment/Orchestra Of The Age Of Enlightenment/Sir Roger Norrington/Roger Norrington
Serse, HWV 40 / Act 1 - Handel: Serse, HWV 40 / Act 1 - "Frondi tenere e belle" (Serse, HWV 40 / Act 1: ワタシガアイスル|歌劇《セルセ》HWV40 から: 私が愛するすずかけの木々の)-Andreas Scholl/Orchestra Of The Age Of Enlightenment/Orchestra of the Age of Enlightenment/Roger Norrington/Sir Roger Norrington
Symphony No. 104 in D, 'London' - Adagio_Allegro-London Classical Players/Roger Norrington/Sir Roger Norrington
Ich will den Kreuzstab gerne tragen Cantata, BWV 56 - J.S. Bach: Ich will den Kreuzstab gerne tragen Cantata, BWV 56 - 2. Recitativo: "Mein Wandel auf der Welt"-Matthias Goerne/Camerata Academica Salzburg/Camerata Salzburg/Roger Norrington/Sir Roger Norrington
Die Zauberflöte, K. 620: Ouverture. Adagio - Allegro-Richard Wistreich/Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey
Parsifal, Act 1: Prelude-London Classical Players/Roger Norrington/Sir Roger Norrington
Symphony No. 3 in A Minor, Op. 56, MWV N18 "Scottish": I. Andante con moto - Allegro un poco agitato-London Classical Players/Roger Norrington/Sir Roger Norrington
Die Zauberflöte, K. 620, Act 1 Scene 1: Dialog, "Wo bin ich? Ist’s Phantasie, dass ich noch lebe?" (Tamino)-Richard Wistreich/Sir Roger Norrington/London Classical Players/Anthony Rolfe Johnson/Andreas Schmidt/Dawn Upshaw/Guy de Mey
Brahms Mozart Requiem

Brahms Mozart Requiem专辑下载

（2013-04-01）
Maurerische Trauermusik, K.477/479a - Maurerische Trauermusik, K. 477 (共济会葬礼进行曲, K.477/479a)
Requiem in D minor, K.626 - I. Introitus: Requiem aeternam (choir with soprano solo, D minor)
Requiem in D minor, K.626 - II. Kyrie (choir, D minor)
Requiem in D minor, K.626 - III. Sequenz:1. Dies irae (choir, D minor)2. Tuba mirum (solo quartet, B♭ major)3. Rex tremendae (choir, G minor-D minor)4. Recordare (solo quartet, F major)5. Confutatis (choir, A minor-D minor)6. Lacrymosa (choir, D minor)
Requiem in D minor, K.626 - 2. Tuba mirum (solo quartet, B♭ major)
Requiem in D minor, K.626 - 3. Rex tremendae (choir, G minor-D minor)
Requiem in D minor, K.626 - 4. Recordare (solo quartet, F major)
Requiem in D minor, K.626 - 5. Confutatis (choir, A minor-D minor)
Requiem in D minor, K.626 - 6. Lacrymosa (choir, D minor)
Requiem in D minor, K.626 - IV. Offertorium:1. Domine Jesu (choir with solo quartet, G minor)2. Hostias (choir, E♭ major-G minor)
Requiem in D minor, K.626 - 2. Hostias (choir, E♭ major-G minor)
Requiem in D minor, K.626 - V. Sanctus (choir, D major)
Requiem in D minor, K.626 - VI. Benedictus (choir with solo quartet, B♭ major)
Requiem in D minor, K.626 - VII. Agnus Dei (choir, D minor-B♭ major)
Requiem in D minor, K.626 - VIII. Communio:Lux aeterna (choir with soprano solo, B♭ major-D minor)
Ave verum corpus, K.618 - I. Adagio (46 bars)
Begräbnisgesang Op. 13 - Tempo di Marcia funebre (106 bars)
Ein deutsches Requiem (A German Requiem) op. 45 - I. Selig sind die da Leid tragen
Ein deutsches Requiem (A German Requiem) op. 45 - II. Denn alles Fleisch es ist wie Gras
Ein deutsches Requiem (A German Requiem) op. 45 - III. Herr, lehre doch mich
Ein deutsches Requiem (A German Requiem) op. 45 - IV. Wie lieblich sind deine Wohnungen
Ein deutsches Requiem (A German Requiem) op. 45 - V. Ihr habt nun Traurigkeit
Ein deutsches Requiem (A German Requiem) op. 45 - VI. Denn wir haben hier keine bleibende Statt
Ein deutsches Requiem (A German Requiem) op. 45 - VII. Selig sind die Toten