5. Aria: "Mein Erlöser und Erhalter" (第5首 咏叹调:“我的救赎主和拥护者”)-Concentus Musicus Wien/Nikolaus Harnoncourt/Ruud van der Meer
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Bach reflected the duality within the words of the psalm in the opening chorus by creating a double fugue. Both themes of the movement in D Major are handled separately first and then combined. In the first aria, a pastoralmovement, the tenor is accompanied by oboe da caccia, recorder and bassoon.a later version around 1727 Bach changed the instrumentation to alto, oboe and violin, possibly because he did not have players at hand for the first woodwind setting. In the second aria the contrast of Leiden (suffering) and Freuden (joy) is expressed by chromatic, first down, then up, and vivid coloraturas. The closing chorale is the same as the one of Weinen, Klagen, Sorgen, Zagen, BWV 12, of 1714, but for no apparent reason without the obbligato violin.
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TXT 5. Aria: "Mein Erlöser und Erhalter" (第5首 咏叹调:“我的救赎主和拥护者”)-Concentus Musicus Wien/Nikolaus Harnoncourt/Ruud van der Meer 文本歌词
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5. Aria: "Mein Erlöser und Erhalter" (第5首 咏叹调:“我的救赎主和拥护者”)-Concentus Musicus Wien/Nikolaus Harnoncourt/Ruud van der Meer 推荐歌曲
Bach, JS : Sacred Cantatas Vol.4 : BWV 61-78 (巴赫:神圣的康塔塔第4卷,作品61 - 78)专辑下载
(2005-11-15)