The Swan of Tuonela, Op. 22 No. 2 (图翁内拉的天鹅，作品22之2)-Gerhard Stempnik/Berliner Philharmoniker/Herbert von Karajan

歌手 : Gerhard Stempnik / Berliner Philharmoniker / Herbert von Karajan

专辑 : Grieg: Peer Gynt Suites / Sibelius: Valse triste (格里格：培尔·金特组曲和霍尔堡组曲与西贝柳斯：忧郁圆舞曲)

语种 : 纯音乐

时长 : 07:59

该曲最显着的特色是乐曲的旋律结构，尤其是天鹅唱出死亡哀歌时，英国管奏出绵长而旋绕不已的不对称旋律。这种表现乐曲的方式后来成了西贝柳斯的习惯，无论是实际表现或是借助暗示都充溢着此种特色。十九世纪末，浪漫时期的音乐家试图从“古典时期音乐以固定形式终结旋律”的桎梏中解放出来，西贝柳斯的这一特色是他对旋律创作方式的探索；与之类似，瓦格纳以他称为“无终止旋律”的方式另辟蹊径，德彪西则认为需要“无穷尽的旋律、变奏以及乐句的自由”。

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TXT The Swan of Tuonela, Op. 22 No. 2 (图翁内拉的天鹅，作品22之2)-Gerhard Stempnik/Berliner Philharmoniker/Herbert von Karajan 文本歌词

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Grieg: Peer Gynt Suites / Sibelius: Valse triste (格里格：培尔·金特组曲和霍尔堡组曲与西贝柳斯：忧郁圆舞曲)专辑下载

（1993-01-01）

Peer Gynt Suite No. 1, Op. 46 - 1. Morning Mood (第1号培尔·金特组曲，作品46 - 第1首晨景)

2. The Death of Aase (第2首奥丝之死)

3. Anitra's dance (第3首安妮特拉之舞)

Peer Gynt Suite No 1, op 46:4. In the Hall of the Mountain King (第4首在妖王宫中)

1. The Abduction - Ingrid's Lament (第1首诱导 - 英格丽德的悲叹)

Peer Gynt Suite No. 2, Op. 55 - 2. Arabian dance (第2号培尔·金特组曲，作品55 - 第2首阿拉伯舞曲)

3. Peer Gynt's return (第3首培尔·金特归来)

Peer Gynt Suite No.2, Op.55:4. Solveigs song (第4首索尔维格之歌)

1. Preludium - Allegro vivace (第1首前奏曲 - 活泼的快板) (Allegro vivace)

2. Sarabande - Andante (第2首萨拉班德舞曲 - 行板)

3. Gavotte - Allegretto, Poco più mosso, Allegretto (第3首加沃特舞曲 - 小快板，稍稍再快一点，小快板)

Holberg Suite, Op.40 - 4. Air (Andante religioso) (霍尔堡组曲，作品40 - 第4首咏叹调 - 虔诚的行板)

5. Rigaudon (Allegro con brio) (第5首利戈顿舞曲 - 有活力的快板)

Valse triste, Op. 44 (忧郁圆舞曲，作品44)

Finlandia, Op.26, No.7 (芬兰颂，作品26之7)